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7.0/10
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Mysterious pond near Japanese village inhabited by mythical beings. Their narrative revolves around vengeance, heartbreak, and the strength of genuine affection.Mysterious pond near Japanese village inhabited by mythical beings. Their narrative revolves around vengeance, heartbreak, and the strength of genuine affection.Mysterious pond near Japanese village inhabited by mythical beings. Their narrative revolves around vengeance, heartbreak, and the strength of genuine affection.
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Others here have described the film more than adequately, all I have to add is that of Feb 2021, Shochiku have announced that it will be digitally remastered and re-issued. I hope I get a chance to rework the subtitles!
Back in those days, when videotape wasn't readily available, we sat in a screening room, watched the film, made notes and received an audio tape of the dialogue to work on back at home - using audio cassette player, the original (often uncorrected) Japanese script and a typewriter. As you can imagine, it was difficult, if not impossible to remember all the actions and nuances that must be addressed to make the subtitles work seamlessly, especially since Japanese can be very vague at times, often leaving out the subject, or the object of a sentence, so he/she, or here/there, that/this must often be guessed at. It was always a painful experience to watch the complete subtitled film, surrounded by the producers and usually the director, continually wincing at what must have looked like simple translation errors.
Anyway, I hope you enjoy the remastered masterpiece by often underrated genius of Japanese cinema, Shinoda Masahiro.
Back in those days, when videotape wasn't readily available, we sat in a screening room, watched the film, made notes and received an audio tape of the dialogue to work on back at home - using audio cassette player, the original (often uncorrected) Japanese script and a typewriter. As you can imagine, it was difficult, if not impossible to remember all the actions and nuances that must be addressed to make the subtitles work seamlessly, especially since Japanese can be very vague at times, often leaving out the subject, or the object of a sentence, so he/she, or here/there, that/this must often be guessed at. It was always a painful experience to watch the complete subtitled film, surrounded by the producers and usually the director, continually wincing at what must have looked like simple translation errors.
Anyway, I hope you enjoy the remastered masterpiece by often underrated genius of Japanese cinema, Shinoda Masahiro.
YASHAGAIKE (Demon Pond) has been missing from the Home Video Market for far too long (as in forever). How very strange that one of the few examples of Bando Tamasaburo's art, and perhaps his most accessible to the west, is so little known. I first saw this film on the late-lamented "Z Channel" in Los Angeles in the early 1980's and have always wanted to become reacquainted with it. If memory serves, it was such a surprise to see so many genres, visual styles of scenery, costume, lighting and period assembled with such naiveté in one film. Perhaps that is one of the reasons that it is not readily available. Also, my one viewing on television gave the impression of already fading non-technicolor processing. I hope that this is wrong. Yet, anyone who has seen "Das Geschriebene Gesicht" by Daniel Schmid (only available on PAL at the present), or Tamasaburo's collaboration with Yo-Yo-Ma in his Bach series will be anxious to see anything by the great Kabuki onnagata. Perhaps "Natassia" will appear some day.
This film has shown in the United States as Demon Pond. One part ghost story (with echoes of the Japanese classic, Ugetsu), one part a distinctly Japanese version of a "weird tale", and one part drawn from Japanese fairie tales and children's stories, much of the action is a vehicle for Bando, perhaps the most accomplished actor/female impersonator in Japanese theater and kabuki in the last 30 years. It is virtually impossible to tell that he is a man, playing a female role. More theatrical than scary, the film is still sometimes creepy and very imaginative visually. For those who are interested in Bando, Daniel Schmid made a "documentary" about him, The Hidden Face, which is well worth seeing. In all, this is an excellent example of superior recent Japanese film that has more aspirations to entertain than to be art, but entails both.
Melancholy is the key word in this perhaps most beautiful yokai movie. The yokai (incarnated spirits of nature) may play second fiddle to a more down-to-earth plot about friendship versus love, but the fantastic atmosphere is there from the start. Handsomely shot outdoors, the valley (and of course, the eponymous pond) remain the main centre of interest, if only visual, as well as its ultimate fate. Plus music by Isao Tomita. Lovely movie. Give it a spin.
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I am on a quest to find American distribution of the Japanese film, Yasha-ga-ike (1979) Demon Pond, by Director, Masahiro Shinoda.
Summary: It is an extraordinary and beautiful cinematic experience. It was artistically, emotionally, and imaginatively powerful. I was drawn into the film, like the main character is drawn into the magical realm of the "Lady of the Lake." It is a transcendent adventure story and romance, that evokes the relationship between humans and the natural world, and everyday life and the life of the imagination. I was transformed by the magic of the film.
I rate it as one of my favorite films of all time, along with Cocteau's Orphee.
I saw the film in the 1980's,in the Toyo Theater (a Japanese Theater) in Seattle. The Toyo Theater no longer exists. I have looked a number of times, but I can't find the film anywhere. I know that it played in Seattle again at an Art Museum in the 1990's, but I wasn't able to see it then.
I would also like to show Yasha-ga-ike to students, and perhaps combine it with Ugitsu, or Orphee.
I would love to see the film again. Does anyone know where or how to find it in America?
Summary: It is an extraordinary and beautiful cinematic experience. It was artistically, emotionally, and imaginatively powerful. I was drawn into the film, like the main character is drawn into the magical realm of the "Lady of the Lake." It is a transcendent adventure story and romance, that evokes the relationship between humans and the natural world, and everyday life and the life of the imagination. I was transformed by the magic of the film.
I rate it as one of my favorite films of all time, along with Cocteau's Orphee.
I saw the film in the 1980's,in the Toyo Theater (a Japanese Theater) in Seattle. The Toyo Theater no longer exists. I have looked a number of times, but I can't find the film anywhere. I know that it played in Seattle again at an Art Museum in the 1990's, but I wasn't able to see it then.
I would also like to show Yasha-ga-ike to students, and perhaps combine it with Ugitsu, or Orphee.
I would love to see the film again. Does anyone know where or how to find it in America?
Did you know
- TriviaTwo female characters are played by a male actor.
- GoofsThere are people watching the flood approach. In the next scene they begin to flee. The camera pans out and the three individuals (mannequins) are standing still.
- Quotes
Diet Member: Do you take the side of the humans?
The Camellia: How could I take the side of the moneys without a tail?
- SoundtracksLa cathédrale engloutie
Written by Claude Debussy
Performed by Isao Tomita
[Heard during opening credits]
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