Red killer

This Spanish-Italian co-produced Giallo belongs to the more obscure outings of the cult genre. Most people involved in the making were Spaniards, and it has never got a release in Italy, which is unique for a film of that kind.

In Milan, a killer slays drug addicts, prostitutes and other "immoral" people in nasty ways. Small dragonflies (made of wax or something like that) are left on the bodies of the victims. And the more people die, the more clues lead the investigating inspector to believe that the killer is a mutual friend of his wife and himself.

The film's premise is quite interesting, although not too original. The body count is surprisingly high, although they are not as graphic as in some other Gialli. Nevertheless, the murder scenes are quite nasty. Paul Naschy (who also starred in the probably best Spanish Giallo "Los Ojos Azules de la Muneca Rota" and in the Jack-the-Ripper-inspired "Sette Cadaveri per Scotland Yard") is casted against type as the investigating officer (in the afore mentioned two Gialli he was an innocent and rather tragic suspect), and Erika Blanc does a good job as the inspector's wife who knows the killer quite well - unknowingly, of course.

The problem of the film is that it becomes arbitrary after a good start. Especially the identity of the killer doesn't convince very much, his or her motive as arbitrary as the maniac's identity. Also, some scenes with the inspector investigating are merely brought in to include fight scenes or nude scenes instead of pushing the plot forward. And for good measure, there is also a gang of thugs wearing Nazi-style clothes! All in all, "Una Libelula Para cada Muerto" surely is funny and interesting for Giallo collectors, but don't expect to watch a genre movie above average.

This thrilling film deals with Paolo Scaporelli (Paul Naschy or Jacinto Molina who plays in Dirty Harry style with cigar included) is a police inspector assigned by his chief (Mariano Vidal Molina) to investigate the case of the ¨dragonfly¨ , killing series have been committed by an ominous murderer at city of Milan . The psycho-killer murders his victims cruelly by means of slashing , beheading and axing . The inspector is helped by his gorgeous girlfriend (Erika Blanc) . The series-killer puts a dragonfly on the corpses of the victims as pimps , prostitutes drug addicts and underground people . There are several suspicious , who's the killer ? .

This is a Spanish Gialli though filmed in Italy . It contains suspense , tension , whodunit and lots of blood and guts with abundant sensationalistic scenes and a Naif style. The movie has a bit of ridiculous gore with loads of blood similar to tomato . B-entertainment with a fairly suspenseful and horrifying story in which a killer series undergoes a criminal spree by means of slitting , necrophilia , decapitation and other brutal executions . This tale about a Detective and people who is attacked by a malevolent murderous begins well and grows more and more until the exciting finale in which we figure out the nasty guilty on a building , including some strong fight scenes . There is another double version that packs nudism in charge of Erika Blanc and other women . Lots of blood and gore in several images that impacted the viewers for that time . The film follows the Dario Argento wake formed by his animal trilogy as ¨Four flies on grey velvet , The cat with nine tails and The bird with the crystal plumage ¨ . Nice cinematography in correct remastering by Miguel Mila and shot on location in Milan city . Ample support cast , usual of Eurotrah as Angel Aranda , Vidal Molina and Maria Kosti ,Eduardo Calvo , both of whom habitual of Jacinto Molina films . The late Naschy was a good professional , writing, filmmaking and acting about hundred titles , mainly in terror genre. ¨ A dragonfly for each corpse¨ is written by Molina along with 21 screenplays as ¨Mark of Wolfman¨, ¨Night of Walpurgis¨, ¨Vengeance of the mummy¨, ¨Licantropo¨, among them . He directed 13 films as ¨The Cantabros¨, ¨Return of Wolfman¨, ¨The Beast and the magic sword¨ and many others.

This slasher motion picture is professionally directed by Leon Klimovsky , a slick craftsman who directed all kind of genres, as Terror for Paul Naschy (Marshall of hell,Rebellion of dead one,Orgy of vampires, Werewolf shadow,Dr Jekill vs. the werewolf), Warlike(June 44 attack force Normandy, A bullet for Rommel, Bridge over Elba) and Western (Badland drifter,Some dollars for Django,Death knows no time, Two thousand dollars for Coyote) . Rating . 5 , acceptable and passable. The picture will appeal to Paul Naschy fans and Giallo buffs .

During the 60's and 70's there were any number of Italian productions filmed in Spain. Well, this is a Spanish production filmed in Italy. It is basically Paul Naschy and his collaborator's (the Argentinean Leon Klimovsky this time)third attempt to ape the then-popular Italian gialli, and like the previous two attempts--"Seven Murders for Scotland Yard" and "Blue Eyes of a Broken Doll"--it is only semi-successful. The story is a little plodding, the cinematography a little leaden, and it comes off rather dark and gritty compared to the garish and colorful Italian gialli (although it is, if anything, even more violent). It's also pretty derivative, borrowing the famous coffin scene from Luis Bunuel's "Belle de Jour" and the dead-body-in-the-funhouse scene from the not-exactly-seminal giallo "Naked Girl Killed in Park."

