User reviews

A dark magical fantasy based on several of Manly Wade Wellman's stories about a guitar player who wanders across the rural American Southeast, confronting evil magicians, monsters, and perhaps the Devil himself.

The special effects are of only medium quality, even for 1973, and I can only suggest looking past them to the down-home, country-flavored fairy tale being told, woven together from fireside stories and folk traditions Wellman heard and adapted.

It's always hard to put on film what a poetic writer has described - the charm and mystery of Wellman's beloved Carolinan countryside, the old-fashioned courtesies and customs of the mountain people - and this movie does not quite succeed, perhaps because it did not really try. The magical creatures are put in the foreground, and the setting (Wellman's true love) is made a generic Southern backdrop. John in the book is a devout Christian (more, he might could be a friend of Christ); John in the movie is darkly hinted to be a son of the Devil.

My own enjoyment of this movie was very mixed: I felt frustrated by how often and how far the movie fell short of the books, and tantalized more by what the movie *could* have been than by what it *was*, but I'm glad I didn't miss seeing it.

If you also enjoyed the movie and want to see more of the character, read Wellman's "Silver John" books: "Who Fears the Devil?" (or "John the Balladeer"), "The Old Gods Waken", "After Dark", "The Lost and the Lurking", "The Hanging Stones", and "The Voice of the Mountain". There are also Wellman fan sites on the Web.

Hampered by a tiny budget and a lack of subtlety, Hillbilly John does an earnest job of bringing Manly Wade Wellman's silver-stringed guitar hero's adventures to the screen. Nice use of music by Hoyt Axton and some effective moments in two of the stories directly adapted from Wellman's fantasies. The last third of the film departs from its source material and grows tiresome. Definitely good enough to justify someone releasing it on DVD.

The stage curtains open ...

Years ago, when I was about 10 or 11 years old (around 1978 or so), my Mom dropped my brother and I off at the local movie theater for a matinee showing of this film. There we sat in the darkened theater, candy and soda in hand, expecting another Walt Disney type movie ... this was anything but. After the movie was done, we walked out of the theater a bit red-faced. It was a story that involved the Devil, a Witch, a pre-historic bird, a magic guitar with silver strings, a boy and his girl who liked to sneak away for a little nookie, and the use of a divining rod. Had my Mom known what we had just watched, she would've been upset to say the least, since our parents did their best to keep us away from such "subjects". When we got into the car and she cheerfully asked how the movie was, we both shrugged it off as "just okay" and hoped she never brought it up again. Truth was, we both loved it and felt like we had just gotten away with something.

We join our hero, simply known as John, in the Appalachian Mountains where he has just finished having sex with his girl, Lily. Of course, in a "G" Rated movie, it is implied, but we got the picture. On the way home, he finds out that his grandfather, also named John, has announced his intention to defy the Devil himself with the use of what he believes to be true silver strings on his guitar. When his grandfather dies, because the strings did not have silver in them after all, he vows to avenge him with his own silver strings. He embarks on a weird journey to seek out the Devil, testing the power of his strings on an ugly bird (just to make sure) before the final showdown.

The film featured folk singer, Hedges Capers (who clearly could NOT act), singing and strumming his guitar throughout the entire story. We were also treated to early sightings of some relatively larger name actors, or actors who would go on to bigger things, such as Denver Pyle, R. G. Armstrong, and Harris Yulin (who outshined them all in his bit role). This film consisted of 4 different stories by pulp fiction author, Manly Wade Wellman, featuring his character, John the Balladeer (otherwise known as Silver John) that were fused together in the movie for the overall story. And, if you've seen this film, it certainly does have that feel to it.

For years, I could never remember the name of this movie, because I wanted to find and revisit it again - and finally, by chance, I stumbled across a copy of it on YouTube. Someone had uploaded a ripped laser disc copy of it to their channel. Smiling from ear to ear, I watched it again tonight for the first time in years, and yeah ... it IS pretty bad. But, it also came with a bunch of sentimentality and memories for me and took me back to a good time as a youth first discovering movies. I had to laugh when I saw what I was so worried about as a kid, but hey ... I was only 10. I would actually recommend this movie, if you can find it. There are a lot worse things you could spend your time doing.

Sorry Merk, but Severn Darden played Mr. Marduke. The wandering folksinger (John, no last name ever given in the movies or the stories.) was played by Hedges Capers. And it wasn't "Dirty Bird" but Ugly Bird (from the short story "Oh, Ugly Bird!' by Manley Wade Wellman. Admittedly, the film isn't the greatest, but the stories and books about Silver John are classics by an author with a genuine love for the mountains and their people and of the folk music of the area.

This little-known curio is better than I expected. I hadn't heard of the source books (Manly Wade Wellman's "Silver John" pulp fictions) before, because they were presumably mostly a Southern regional phenomenon, but now I'm very curious to check them out. The episodic progress, drawn from a couple of Wellman's stories, chronicles the folksy fantastical adventures of a wandering Appalachian troubadour, which include tangling with the Devil and a Ray Harryhausen-like winged monster. The last and least adventure has John managing to somehow free the oppressed black slaves, a "White Savior" scenario that doesn't play too well now. (It probably didn't in 1972, either).

