Mutations

This is a totally bizarre British horror film which deserves cult status of the highest order - I can't believe that this didn't have problems with the censor, it is a disturbing, nasty piece of work and should undoubtedly have cult status.

'The Mutations' has Donald Pleasence as a Frankenstein-inspired scientist, Prof Nolter, who in-between his lecturing is trying to fuse humans with plantlife, to create a creature which has the strengths of both species. The nature of the film is introduced early, with a travelling funfair complete with freaks ( played by real-life freaks as in Tod Brownings early classic ), and a hideously ugly normal-sized man, who moonlights as Prof Nolter's assistant.

The film has so many points of interest its difficult to know where to start - the similarities to 'Freaks' are acknowledged with a feast scene which includes the line "He's one of us - we accept you". The freaks are also shown to have more humanity than the other characters, although they do turn on their tormenter in the end, in a scene similar to the climactic chase in 'Freaks'.

There are also ideas and scenes close to the French classic 'Eyes without a Face'; Pleasance portrays a character similar to Pierre Brasseur's mad doctor, both living in a secluded mansion complete with pack of mad dogs.

As if all this were not enough, we are also treated to Julie Ege as the screaming heroine, showing of her acting limitations and bodily curves very nicely - special applause for the nude bath scene.

'The Mutations' is a real shocker, which viewed today has a strong impact - far more so than more famous 'shocking' films, like 'The Devils' and the earlier 'Peeping Tom', both of which viewed now seem relatively tame.

While not raising the film to any artistic height - it is a cheap 'B' Movie in all production areas - the film should really be seen by all film fans, and given its deserved status as a heavyweight of the gutter-horror genre.

Not really enough money or effort put into this one. It appears that everyone thought simply that the presence of various 'freaks' Donald Pleasence, a bit of nudity and some man eating plants should see them through.

Actually this almost works, unfortunately Mr Pleasence is in particularly one note form and although the speeded up photography for the plants is fine the later costumes for those that have turned into half human, half plant are not half as effective. There are some decent moments and good ideas but it is all so uphill. Undeniably quirky, though and probably worth it for the fairground scenes.

THE FREAKMAKER (aka: THE MUTATIONS) is the charming tale of Professor Nolter (Donald Pleasence), who is determined to create a human-plant hybrid. This means that a few people have to disappear, reappearing on Nolter's lab table.

Meanwhile, a freak show thrives next door with a steady flow of new, highly unusual attractions.

Tom Baker is fantastic as Nolter's faithful henchman, Lynch.

If you have a passion for the wonderfully weird, then FREAKMAKER belongs on your watchlist...

I stumbled across this video at a pawnshop called "Cash Converters" at my town center. Once I blew off the dust I decided to buy it on a whim. I had never heard of it but its £2 price tag led me to believe I had nothing to loose. It now sits proudly in my horror collection. This film is in a word, freaky. It makes use of real life sideshow freaks to tell a disturbing story about a mad scientist and his ungodly experiments to create a plant man. The various mistakes that occur are put to use at the friendly local fair. The only problem this film has is the rather pathetic effects used when real freaks are unavailable. However, Donald's performance is as ever wonderful and the film maintains a creepy atmosphere. There is also some great titty shots of voluptuous young seventies women. Well recommended for horror fans (if you can track down a copy like I did).

Ignore the uptight weirdo who spends 10,000 words bashing this movie. It's very enjoyable as long as you're a fan of the genre. With many gratuitous LSD references and a real live carnival freak show, how can you go wrong?

If you thought Swamp Thing was too intellectual and The Fly was just too gross, this movie might definitely be for you. One of many human-cross-animal or plant movies, what causes this one to stand out is the overall creepiness of Donald Pleasance and, basically, the entire plot (what you can make of it).

Time-lapse photography inserted for no particular reason just adds to the fun.

The people who made this movie must have had a blast and so will you as long as you're not some amateur wannabe film critic. Sheesh!