Savage Weekend

Five people take a trip to a backwoods community where one of them is restoring a large boat, the ownership of which is a matter of considerable anger on behalf of local yokel Otis (Sanderson) whose father, and the original owner of the boat, has recently died. Otis is "none too pleased" that city folk are taking away his blood, sweat and tears and he plans to get even. Meanwhile, promiscuous Shirley (O'Heaney) sunbathes naked, has random sexual encounters with Jay (Goldenberg) while the new boat owner (Doerr) and his girlfriend Marie (Hamilin, essentially the central character) are also indulging their carnal desires at every given opportunity. Flamboyant queen Chris Allport minces about, making salads and peeping lustfully as the two couples cavort, all the while Otis is plotting his revenge by his late-father's grave-stone.

It reminds me of a poor man's "Deliverance" in some respects and while at first glance, the cast may be unfamiliar, many of the faces are recognisable. Sanderson, Allport and Pomerantz have become better known actors, while Gale (pre "Re-Animator") appears in an early role as the sinister-looking Mac, all-purpose local man who could be a hero or a villain. Despite these names, it's Caitlin O'Heaney's presence that really emboldens this low-budget slasher flick. Light years before "Tales of the Gold Monkey", the brassy brunette is like a divine nymph and between Allport's colourful peacock like performance, the two make an odd yet engaging pair.

If you can overlook the moments of despair (Hamlin's cow-milking scene or the irritating banjo music spring to mind), there's enough material in this low-budget shocker to make it worthwhile. And while the climax descends into little more than a killing spree, it's energetic, gruesome and the plot twists satisfying. I watched this film many years ago and found it underwhelming, but on second more recent viewing, there's more depth in the cast and sub-text than perhaps initially meets the eye.

A group of well-to-do New Yorkers go on a weekend trip into the country and get picked off by a mask-wielding psycho.

There's a lot of plot exposition setting up one character in particular as the killer, so it's not much of a surprise that this person ends up not being the killer, and it's also not much of a surprise when we find out who the killer is, despite the moment being treated like a big reveal. The killings are far too tame to appease gore hounds, but there's plenty of nudity for those looking for it. The film's pretty entertaining, actually, the kind of bad movie that you can laugh at despite it's being so sleazy. There are numerous bizarre choices made throughout, like the inclusion of a snarky gay character who beats up two rednecks in a bar and has some sort of sexual dysfunction that's introduced but never developed, and a seduction scene that revolves around the milking of a cow.

No one in the film was recognizable, for obviously good reasons once you see them act, with the exception of the actor who went on to play Larry on the T.V. show "Newhart."

Grade: C+

"Makes 'Texas Chainsaw Massacre' look like kids stuff", the back of the VHS box boldly proclaims. It can dream. "Savage Weekend", made in 1976 as "The Killer Behind the Mask" but not securing a release until '79, is completely lacking in a lot of things - competent editing and storytelling being the major things - but it is one mad film and is very enjoyable. Also, it predates "Halloween" and "Friday the 13th", making it a serious contender for being the granddaddy of the slasher sub-genre, thus demanding of attention. There is quite a lot of good beneath the madness and rough edges here. Inspired by Giallo and working in elements of the splatter sub-genre - I can only presume that writer/director David Paulsen had seen the infamous and genre flag-carrier "Blood Feast" - Paulsen aimed for something original and frightening with his meagre budget, and although it is far from a graceful or even coherent picture at times, Paulsen did just enough here to get his name in the books.

We are introduced to the motliest of motley crews. Marie is recently separated from her husband. She leaves her kid with him for the weekend as she sets off into the countryside with her new lover, who is taking her and her sister with the man she is currently seeing, and a gay best friend, out to his cabin for the weekend as he inspects the progress being made on the reconstruction of a boat he has bought. It's being done by a local lunatic of a redneck, who may or may not want to kill them all when they get down there. David Gale of talking-head "Re-Animator" fame plays another hostile local in a very early leading role. I confess that I didn't even recognise him!

So what happens? A lot or very little depending on your view. There's a lot of messing about but the characters are so fun and interesting that this is the strongest point of the film. Christopher Allport as the gay man Nicky is brilliant. And I have to say that his character was really ahead of it's time. A flamboyant, but strong, homosexual man, who easily dispatches two braindead rednecks who give him hassle in a bar. I don't think too many filmmakers were doing such portrayals in the early 70s. The other actors provide surprisingly good performances, also. I loved Jim Doerr's acting in the scenes where he finds the victims of the mysterious killer - "Marie! ... Oh My God!" From one scene to another, it's surprisingly very natural and realistic! Usually you have actors going over-the-top but something about Doerr in these scenes stood out to me from the thousands of other horror films I've seen. "Savage Weekend" is of serious cult status and I actually found it difficult to rate. On one hand it is absolutely terrible. The editing is very bad at times - especially at the end with the saw scene. The music and sound effects are horrendous. But the performances, the grainy, trashy 1970s colour and look - the only similarity that this has with the great "Texas Chainsaw Massacre", I might add, despite the marketing's bold claims - along with the sheer undeniable originality that this had at the time in terms of a killer stalker a group of people and dispatching them one by one - junior films of a similar vintage such as "Halloween" would do it better, but anyway - make this something of an ugly gem. I feel compelled to watch it again. Maybe it will become a Halloween season favourite of mine? Maybe it will earn a higher rating from me in the future? "Savage Weekend" definitely sails in 'so bad it's good' waters, but it sails stronger than others.

Savage Weekend is quite an interesting movie. It's intriguing because, while it looks like many of the countless slice and dice flicks that made up the slasher cycle, it was in fact made some time before these films became popularised and clichéd. It displays some facets that would go on to constitute the classic style slasher film, yet it was made in 1976 and only released three years later in the wake of the huge success of Halloween (1978). It seems to clearly have been a movie somewhat ahead of its time in this respect. Its story is one that would go on to become fairly standard in this sub-genre. A group of rich urban friends travel to a remote location for some R&R, before long a masked psychopath begins picking them off.

Notably, the characters here are adults, in this respect it deviates from the later slasher template which focused almost exclusively on teenagers. One thing these adults do have in common with their teenage descendants, however, is that they seem to spend an inordinate amount of time having sex. In fact Savage Weekend is pretty ram packed with abundant nudity. On the other hand, it also spends an unusually long time on the plot set-up, with a reasonable amount of character development before the killer finally kicks into action. Maybe it spends a little too long on the build-up in fairness, as it does feel at times that the movie could do with a little more thrills and suspense but in the final half hour, the bloody action is certainly ramped up.

The cast was also quite notable for featuring a couple of actors who would go on to star in two 80's cult classics - William (Blade Runner) Sanderson and David (Re-Animator) Gale play a couple of the local hicks. The other most prominent presence in the film was unquestionably the boom mic, which popped up so often and in such hilariously prominent ways that I felt that it should really have been given a special mention in the end credits.

There is just something compelling about this little known slasher/mystery, produced in the late 70's. The acting is solid, the characters seem realistic, and even though not much happens in the first 40 or so minutes, the trashy sex scenes and slow character development keep you hooked, until the murders start. The murders are seriously not the most memorable, (except for maybe the needle in the head) but Savage Weekend keeps the viewer watching, with a lurid story filled with sex and climaxing with violent murders. The revealing of the killer is not exactly shocking, if you pay attention either. Consider it a slasher with some melodrama.