Offbeat and filled with pleasant music, "Hillbilly John" probably had a hard time finding an audience at the time, as it was so out of step with popular taste of the era, and it's certainly been largely forgotten since. But given a cast of mostly imported Hollywood veterans (Severn Darden, Denver Pyle, Harris Yulin etc.) and a director who'd mostly toiled in network TV, it's surprisingly flavorful and "authentic" feeling within its folkloric context. (Though he worked on a lot of major series, John Newland's best-known works were probably the TV-movie thrillers "Crawlspace" and "Don't Be Afraid of the Dark.") Hedges Capers, a handsome young man with a fine voice who never quite hit the bigtime as a recording artist, is appealingly natural in the title role. Sharon Henesy is a weak point as the ingenue, seeming a classic 70s example of casting "somebody's girlfriend" (rather than a talented actor)...but then all she's allowed to do is gaze adoringly at John and hope he'll quit his wanderin' ways, so it's not really her fault she seems superfluous.

Despite its low budget, "Hillbilly John" is fairly well-crafted, although its neglect over the years was reflected in the fact that the YouTube dupe I saw seemed to be from an old VHS tape, and was accordingly low-quality. The nighttime sequences (of which there are many) were very murky. Alas, obscure old indie features like this are highly unlikely to get "restored" to pristine quality, so you take what you can get. Anyway, this is hardly a forgotten classic, but it's an ambitious oddity that is quite enjoyable and merits rediscovery.

Based on a series of stories by American author Manly Wade Wellman, this folk horror/fantasy stars Hedges Capers as John, a ballad singer who wanders the Appalachians battling evil with a magical silver-stringed guitar as his weapon. As John roams the land, he encounters a gold-hungry man who makes a deal with a witch, battles an 'ugly bird' (a shonky stop-motion creature), and defeats a nasty cotton plantation owner who is cheating the black folk toiling in his fields.

I suspect that all of the positive reviews here on IMDb have been written by Appalachians who have a sense of romantic nostalgia about where they live and who are willing to turn a blind eye to the fact that the plot is a scattershot load of old twaddle, with a main character who randomly wanders from scene to scene with no real sense of purpose. Add to the fact that Capers is a terrible actor (this is his one and only movie) and what you have is an often incomprehensible piece of low budget garbage unlikely to appeal to anyone who wears shoes and doesn't have an outhouse.

Amazingly, the cast features some fairly impressive names: Susan Strasberg (The Manitou, Rollercoaster), Denver Pyle (Bonnie and Clyde, The Dukes of Hazzard), Harris Yulin (Scarface, Ghostbusters II) and R. G. Armstrong (Predator, Dick Tracy), with Hoyt Axton (Billy Peltzer's dad in Gremlins) singing one of the songs.

2/10. As bad as the animated ugly bird is, I quite enjoyed it, so the film narrowly escapes getting the lowest possible rating.

Ambitious way beyond it's budget, "The Legend of Hillbilly John" does not live up to it's cult movie reputation. A wandering folk singer, Hedges Capers, uses his silver string guitar to defeat the Devil in various forms. The Appalachian setting is interesting, and I would not be surprised if inhabitants of the hollows truly believed the Devil caused their calamities. Superstition or not, the first half of the film holds interest as John sets out with his faithful dog to bring and end to a winged annoyance known as the "Dirty Bird". The claymation creature is eventually slain, not by singing it to death, but by a bash with the guitar. Beyond this the movie drags on to an underwhelming political statement conclusion. - MERK.

To call this film "oddball" is a bit of an understatement. The story follows a guitar-strumming kook (the titular Hillbilly John) as he roams through the mountains of Appalachia. The episodic tale begins with a quest to vanquish an evil entity who has been menacing the community along with his companion - the aptly named Ugly Bird. About an hour into the story that narrative is resolved and we abruptly shift to a storyline concerning a group of black laborers being taken advantage of by the people who are overseeing their work in a cotton field. Like I said at the beginning: "oddball" is an understatement.

I have seen this movie and consider it a gem. I am a fan of Manly Wade Wellman's fiction and found the portrayal of Silver John to be "dead on". Definitely a movie that deserves a release on DVD. While the budget was low, the emphasis on a real and genuine portrayal of Silver John was there. I found this movie to be well acted and genuine...definitely something that people today need to see, given the sorry state of cinema. I saw this film in the early 1980's. It had been released on video tape and a friend, a collector of rare movies, told me I needed to watch it. I had never heard of Manly Wade Wellman, but I instantly became a fan after seeing this movie. That should be incentive enough for anyone to at least want to watch this movie.

It wasn't till quite some time after seeing this movie that I read any of Wellman's stories, but this movie is pretty faithful to them, at least the ones I know (though I don't know if any of the Silver John stories have "Mr. Marduk" or not). I don't know if I know Hedges Capers or the leading actress from anything else, but they were fine in it, and along with them, it's full of great character actors (though I don't think that's the right term for Susan Strasberg) - Denver Pyle, R. G. Armstrong, Severn Darden, Harris Yulin (who, apart from Darden, might have had the best part, and who really seemed to enjoy playing it). Even the political stuff, like the very end (which I won't give away) doesn't seem too forced. That ending could apply to ANY time (certainly including right now), and it would be a shame for people to think of it ENTIRELY as some NIXON JOKE (though I suppose it probably IS thought of as only that). In spite of the listing, I'm certain this movie is from 1972-73.