La lunule

THE PYX opens with the death of a prostitute named Elizabeth Lucy (Karen Black). Dt. Sgt. Jim Henderson (Christopher Plummer) is on the case. What, at first, seems like a typical murder, develops into something that Henderson can't explain. As he digs deeper into the mystery of Elizabeth's death, he must face the possibility that occult forces are at work.

The atmosphere of this movie grows increasingly thick with gloom and dread. Ms. Black is quite good in her doomed role, as is Plummer as the dogged investigator. His facial expressions during the finale are perfect and unforgettable.

The music by Ms. Black is tragic and haunting...

Cynical detective investigates the murder of a prostitute, a case which has occult underpinnings. Murky, unpleasant picture with bloody deaths and odd nude shots of Karen Black (perhaps it's Black's body-double, for you rarely see Karen's face connected to the shapely naked figure). Christopher Plummer does a great job as the investigator; a handsome wise-ass, he's terrifically funny in his offhand manner and gives this a big boost. There's a bummer of a subplot involving a homosexual, and the damp Canadian locales are visually dull, but I did admire director Harvey Hart's structuring of the before-and-after storyline. Despite some great reviews from the critics, "The Pyx" just kind of tails off, and the credits hit the screen before you can stop scratching your head. ** from ****

I really enjoyed this somewhat little known Canadian film about a Montreal police detective hot on the trail of a prostitute's death. Christopher Plummer does an excellent job as the cop trying to find out who killed Karen Black. Black is dead in the beginning of the film ,and the film alternates between what Plummer is doing in real time and flashback-type sequences with Black going through everything that happened up until her death. Black is lovely and adequate in her role, and the point of view used with her AFTER she was killed was quite inventive. But it is Plummer's performance which really seizes the film and makes it into something more than a regular murder mystery movie. Plummer discovers by piece by piece of evidence that Black became the victim of some sort of cult. Director Harvey Hart does an able job with the script creating tense scenes when needed and alternating shooting continuity between the two story lines. The film should not be over-looked. The biggest problem with the film for me is the opening credits which seems to drone on forever and accompanied by the most boring film song I have heard in a long. long time.

Harvey Hart directs THE PYX, a 1973 Canadian film which in turns presents facets as a film noir, a horror picture, and a plain whodunnit. Which sounds both fun and engrossing.

Reality is somewhat different. Police sergeant Plummer develops a keen interest in a hooker found dead in some Canadian city where French is spoken about as much as English, so much so that he even leaves his cuddly, sex-seeking pert-breasted lovely wife to go investigate the death of Elizabeth, a hooker who shoots drugs.

Definitely an ahead of its time flick in 1973 but bogged down by too many flashbacks and flashforwards, never making it crystal who the narrator is, which irritated me after a while.

Worth watching for the acting and Black's stunning good looks. 6/10.

Like Larry Cohen's bizarre (and wonderful) GOD TOLD ME TO (1975), THE PYX is an interesting mixture of horror and detective thriller. After a hooker (Karen Black) supposedly commits suicide by jumping from a high-rise building to her death, cop Christopher Plummer investigates and uncovers a strange religious cult led by Jean-Louis Roux. These scenes are intercut with events from the previous 24 hours, in which Black is encouraged by her sinister madame (Yvette Brind'Amour) to join the cult. Unfortunately, despite Black excellent performance, most of these scenes are plodding and dull, due to the fact that we know Black's fate. Also, these scenes are often inserted during the more interesting investigation scenes with Plummer, who also gives a fine performance. Still, there's enough unusual about THE PYX to make it worth watching. The Montreal setting with its mixture of English and French dialogue gives the film a disquieting atmosphere, and the cop scenes have an almost documentary feel about them. The badly panned-and-scanned US video release destroys Rene Verzier's camera work (as well as make one or two moments quite confusing).