Le combat mortel de Shaolin

The movie Shaolin Abbot aka A Slice of Death, has proved a point in many ways. Here you have this monk who goes to this other temple, practice his feats of strength, learns inner strength in that temple. Especially, when he uses that palm strike to cause the other vases to explode on impact. At the temple, there is a man name Pai Mei, a supporter of the Manchus who has help from another monk to take out the Shaolin monks. After the Chaplin Temple massacre, he flees south to go rebuild the temple. He gained some new students to help him out, and take out Pai Mei and his followers. One of them is a nephew, one is a butcher, the other a knife sharpener, a female fighter who is out to avenge her teacher, and a merchant. The fighting styles were great the choreography was well put. Each one did exactly superb. The weapons were fantastic. Couldn't be any better. It was very helpful to know what fighting skills being used to take out the enemy, and sticking to the original skills would just result in disaster. I enjoyed this movie very well, I did see this film once or twice. Just seeing it again brings back memories. 2.5 out of 5 stars.

"Shaolin Abbot" (aka "A Slice of Death") is a lightweight but fun chop-socky outing obviously made in response to the box office success of Liu Chia-liang's "Executioners of Shaolin" and "The Thirty-Sixth Chamber of Shaolin" ("The Master Killer"). It's not a remake but rather a synthesis; screenwriter Ni Kuang and director Ho Meng-hua combine elements of both films to create a story which seems to take place in some alternate reality, since Abbot Chi San did not survive the destruction of the temple in "Executioners of Shaolin." Here the abbot is alive and well, played by Shaw Brothers veteran David Chiang, and he gathers a small band of followers (including Lily Li and Norman Chu) to help him oppose white-haired supervillain Pak Mei, once again portrayed by Lo Lieh. Pak Mei has his own array of henchmen, including Chiang Tao as a Tibetan holy man who wields a mean monk's staff.

Tang Te-hsiang's fight choreography is solid, and the role of a revered Buddhist monk is an interesting change of pace for Chiang. There's nothing here you haven't seen before, but "Shaolin Abbot" is an entertaining film that doesn't try to overstep its modest bounds. Six and a half stars.

The storyline is somewhat historical, the action is impactful, what more could you ask for?

The second instalment of Shaw's 'Pai Mei' trilogy and after the mildly disappointing original this is on par with the last one. We rush through the familiar story of the burning of the Shaolin Temple and David Chiang's monk hero recruiting new disciples, and the story is typically packed with action of a gorier variety. The bad guys dominate the proceedings here, not just Lo Lieh's magnificent villain but Chiang Tao's Lama and Chan Shen's "downcast" henchman too. A great ensemble cast and plentiful action - what's not to love here?

A late film from the Shaw studios. This time David Chiang gets to shave his head.

An abbot from Shaolin, Chi San, is sent to learn the secrets of firearms from Er Mei, a Taoist priest in southern China. This is so the Shaolin monks can have a better method to fight the Manchu invaders. While there, the abbot learns soft kung fu from the elderly Er Mei and meets his daughter (?) Wu Mei. Spies hiding in the bushes learn about Shaolin's plans to build their own firearms and the Manchu/Tartar rulers send an army to destroy Shaolin. Returning to Shaolin, Chi San arrives too late to save the monks but the dying head abbot sends him back south to build a new Shaolin temple in southern China. There he comes into conflict with the evil brother to Er Mei, Pak Mei. Pak Mei supports the Manchus. There is also a Tibetian monk helping the Manchus. And so it goes....

While lively and competently directed by Meng Hua Ho, this film is very derivative of previous Shaw productions. The scenes where Chi San searches the town for students is very similar to the same scenes in "36th Chamber" and actually uses some of the same actors. A lot of the production panders to the HK audience by making bad guys of northern Chinese, Tibetians and anyone who studies Pak Mei kung fu. There are a number of lines praising the virtues of the southern Chinese. Kung fu students might want to see the film since a number of legendary kung fu instructors are characters but I assure you nothing is done with the characters. The martial arts are absurd at times but overall it delivers some above average choreography.

It's a short film at 78 minutes but you might find it fun. The ending is very abrupt.