Le cercle de fer

This is the story and journey of a lone man, Cord (played by Canadian Jeff Cooper), who is in search of Zetan and his book of knowledge. Along the way he meets many people and has to overcome several trials.

The story was original conceived by Bruce Lee, with help from James Coburn. In the meantime Bruce left for Honk Kong (Golden Harvest) to make what would be his series of movies that would immortalize him. This movie was resurrected after Bruce's untimely death.

What would have been Bruce's role, as the blind mystic/martial arts flute player with a bell on his toe, went to the universal Bruce Lee role acquiring machine that is David Carradine. In David's defense he does play 4 roles in this movie and is the saving grace of the movie. Jeff Cooper painfully interprets Cord, the hero. He almost lacks any emotion even when annoyed or angry his face is strangely serene and on the verge of a smile. He obviously spent time working out, but little to no time in a dojo. Also what's up with the hair ?? David's problem lies in his "martial arts" skills and his fortune cookie kung-fu babble. The movie seems like an extended version of the TV series that David was in (Kung Fu).

There are problems with this movie. Initially the movie was to take place in the East (China, Thailand, etc) to correspond with the various themes of the movie (Taoism, Zen Buddhism, etc). Instead the movie was filmed in Israel. The landscapes and backdrops are at times breathtaking, just out of place. This along with the crappy martial arts choreography (think Dolemite) and the repetition of extras gives the movie the feel of a Conan knock-off.

There are also some nice cameos by Roddy McDowall, Christopher Lee and Eli Wallach. The man in oil scene is priceless. Throughout all this if one pays attention, one can pick up a lot of Bruce's beliefs and philosophies. One can only wonder how good this movie would have been if Bruce would have been able to make it. I highly recommend this movie for fans of Bruce and the martial arts genre.

-Celluloid Rehab

This spiritual journey by muscleman Jeff Cooper is filled with goofy philosophics delivered with ridiculous austerity by the likes of guest stars David Carradine, Eli Wallach and Christopher Lee. It's all supposed to be mystical and enlightening, but it's mostly an unexhilirating peplum potboiler, without the enjoyably kitsch qualities that made that genre endearing. Listening to Lee philosophize was as dull as watching him perform was exciting. Oddball chopsocky.

I loved this movie. I loved just about everything about it. It has the perfect mix of philosophy, humor and martial arts. It's not, as far as I'm concerned, a martial arts movie.

It's an attempt to explain Eastern teachings to Western audiences. Whether it succeeds or not, depends on your attention span and how carefully you're watching. This is NOT a movie to watch while doing other things.

My favorite scene in the movie is Eli Wallach, who plays the man in oil. He's sitting in a cauldron in the middle of the desert, punishing himself for his own lust. Too funny.

I highly recommend this movie for anyone looking for something deep and different.

In a land that has never existed, Cord (Jeff Cooper) is a fighter searching for the secrets of a book guarded by Zetan (Christopher Lee). Along the way Cord encounters a Blind Man (David Carradine) who teaches him the art of philosophy through martial arts. This all comes in handy when Cord must face a series of opponents (all played by Carradine). Wow, where has this film been all of my life? Based on an idea by Bruce Lee, this is a really enjoyable flick that is as entertaining as it is outlandish. Carradine shines in all four of his roles and he and Cooper have a nice rapport (they were apparently friends in real life). It is also wild to see a buff guy pushing 40 like Cooper to be cast in the lead role. If this was made today, it would definitely be a kid. There are some quick supporting turns by Roddy McDowall and Christopher Lee, but the film's cameo highlight is Eli Wallach as "The Man in Oil." Yup, he is a guy bathing in a big drum of oil in the middle of the desert with the hopes it will make his genitals dissolve. Seriously! The entire scene unfolds as if they let Alejandro Jodorowsky do one day of filming for kicks. Cinematographer-turned-directer Richard Moore never directed another film after this and it is a shame as he gets some great use out of the locations in Israel.

This is a silly movie and not for those who want credibility, realism, SFX, CGI, or The Rock. But, it is about some of the more exalted aspects of what it means to seek the limits of what you can do with a combination of your spirit and your self. Karate, kung-fu, la savate... they're all just ways to fight. This film is for those who know that ways to fight are stepping stones to something greater. It follows a man who does not know, but who is learning, that punching and kicking merely create freedom to explore and to learn; the benefits of his quest will come from something more than his physical self can achieve.

It's not a great movie, but it addresses great questions and, if you look at it through the lens of metaphor, it can point you towards an answer or two. As well as that, it's a punctuation mark--if not a prose passage--from the '80s era of movies that asked us to keep believing things we knew were probably not true, but would be oh-so-cool if they were.