It was clearly also influenced by American "Dirty Harry" movies and perhaps the cynical Italian police thrillers that were emerging at the time. Naschy, this time,plays a hard-boiled cop who slaps around elderly exhibitionists and makes a wounded biker with a broken leg crawl to the hospital. He is up against "the Dragonfly Killer", a vigilante who is offing pimps, prostitutes, and junkies--"cleaning up the city" much like the villains in the Dirty Harry sequel "Magnum Force" (although his motive for doing so would have made Harry Callahan crap his pants in utter disbelief). Erica Blanc plays Naschy's fashion designer wife who, after one of her gay friends is killed, decides to try to solve the case herself using her "woman's intuition". This leads to comical scenes of her sitting naked in bed pouring over grisly crime photos with a magnifying glass, or acting hysterically (albeit much more believably)when the killer sends the severed head of a Turkish pimp to their house.Of course, she stumbles across the identity of the killer before her husband does, leaving Naschy to rush to her rescue.

Obviously, if you have a low tolerance for graphic violence, completely gratuitous nudity, and Spanish-flavored, 70's-style sexism, you should probably avoid this movie. But if you can get past all this, it's a whole lot of fun.

Paul Naschy once again knows what the people want by writing and starring in this over the top giallo full of murder, twists, sleaze, and transvestite roller coast shoot outs.

Paul is a burly cigar chewing cop who likes to slap perps about, and is given a new case: that of tracking down a killer who is wasting the city's undesirables types, including junkies and hookers. Every time a corpse is discovered, a glass dragonfly is also found at the scene. I thought it was cool that Paul was allowed to keep these on the wall of his living room for some reason, but then his wife Erika Blanc ended up doing most of the work anyway, so maybe it was best she kept an eye on the stuff.

Of course, polite society gets involved and it turns out they have just as many vices as those unclean types. Paul's friends turn out to be just as bad, what with the professor who is a necrophile who likes to have strippers lie in coffins, then there's the confusing love dodecahedron involving everyone else Paul knows, except the gay guy, because being gay is enough to have you killed in a film like this. Needless to say someone Paul knows is the killer, but as the body's pile up, can he unveil the killer before the killings get closer to home?

The killer is dressed in the usual gialli uniform - black gloves, comfortable shoes, comfy socks, and has quite the collection of weapons at his (or her!) disposal. People are attacked with axes, umbrellas with spring loaded blades, knives and such like, but the blood is kept subtle. Nudity isn't however, which will keep you awake between the murder scenes.

My absolute favourite bit was when Paul somehow uncovered a drug ring and the gang leader, fresh from doing a transvestite show, realises the cops are arriving on the scene, takes the time to dress back up in drag again before getting on a roller coaster and firing a gun blindly while on the ride. Simply delightful. This is also a film that isn't too concerned about how life like the dummies are, which makes things funnier.

If a bad Paul Naschy film exists, I haven't seen it yet. Another daft winner!

A Dragonfly for Each Corpse is a Spanish take on the popular Italian thriller known as the Giallo, and stars prolific Spanish horror star Paul Naschy. The Giallo was well established by 1974, and it's clear that director León Klimovsky knew this; as his film continually attempts to imitate the Italian films...but this isn't really a problem, as many of the actual Italian productions imitate each other, and it has to be said that the director hasn't done a bad job of making a non-Italian Giallo. The central plot theme has been seen in cinema many times before this film was released, and many times after; in films like Dario Argento's Tenebrae, and popular American thriller 'Seven'. We follow a killer who has taken it upon himself to clean up the streets, by picking off everyone that offends his eye. His trademark is a dragonfly, which is left at the scene of each crime, thus earning the killer the name 'The Dragonfly Killer'. We focus on the police investigation into the killings, which is lead by hard-bitten copper Inspector Scaporella.

By keeping the focus away from the murders and more on the investigation, director León Klimovsky has passed up on the opportunity of making a really interesting movie. The way that the investigation is handled isn't bad, and there's enough intrigue generated to see it through; but the way that the film is handled takes the attention away from the murders...which is never good in a film like this. There is a fair amount of blood in this film, however, but it never reaches the highs that you'd expect it to given the splatter at the beginning. Paul Naschy manages to put in a good performance as the cop at the centre of the story, but some of the rest of the cast bring it down; and the film suffers from far too many nuisances with the script, which gets a little too ridiculous too many times. By far the biggest problem with the film comes at the conclusion. Giallo's are infamous for not making a lot of sense and leaving things wide open...but there's barely an explanation at all here, and it's a shame because it could have been the highlight. But even so, this is entertaining enough; and the hilarious roller-coaster getaway ensures that I won't be forgetting it soon.