SOS Concorde

I finally managed to track down copy of this CONCORDE: AIRPORT 79 cash-in directed by the the violence-obsessed Ruggero Deodato. I'm surprised this flick doesn't come up in discussion more often since it does have a pretty fantastic cast and crew and a pretty good storyline too.

Joseph Cotten and Edmund Purdom are big New York executives who are informed that the Concorde has failed numerous safety checks, yet they have them fly anyway. Right away of course, a Concorde crashes into the Carribbean Sea leaving a stewardess (Mimsy Farmer) as the only survivor. Of course she is first picked up by some members of an international mob (including Richard Raymond and Venantino Venantini). They demand a million dollars ransom for the girl to the hotshot executives, who respond by unleashing their hit men on everyone who knows about the crash in a vain attempt to cover it up. Enter James Franciscus as the heroic journalist who steps in and rescues the stewardess from the mobsters and barely gets her to the authorities in time to learn a second Concorde (piloted by Van Johnson!) is experiencing similar trouble and may also crash if she doesn't remember what caused her flight trouble. Turns out the mobsters were behind the whole thing and that they're all in a little over their heads.

This oddity certainly doesn't pack the best special effects I've seen (the Concorde footage is all either stock footage or cheesy little model airplanes), CONCORDE AFFAIR 79 still manages to be a lot of fun. There's murder, mobsters, & mayhem, and an underwater scubadiver fight or two. The cast is top notch, with even Robert Kerman dropping by as an air traffic controller who has to talk Mimsy Farmer to her senses at the end. Genre veterans may also recognise that same black guy from ZOMBIE and DOCTOR BUTCHER M.D. as one of the fishermen who rescues farmer and is promptly killed off. The photography, in this case by both Federico Zanni and Gianlorenzo Battaglia is pretty good, but fails to make the Godzilla movie-ish miniatures seem realistic. Stelvio Cipriani's musical score is about exactly usual for his work, yet adding a couple interesting new variations.

All in all, I think this flick was alright. It's totally rare and impossible to find in a decent quality print, but in my opinion it's well worth the effort tracking down.

It's tempting to call "Concorde Affaire '79" (a.k.a. "Concorde Affair") a rip-off since its title is so close to the hilariously awful "The Concorde: Airport '79," but beyond that the only similarities the movies share is the crashing of their titular plane. They're not even in the same genre, with the Italian-made "Concorde Affaire '79 " more of an action thriller than a disaster movie.

The action kicks off right away when an airline CEO (a bored Joseph Cotten) orders the sabotage a rival's Concorde test flight, causing it to crash in the Caribbean Sea, killing everyone on board. News coverage is routine, but then New York-based freelance journalist Moses Brody (James Franciscus) gets a scoop from his ex-wife—who just happens to run a restaurant in the Antilles—and though she's irritatingly vague he heads to the islands anyway. By the time he arrives his ex is dead and there are thugs trying to kill him. The plot thickens from there, with Brody discovering that there was one survivor of that Concorde crash: Jean (Mimsy Farmer), a flight attendant (because who else was going to get the pilots' coffee?) now being held captive by gangsters who are using her to blackmail Cotten—who pays them as part of "the cost of doing business." Can Brody rescue Jean and escape the gangsters in time to thwart Cotten's sabotage of another Concorde flight out of the U.K.?

Though hardly a great movie, "Concorde Affaire '79" is far better than it has any right to be (and 10 times better than "The Concorde: Airport '79," as other reviewers have noted). It certainly has way more plot than expected though the storytelling is a bit rickety at times. Case in point is Brody acting surprised to discover the exact location of the Concorde wreckage as if this were some big secret. And apparently it is, as it's revealed the gangsters are actually Cotten's henchmen, sent to destroy all traces of the wreckage. Guess the FAA didn't waste too much time investigating plane crashes in the late '70s. Just as rickety is the way director Ruggero ("Cannibal Holocaust") Deodato relies on stock footage for all scenes showing the Concorde in flight. Even worse are the unconvincing miniatures used to represent the plane at the bottom of the sea. Otherwise, Deodato does a competent job in the director's chair, seldom letting the movie's pace drop below a cruising altitude. Incidentally, though helmed by a man known for including liberal amounts of gore, sex and nudity in his other movies, "Concorde Affaire '79" is strictly PG-13, with no sex, little gore and even less skin (Franciscus wearing a Speedo is as close as you'll get to nudity, though at times Farmer's billowing white blouse barely covers her breasts).

Franciscus brings the swagger and rugged charisma a role such as Brody requires (think of him as a half-priced Steve McQueen, or a younger, cheaper Charlton Heston), his performance really elevating the movie's entertainment value. Cotten and Edmund Purdom do little more than wait for their paychecks. Van Johnson, another Hollywood legend, at least invests a little effort in his small part as the pilot of that second doomed Concorde flight. Farmer is under-utilized in a damsel-in-distress role, though she does get to freak out a couple times ("I… CAN'T REMEMBER!"). It also appears Farmer wasn't available for all her scenes as an obvious stand-in is used for Jean's first scenes aboard the test flight. Also look for '70s porn stars Michael Gaunt, Jake Teague and Robert Kerman (a.k.a. R. Bolla) as London air traffic controllers, speaking with dubbed English accents.

When in '79 the world, thanks to America, was captivated by Moonraker or Rocky II, Italian cinema tried not to lag behind and keep pace with overseas productions. Did it succeed? Well, not exactly. While we still recognize some titles from that year, Concorde Affaire is fading into obscurity, and it's harder to find in the language version we're interested in. This is also something to take note of. Even though the dialogues aren't particularly thrilling, if I had walked out of the cinema in '79 after watching this film, I would have felt like I got more than I expected.

