Le corps et le fouet

This has to be the grandmother of all porn films that attempt to have some semblance of a plot. Gratuitous nudity and sexual activity is rampant. Every scene features a beautiful naked Woman (or Women). It is a soft porn flick that tries to include material to suit everyones taste by implementing a broad variety of erotic activity. There's foot fetish activity, bondage, girl on girl, boy/girl, humiliation, a Dominant Woman, submissive women, self-pleasure, role-playing, S&M, etc... All of this is fairly mild but the film is far too explicit to be counted as a regular theatrical film. I give it a 3.7.

Several of the scenes are forceful and/or cruel and could trigger PTSD symptoms in abuse victims, or distress sensitive individuals. Steer clear or tread lightly if this is you! Of course this isn't a film for family night! It is suitable for open-minded persons age 17 and older to enjoy alone or with friends or a partner. Like most pornographic films the acting is sub-par. It's laughable but not the worst I've seen in other Euro-trash sexploitation films. Dialogue is almost nil and there is no character that with whom to relate to or admire (aside from their lovely aesthetic attributes).

"Histoire D' O" of 1975 s a better example of practical storytelling and believable performances. I recommend it over this film. "Histoire..." is the tale that strongly inspired the "50 shades" franchise. In fact, "50 shades" is close to a blatant rip-off and isn't deserving of popular praise. I digress.

The island filming location is quite unique and visually impressive. It's isolated, and the tucked-away beaches and drastic mountain peaks are both romantic and severe at the same time. It's the ideal locale for the movies half-cocked attempt at a plot by reflecting the storyline via landscape.

Not surprisingly, there are way more bushes inside the prison complex than in the landscape...haha! Grooming ones' downstairs region wasn't fashionable until the early to mid 90's. A few of the women didn't think it necessary to shave under their arms either. A couple of the men (guards) are also quite hairy. Back hair and thick full bushes...yuck. By god, why were people so adverse to smooth skin during those decades?! You'll likely find it funny and/or icky as did I.

Europeans (and the Japanese) have always been bolder than other nations at expressing their sexuality and especially peculiar activities. Their non-nonchalant attitude towards nudity and unusual "love-making" activities has always been the envy or bane of more conservative countries. I imagine that the more expressive nations have no qualms about labeling "Caged Women" as a regular theatrical production. The rest of the world either has the film banned or presented clandestinely to niche audiences.

This movie is amusing without intending to be. I think it could be re-worked and tweaked to make a great comedy-thriller for adults. I hope a talented director see's this ridiculous film and reaches the same conclusion.

Much like Tinto Brass ("Caligula"), the people who made this movie can't tell the difference between explicitness and eroticism. No build-up at all, just throw naked women on the screen; no, it doesn't work that way. If close-ups of female genitalia aren't your thing, prepare to be looking away from the screen at many points (I often did). The "all women are whores at heart" mentality of the movie is offensive, and the "story" is by turns absurd and boring (the escape is the most boring part!). But halfway through there is a random scene that pops out of nowhere and involves one of the (female) prisoners and one of the (male) guards in a nude wrestling match, which she wins with a couple of judo moves. Although the choreography of the fight is bad, the whole scene is undeniably memorable. In fact, that scene and the nice cinematography are the only two reasons I give this film * out of 4, instead of 0.

Clearly in the top 3 of all WIP flicks, my main addiction to this 80 minutes of celluoid is born of seeing Brigitte Lahaie and a bevy of other beauties parading around naked in bright daylight. "Gefangene Frauen" (Caged Women) is one of Dietrich's finest softcore achievements. He has taken the WIP genre and added a twist of his own.

The girls are kidnapped from a brothel and taken to an island prison. There they undertake a modest degree of insubordinate behaviour which triggers obligatory punishment. This consists of having to strip and walk around naked in the prison for the rest of the film. And what can you say against that? What with nude wrestling, nude whipping and a nude escape project, it's all a go-go.

Sure the acting is weak and the plot rattles, but that is not what we are here for. It delivers what it says on the tin. Big time.

Put them all together: Erwin Dietrich behind the camera, Brigitte Lahaie and a whole bunch of gorgeous, very naked women in front of the camera, keep the nudity and hot scenes going from beginning to end, and you've got a winner. Storyline?... who cares! Okay, okay... a bunch of beautiful girls are kidnapped from a bordello by a paramilitary force (yikes!) and taken to a deserted island to be held as sex slaves. That's the bad news. The good news is they don't suffer much at all, and they are nude most of the time. Basically the same cast from "Come Play With Me" (another wonderful Erwin Dietrich romp) with a bunch of welcomed additions. Fans of '70s Euro sleaze will definitely enjoy this one.

I'd love to write a little summary of this movie's plot, but...there simply isn't one! If you just take a look at the plot keywords for this title, you pretty much know the entire content of the film: sex, breasts, exploitation, female frontal nudity and women's prison! 80 minutes of pure sleaze and nothing more. "Escape of the Island Women" (an alternate title that isn't even listed here) clearly wanted to become another notorious and controversial woman-in-prison classic, but it totally lacks the brutality of one. WIP-flicks are meant to blend graphic sexual images with shocking violence, but the violence here has just been replaced with more sex. Director Erwin Dietrich surely can't compete with specialists in the field, like Jess Franco or Joe D'Amato, and he should have sticked to making ordinary soft-core flicks. The only aspects that slightly look like cult-cinema are the resemblance of the tyrant-president with Fidel Castro and the group-rape of a (minor?) girl by soldiers. The girls are ravishing, though, and the Ibiza filming location looks very enchanting.