Norma Rae

Great to watch a young and beautiful Sally Field. She carries this entire movie without really exerting herself. This demonstrates enormous talent and charisma. It is very engaging film with some really touching moments. Its subject matter sounds quite dry but it is not an overly wordy or heavy film, it strikes a nice tone. Nothing is overblown it is just a simply story about a brave lady and people who stood up for themselves and others against harsh working conditions and corporate greed. But without being political or finger-pointing, it is a positive and ultimately uplifting film.

This film is in no way a documentary, but the filming style and plot line lend to its feeling so. Sally Field's acting in this movie is impeccable. She becomes Norma Rae. We see her fear, her disgust, her anger at the mill's treatment of its employees, and the passion she has for what she believes in. Although the best known scene from the movie is her standing at the mill with the "Union" sign, I believe the most memorable scene is towards the end when she talks to her children, telling them what to expect. The movie tends to turn away from her children, but this scene focuses in on her relationship with them. Beau Bridges is great, and the character of the Union leader (can't remember his name) is terrific. The sexual tension between Norma Rae and he is palpable. I strongly recommend this film to any Sally Field fans, or anyone interested in social issue films.

Typical under-dog story that is so well-made that its success makes for a very memorable cinematic experience. The titled character (Sally Field in a super Oscar-winning part) tries to get her fellow textile workers to unionize in her small town, but there are consequences abound. A good supporting cast which includes Ron Leibman, Pat Hingle and Beau Bridges all add to Field's show-stopping performance. Field proved that she could handle delicate material and carry a film to cinematic history. 4.5 out of 5 stars.

I find it interesting to discover so many comments on a 26-year-old film. I guess it's a sign of a quality production if it's still touching people. From here in the heart of the disappearing textile industry, Norma Rae rings truer than true. The first time I saw the movie, it was like looking out the window of my three-room mill house and seeing my neighbors. When Normae Rae is in the bar discussing her husband's death, she was a carbon copy of one of my friends -- swigging beer and having sex to forget about the problems of life. The reaction of people to the union was so typical. Most people didn't and still don't want to hear anything about it, afraid it would lead to a shut-down.

Finally, a commentary on the 2004 review by jslack. For the most part, I agree with it. But not about Ron Leibman being either miscast or unattractive. I'm curious to know if jslack is a man or a woman. Of course, Leibman of 1979 is not classically handsome, but he has a bearing and charisma that is almost breathtaking. I can't imagine anyone else in the role. The point is his difference, that he's not the same as all the cookie-cutter good old boys. This is not an affair of bodies or even hearts. It's an affair of the minds.

Sally Field's first Oscar came way via "Norma Rae."

The factory where she and her dad work does not know or want to know about unions. Workers are routinely abused and there is no way out for these hard-working laborers.

Along comes Jewish Ron Leibman, from the north, with the idea of forming a union. He meets up with much hostility. We see the southern hatred of unions in general and there is an underlining feeling of anti-Jewishness here as Jews have always been in the forefront of labor issues in America.

Pat Hingle's fatal coronary spurs daughter Norma to action. Her stopping work and turning around with the sign union is memorable.

This picture is timely due to the rash attacks on the labor movement from the federal government on down to management. Made at a time when President Reagan destroyed the Air Traffic Controller's Union, the film is most appropriate.