Let me briefly explain. The film is packed with action that keeps you on edge but in a subtle way-not exaggerated like in contemporary cinema with explosions and scantily clad women everywhere. In an hour and a half, we get a suspenseful thriller with mysterious plot twists-conspiracy? An attempted ransom? All the commotion is created to protect certain "interests" while trying to cover up sabotage, dragging innocent people into it. The question is whether our main character will figure out what's really going on. His heroic stance and determination make us feel he's the right man for the job and the cause.

Concorde Affaire has the ability to make you not want to take your eyes off the screen. Even for those who aren't fans of aviation, just seeing such a majestic plane sparks awe. The plane's capabilities-the realization of supersonic passenger transport thanks to Rolls-Royce Olympus 593 engines with a dual spool, originally developed for the Vulcan bomber-are impressive. The mood is heightened by the soundtrack by Stelvio Cipriani, who had already been praised for his earlier film scores, and he didn't disappoint here either. To fully appreciate the music, though, it's worth listening to it on platforms like Spotify, where you can hear even the tracks that don't fully resonate in the film.

What's missing for a higher rating? - The creators could have recleaned the soundtrack, which at times overlaps with other effects or has a muffled tone. Moreover, for that year, they could have opted for a sharper, more vivid picture that would be more pleasant on the eyes.

Concorde Affaire '79 (1979)

** 1/2 (out of 4)

Entertaining non-sense from director Ruggero Deodato is an Italian rip-off of the American film THE CONCORDE....AIRPORT '79 but this here is actually much, much better. The wild plot deals with a crazy businessman (Joseph Cotten) who plans to take down every Concorde plane that he can so that it keeps him in business. The first plane goes down but a woman (Mimsy Farmer) survives the crash and then gets held captive so that no one finds out. Thankfully a reporter (James Franciscus) finds out about the plot and tries to get to the bottom of it. CONCORDE AFFAIRE '79 is one crazy little film that pretty much has everything you could possibly think of in regards to just downright silliness. The plot is all over the place but it's so wild and crazy that you really can't call it anything other than original. I went into this movie expecting something really bad but I must admit that I was surprised by how entertaining it was. It's certainly not going to make you forget CITIZEN KANE but it's still a fun little movie. There are some really crazy scenes and sequences here and one of the strangest has to be when the reporter is at the bottom of the ocean checking out the wrecked plane and he must battle people on the surface who are trying to kill him. This sequence runs a very long time but it keeps you drawn up in its action and the underwater photography is actually excellent. We've also got some other crazy scenes, mostly dealing with the surviving woman who is constantly coming under attack. This includes a couple scenes where she tries to break free and there's a real crazy sequence towards the end inside a bank. Director Deodato pretty much throws everything in the picture and for the most part it's fun no matter how dumb it is. This includes the really campy music score, some poor dubbing and a hilarious performance from the lead. I found Franciscus to be extremely entertaining in the lead and he certainly kept you interested in what was going on. This is especially true because he was playing the part like Charlton Heston and the (I believe) dubbed job makes him sound like Heston. Farmer doesn't offer a "good" performance but the over-the-top nature of her breakdown towards the end is priceless. Both Van Johnson and Cotten are obviously just picking up paychecks but it was fun seeing them. Fans of serious cinema will want to skip this but those just looking for a good time should get some entertainment value.

It was foolish of me to think that the Italian film industry wouldn't have a go at the old disaster genre, and here it its: the Italian version of Airport. Kind of.

Evil businessmen are wishing to destroy the Concorde by sabotaging it and causing it to be decommissioned. Using evil henchmen Venantino Venantini and Ottavia Dell'Aqua, they bring one aircraft down in the Antilles. It's a shame that air hostess Mimsy Farmer survived though, because she could blow the whole conspiracy wide open. It's kind of a mixed blessing that the henchmen get a hold of her, because although they already know about the conspiracy, they always start blackmailing the evil businessmen. Where's the loyalty these days in avational espionage?

Journalist James Franciscus gets involved when his wife phones him from the Antilles and annoyingly doesn't tell him anything over the phone, which is rather selfish because by the time he flies there from New York she's dead and he's not got a clue what she's on about. Luckily he's got a guardian angel looking out for him, because Venantino and Ottavia reckon they'd be better off minus a nosy journalist.

There's a lot of scuba diving looking for sunken Concordes and amazingly Mimsy nearly escapes the ship she's being held on just as James was passing by. By the time this all happens you'll be wondering when the disaster element is going to arrive - it does eventually, involving another plane piloted by Van Johnson. The same device that took down the first concorde is on board this one, but only Mimsy Farmer and her amnesia can save everyone on board...

When not murdering animals for a laugh, Ruggero Deodato can actually produce a good film, or at least an mildly entertaining one like this. There's a whole load of shenanigans going down between James trying to convince the authorities of the conspiracy and people trying to kill him, but those looking for Deodato gore will be let down, save for the bit where a diver is shot in the face and about ten gallons of blood pours out. Van Johnson does well as the stressed out pilot and you can't beat a bit of Joseph Cotton being evil, so that's not so bad either.

What's good for a laugh are some of the effects - the emergency cars at the end of the film are clearly toys, and so are several shots of the concorde itself. I'm no expert in disaster films but as a quick time waster it was okay. Dakar from Zombie Flesh Eaters gets his head run over by a boat.