Le tambour

... a boy decides to stop physically growing and remain three years old while his mind, already developed ahead of its time, continues to mature. His life continues, with his irritating drum and equally irritating scream that shatters glass (he can be adult but also revert to being a childish toddler). He has intimate relations with (much) older women! Lots of metaphor and messaging but is it or was it ever relevant? Art for arts sake and a hint of the emperors new clothes but a film you should definitely see for no other reason than to have an opinion.

For me, this was definitely a hit-and-miss film, but luckily, most of the good things about this movie are also quite memorable. This is a weird movie, for better or for worse, but because it is so strange, there is absolutely no way that you will find this predictable. In fact, if you know little or nothing about this movie, keep it that way so that you can appreciate each odd twist when you watch it for the first time. I found the movie to be somewhat overlong, and the best parts of the story tended to be earlier in the film, but much of this picture is top-notch. I think most people would agree that love it or hate it, this is certainly a film that you won't soon forget.

I saw this flick many years ago, and there are images from this movie I shall probably take with me to the grave.

Things I saw in this movie that vividly stuck in my brain are such things as a huge eel being pulled out of a severed horses head that was just dragged from the sea on a rope, a soldier having carnal knowledge with a lady in the middle of a field while being hunted by another soldier, a young boy spitting into a hand of a young girl ...

And I could go on. This movie I found to be extremely unique and varied in many ways. I don't know that I can really recommend this movie all in all, but if you do watch it, be prepared for a very unique experience film wise.

Beamer

"That day, thinking about the grown-up world and my own future, I decided to call a halt. To stop growing then and there and remain a three-year-old, a gnome, once and for all"

Goodness, what a marvel this film is! It is certainly the greatest film from Germany that I have seen yet. Winner of the 1979 Academy Award for Best Foreign Language Film, "The Tin Drum" follows the life of a boy named Oskar. After seeing how ludicrous adults act, Oskar decides to stop his growth, and stay three years old forever by falling down the stairs. He succeeds, and the fall has stopped his growth. Aside from the hault of growth, the fall eqips him with two special powers that he regularly manifests. The lesser of these two powers, is repeatedly pounding his tin drum, which he absolutely refuses to let go of. Oskar's undeniable power is to let out a high pitched shriek that will shatter any glass he directs it at. Does it sound strange? Well, the film is much stranger, but also much more beautiful than my description.

The film follows our little Oscar over a period of around two decades, through World War II in Germany. We follow Oskar through his many sexual, emotional, tragic, funny, and beautiful exploits. An absolutely important credit must be given to actor David Bennett, who plays young Oskar. He portrays Oskar as an infant, as a three year-old, as a six year-old, as a twelve year-old, as a 16 year-old, as a 21 year-old...well, you get the picture. Bennett was only 11 at the time, and his performance is very impressive.

I haven't seen very many German films from the last thirty years, but most of the ones I have seen (the excellent "Vanishing," and the immensely mediocre "White Rose") haven't had very good scores. "The Tin Drum" has a very slight, but very servicable, score by the famous Maurice Jarre. The score has an emotional theme played in only a few scenes (notably, the ending), it also has an innocent little music box theme, and surprisingly a cool waltz for scenes involving members of the circus (a big part of the second-half of the film). A very good score. To my knowledge, it was released on LP when the film was released, and on a CD pressed in Japan sometime in the 90's. I read that the (sadly out of print) Kino DVD includes the isolated score as an extra.

It's an excellent film that I strongly connected with, but I can see many people not liking it, it is VERY strange, but I am somebody who has always found VERY strange things extremely beautiful, and "The Tin Drum" is no exception. Over-all, I consider this film a classic, and I'll once again state that it is certainly the greatest film from Germany that I have seen yet.

Danzig in the 1920s/1930s. Oskar Matzerath, son of a local dealer, is a most unusual boy. Equipped with full intellect right from his birth he decides at his third birthday not to grow up as he sees the crazy world around him at the eve of World War II.

This is very much a fantasy film. IMDb says it is a war drama, which is true enough, being set in the place and time that it is. But this is less about the war and more about Oskar, which I think makes it a fantasy film. His imagination is incredible, or perhaps more incredible is the idea that none of this is his imagination at all. His ability to alter the world around him is quite interesting.

The idea of a tin drum as a symbol of protest makes sense. It becomes even more interesting when put in the hands of a small child, protesting against life itself. Such an action is unheard of.