- Peter Gentnovel
- Frank Yablansscreenplay &
- Ted Kotcheffscreenplay and
- Peter Gentscreenplay
- Nancy Dowdwriter (uncredited)
- Rich Eustiswriter (uncredited)
- Savannah Smith Boucher(as Savannah Smith)
- Alan Autry(as Carlos Brown)
- Glenn-Michael Jones(as Glenn Michael Jones)
- Jeff Severson(as Jeffrey Severson)
- Michael Ballew(as Mike Ballew)
Rest of cast listed alphabetically
- Frank Baurassociate producer
- Jack B. Bernsteinexecutive producer
- Frank Yablansproducer
- Paul Lohmanndirector of photography
- Arthur Jeph Parkerset decorator (as Art Parker)
- Robert Dawnmakeup artist (as Bob Dawn)
- Edouard F. Henriquesmakeup artist (as Eddie Henriques)
- Gladys Wittenhair stylist
- Frank Baurunit production manager
- Lindsley Parsons Jr.executive production manager: Paramount (uncredited)
- Wally Samsonproduction manager: studio features (uncredited)
- Victor Hsuassistant director
- Kalai Strodesecond assistant director
- Kevin G. Creminsecond assistant director (uncredited)
- Terry E. Lewisproperty master (as Terry Lewis)
- Gunnar Mattsonconstruction coordinator
- Hank Giardinapaint foreman (uncredited)
- Mike Humburgerleadman (uncredited)
- Richard McKenzieset designer (uncredited)
- Chuck Shepardsecond assistant property master (uncredited)
- Kenny Swensonassistant property master (uncredited)
- Sig Tingloffassistant set decorator (uncredited)
- Pierre Jalbertdialogue editor
- Larry Jostsound mixer
- Alan Robert Murraysound effects editor (as Alan Murray)
- Alan L. Ninebergdialogue editor (as Alan Nineberg)
- John Wilkinsonre-recording mixer (as John Keene Wilkinson)
- Clint Althouseboom operator (uncredited)
- Joseph P. Mercuriospecial effects (as Joe Mercurio)
- Debby Porterstunts (uncredited)
- Michael Gennefirst assistant camera
- Wally Hicedolly grip
- J. Michael Marlettgaffer (as Mike Marlett)
- Stan McClainassistant camera: Pitching Lens Technician
- Guy Polzelkey grip
- Timothy E. Wadecamera operator (as Tim Wade)
- Roger Blauveltbest boy: studio (uncredited)
- Clarence Ebertsecond grip (uncredited)
- Ron Frantzvogsecond assistant camera (uncredited)
- Richard Hartleyelectrician (uncredited)
- Norman A. Burzacostume supervisor: men (as Norman Burza)
- Harold Crawfordwardrobe: men (uncredited)
- James P. Cullencostumer (uncredited)
- Roger Gallo Garciawardrobe: men (uncredited)
- Tom Numberswardrobe: men (uncredited)
- Christopher Koefoedapprentice editor (as Christopher Lucien Koefoed)
- Jack Michonassistant editor
- Thom Nobleeditorial consultant
- Jette Sorensenlocation auditor
- James Herbertlocation manager (uncredited)
- Frank Nurrelocation manager (uncredited)
- John Scottconductor / orchestrator
- Israel Bakermusician: violin (uncredited)
- Marilyn Bakermusician: viola (uncredited)
- Arnold Belnickmusician: violin (uncredited)
- Dennis Budimirmusician: guitar (uncredited)
- Larry Bunkermusician: percussion (uncredited)
- Norman Carrmusician: violin (uncredited)
- Gene Ciprianomusician: woodwinds (uncredited)
- Gary Colemanmusician: percussion (uncredited)
- Dickey Nesengerscript supervisor
- James Thornsberrytransportation coordinator (as Jim Thornsberry)
- Chuck Alsobrooktransportation captain (uncredited)
- Gene Biernotdriver: prop truck (uncredited)
- Tom Dragnadriver: effects truck (uncredited)
- Tom Greenedriver: motorhome (uncredited)
- Millard Lemondriver: grip truck (uncredited)
- Larry Meridethdriver: wardrobe truck (uncredited)
- Carlos G. Rodriguez Jr.driver: catering (uncredited)
- Greg Van Dykedriver: camera truck (uncredited)
- Randy Whitedriver: production van (uncredited)
- Bruce Bahrenburgunit publicist
- Wayne Fitzgeraldtitle designer
- Doug Grossmantechnical advisor
- Wanda Mullsecretary to unit production manager (as Wanda R. Mull)
- Frank O'Neillfootball coordinator / football trainer
- Martin Browncraft service (uncredited)
- Ron Eisenmanfirst aid (uncredited)
- Richard Espinozaproduction trainee (uncredited)
- David R. Lawsonmedic (uncredited)
- Ron Chapmanspecial thanks: Radio Station KVIL Dallas-Fort Worth
- Robert H. Kovoloffspecial thanks: Associated Film Promotions, Inc.
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