Penny Gold

The film is produced in 1973. A police movie that is actually one of the first generation movies of this genre. The story of the movie is not very amazing. Maybe after 50 years since it was made, the story seems a bit simple, but I almost guessed the theme from the middle of the movie. However, I was surprised towards the end of the movie. Therefore, it is one of the films that can surprise the audience to some extent and advance the story in a way that the audience does not expect. The twist of the story is suitable and it keeps the audience almost to the end. Although the movie is old, it can be enjoyed and maybe it will be worth the afternoon of a day off.

The British film industry was dying on its feet when this film was made in the early seventies.The fact that it was directed by Jack Cardiff speaks volumes.Anyone can see the basic premise of the plot after only about 10 minutes.So there isn't a lot of suspense merely an interest as to how the plot unravels.Booth seems to be doing an imitation of Jack Regan but despite the car chase and the rough handling of suspects this is no "Sweeny".Penelope Keith is seen in a small role before her rise to fame.This is the sort of film that was far more at home on the TV screens than on the cinema screen.At the end of the day this is little more than a potboiler.

Francesca Annis gives quite a performance as a pair of identical twin sisters, Delphi and Diane. They are complete opposites in personalities and lifestyles. When Diane is murdered, everybody is a suspect especially Delphi who deals with rare stamps. The film is satisfactory even with a stellar cast. They filmed on location in England. Jack Cardiff tried his hand at directing. The film is a decent effort. The mystery does have some twists especially at the end of the film. I wished the film had a better ending. I would have liked to know what happened to the main characters in the aftermath. James Booth plays detective in the film. I enjoy seeing other British actors and actresses like Nicky Henson, Joss Ackland, Una Stubbs, a young Dame Penelope Keith before she became a television star.

This particular type of Detective mystery, set in the world of the professional and the prosperous, was a most unusual theme for what passed for the British film industry in the 1970s. The genre had gone out of fashion about a decade earlier, a situation that was to remain until the advent of the Morse TV movies in 1986. Nowadays, a format that may have seemed outmoded in 1973 can be seen replicated on channels such as ITV3 on most nights of the year. Too bad then that PENNY GOLD provides such a tame example.

Fittingly, for a Jack Cardiff film, the photography is superb, as is the art direction. But in general, the director and his cast are unable to bring the characters or the uninspired story to life. James Booth is good as the Inspector though, with Nicky Henson as his faithful sidekick and there are all too fleeting appearances from Penelope Keith and Sue Lloyd. A crime story revolving around stamp collectors hardly sounds exciting to begin with, although there had been at least one thriller on the same theme before, BARBADOS QUEST, with Tom Conway in 1955. Then fairly early on we learn that the murdered woman, whose face had been damaged beyond recognition, is one of twins, one good, the other evil. You hardly need to be Hercule Poirot to see where this is going. The film's at its worst when the murder of a typically tedious character is announced, which we're then shown in a slow-moving flashback. I could hardly wait. The location shooting and reminders that the Britain of forty years ago was not the nanny state it is today hardly compensate for moments such as this.

This had all the ingredients to be a great film, but sadly it ultimately falls a bit short of the mark.

It follows the investigation into a young woman's murder in the opening scenes, and the pursuit of a priceless stamp which seems to be connected to her death - the Penny Gold.

There's a excellent cast, including the gorgeous Francesca Annis in the lead role, and also James Booth as a rumpled detective who soon gets on the case.

The story does become a bit muddled and unfocused, although things pick up a bit towards the end as the deception is finally uncovered.

Apart from Francesca (who plays a set of identical twins here), the best part of the film for me was all the location filming, unusual for a British film from this era. It's wonderful to see the streets of Windsor and Eton as they were in thr early 70s, as well as Pinewood's Heatherden Hall and grounds.

It certainly helps to give the film so realism and grittiness, and it must have felt quite fresh and moddish at the time.

But, considering the prestige of the director, this is sadly where the film falls a bit flat - the direction just doesn't create much suspense or real tension, and fails to translate quite an intriguing and twisty story to the big screen.

Having said that, it certainly has lots of early 70s charm, and it's fun spotting all the famous faces and locations. The ending, when you get there, is clever and worth waiting for too.