Just You and Me, Kid

This movie comes from a time when movies were still movies. No quick cuts, only one popular music track, but a good old fashioned story of a grandfatherly former Vaudevillian befriending a troubled teen.

You've got to love George Burns. You just have to. There's no reason not to. To me his quips, even though I understood the humor when this movie hit the theatre, is more endearing and funnier now with more punch than when I first saw the film.

That, and the humor is clean without being childish. It's smart without having to be high-minded. The script is witty and Burns' performance is on the money for a man of his caliber or character.

And there's Brooke, who, unlike her later roles, actually does a pretty decent job of portraying the wayward teen. Brooke knows this girl's character and is given fairly decent direction as to how to portray her.

If I had one complaint it's that dialogue, at times, seems a little too mature for Booke's character, but that's more of a fault of the old guard Hollywood screenwriters who channel themselves through the characters they pen.

Veteran stars come in to play support roles making for a very likable hour and a half light comedy. The plot driving the story forward is a little hard, but socially responsible films function to show the pitfalls of possible criminal behavior, and how innocents (and not so innocent) get caught up in nefarious doings. As such we have a light tone for what could have been a hard look at teenage delinquency.

George Burns and Brooke Shields actually have a pretty good chemistry here, almost that one wishes they had done a few more films together.

Either way, the film is now out on DVD thanks to SONY and Columbia Pictures archives. Grab a copy and watch it on a lazy weekend afternoon.

Enjoy.

Foster kid Kate (Brooke Shields) is on the run from an abusive drug dealer. Through circumstances too ridiculous to get into she ends up hiding out with old vaudevillian Bill (George Burns). She doesn't trust him at first but they end up (sigh) becoming good friends. It all ends in a totally predictable happy ending that will have you rolling your eyes.

I caught this in a theater back in 1979. I was only 16 and (back then) liked almost anything. I saw it solely because of Burns (Shields was still fairly unknown--this was pre "Blue Lagoon"). I though it might be light and innocuous. It WAS both of those things but it was also boring, pointless and full of some of the worst jokes and most contrived situations I've ever seen. Aside from a glimpse of Brooke's (or her doubles) nude butt and a few minor profanities this is made for TV material--and I don't mean that in a good way! Burns tries his best to put over his terrible lines but he can't. Shields is young and appealing--but this was before she learned how to act. This did nothing for either of their careers and sank without a trace. As other posters have said this was never on VHS or DVD. There's a reason for that! Bottom of the barrel. A 1.

No matter how innocent the movie makes itself out to be this has an uncomfortable creepy quality to it. Brooke Shields at just 12 plays a girl on the run from a Pimp and neglected but all this is played for comedy in a light hearted tone and PG rating which just doesn't fit with the subject matter. It has the look and feel of a made for TV movie, it mostly takes place in 1 house, and it's just the same basic thing for over an hour. I also thought the father daughter relationship wasn't handled at all well, On Golden Pond is a much better film about an Eccentric father, a resentful daughter and a teenager. Here characters have no real development, some if the acting and dubbing is off, the music is painfully dated, Brooke Shiekds at 12 is introduced half naked, it's meant to be funny.

I'd much rather recommend About a Boy infrastructure, a far better more intelligent movie.

There's a few funny lines here, and I don't really blame the cast who are doing their best, it just doesn't work as a movie.

Bill Grant (George Burns) is a retired lovable vaudeville star. He discovers a young naked Kate (Brooke Shields) hiding in his car truck. She's a runaway foster kid hiding from drug dealer John Demesta. His daughter Shirl wants him to sign over his finances before he gives it all away to his old vaudeville down-on-their-luck friends including his catatonic best friend Max. He's got nosy neighbors Stan and Sue. Kate tries to take off and twists her ankle. Shirl calls the cops but his poker buddies pull an old trick.

I love George Burns doing his lovable old performer character. Brooke Shields was a good child star who develops great chemistry with the old-timer. I don't know why she has to be naked or pretend to be naked in almost movie. The biggest problem is the weirdly dangerous clunky drug story in between the funny bits. The tone is all over the place. The movie is definitely trying to be funny but the drug story is so cheesy dark that it screws the movie up.

On the run from an abusive drug dealer, foster kid Brooke Shields hides out with ex-vaudeville entertainer George Burns. There are little side-plots here and there (the drug dealer tracking Brooke down, George's daughter trying to get her hands on his money, best friend Burl Ives stuck in an institution), but the bulk of the movie centers on the relationship between the sassy teen and the octogenarian. The script is structured pretty much like a play, with the banter going back and forth between the two principles, yet some wonderful bits surface, as when Burns attempts to distract his nosy neighbors from the teenage girl he has in the house, or a terrific sequence where George's poker buddies--Ray Bolger and Keye Luke among them--show up for their usual game and Brooke is displeased ("Too many people come to this house!" she scowls). George is sweet and tender here; say what you will about his shuffle-along acting style, I felt he was really in character and genuinely cared for Shields, who is stiff and self-conscious at first but warms up midway. Some of the dialogue is surprisingly crass (Burns playing tailor and Brooke calling him a 'fag'), but for cynical 1979 it is sunnier and friendlier than most. One of the few major studio movies of this era not to be released to the home-video market in the 1980s and '90s. **1/2 from ****