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Le Trou noir

Original title: The Black Hole
  • 1979
  • Tous publics
  • 1h 38m
IMDb RATING
5.9/10
29K
YOUR RATING
Ernest Borgnine, Anthony Perkins, Robert Forster, Roddy McDowall, Slim Pickens, Maximilian Schell, Joseph Bottoms, and Yvette Mimieux in Le Trou noir (1979)
Watch Official Trailer
Play trailer3:22
1 Video
99+ Photos
Space Sci-FiActionSci-Fi

A research vessel finds a missing ship, commanded by a mysterious scientist, on the edge of a black hole.A research vessel finds a missing ship, commanded by a mysterious scientist, on the edge of a black hole.A research vessel finds a missing ship, commanded by a mysterious scientist, on the edge of a black hole.

  • Director
    • Gary Nelson
  • Writers
    • Jeb Rosebrook
    • Bob Barbash
    • Richard H. Landau
  • Stars
    • Maximilian Schell
    • Anthony Perkins
    • Robert Forster
  • See production info at IMDbPro
  • IMDb RATING
    5.9/10
    29K
    YOUR RATING
    • Director
      • Gary Nelson
    • Writers
      • Jeb Rosebrook
      • Bob Barbash
      • Richard H. Landau
    • Stars
      • Maximilian Schell
      • Anthony Perkins
      • Robert Forster
    • 326User reviews
    • 90Critic reviews
    • 52Metascore
  • See production info at IMDbPro
    • Nominated for 2 Oscars
      • 8 nominations total

    Videos1

    Official Trailer
    Trailer 3:22
    Official Trailer

    Photos113

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    + 109
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    Top cast12

    Edit
    Maximilian Schell
    Maximilian Schell
    • Dr. Hans Reinhardt
    Anthony Perkins
    Anthony Perkins
    • Dr. Alex Durant
    Robert Forster
    Robert Forster
    • Captain Dan Holland
    Joseph Bottoms
    Joseph Bottoms
    • Lieutenant Charles Pizer
    Yvette Mimieux
    Yvette Mimieux
    • Dr. Kate McCrae
    Ernest Borgnine
    Ernest Borgnine
    • Harry Booth
    Tom McLoughlin
    Tom McLoughlin
    • Captain S.T.A.R.
    • (as Tommy McLoughlin)
    Steven Banks
    • Sentry Robot
    • (uncredited)
    Don Lewis
    Don Lewis
    • Sentry Robot
    • (uncredited)
    Roddy McDowall
    Roddy McDowall
    • V.I.N.CENT.
    • (voice)
    • (uncredited)
    Gary Nelson
    • Drone with Mask Removed
    • (uncredited)
    Slim Pickens
    Slim Pickens
    • B.O.B.
    • (voice)
    • (uncredited)
    • Director
      • Gary Nelson
    • Writers
      • Jeb Rosebrook
      • Bob Barbash
      • Richard H. Landau
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews326

    5.929.1K
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    Featured reviews

    8TheLittleSongbird

    Underrated

    Yes The Black Hole may have some silly dialogue and uneven acting, excepting Maximillian Schnell who is absolutely brilliant, but it is a very underrated film in my opinion. I love the story, it was an intriguing idea and it was compelling and moved at a good pace. The ending is wonderfully haunting and surreal, the direction is secure and the film's villain is one of the memorable ones I have seen in a while, twisted, tormented yet with a touch of humanity about him too. I did connect to the characters, yes even VINCENT and BOB. But what makes The Black Hole are the production values and music. The special effects, cinematography, design of the robots and set/scenery design are absolutely breathtaking and the score from the late legendary John Barry compliments the film perfectly. All in all, a very underrated film. 8/10 Bethany Cox
    dsayne

    Not for the little ones.

    I first saw the Black Hole when I was in college and I remembered just enough to know that I liked it. Others here have commented on the movie in great enough detail, I can only say,"Lighten Up!" Sure the effects are not perfect but they really are pretty good. The acting is acceptable, not oscar level but then neither is the script that they were given to work with. Many of the events depicted are not plausible, but how many movies really are? (Even non SF ones) The Black Hole is in some ways Captain Nemo in space. The Elizabethan structure of the ship in particular. Also Reinhart and Nemo are similar characters. However, Nemo is not truly a villain. His crew is composed of volunteers and they are very loyal to him whereas Reinhart must lobotomize his crew to retain their services. Reinhart cares for no one but himself, but Nemo was concerned, though grudgingly, for the welfare of even his prisoners. In short, Nemo is a sympathetic character, Reinhart is not. This brings me to the point of my review. The mood of this movie is what really makes or breaks it. I must credit my sister for defining it for me because I could not find the right word. The word is CREEPY! There is a feeling of forboding that builds untill the action sequences are finished and our heroes enter the black hole. After that it is just intensely weird and CREEPY. Having not seen this movie for twenty years and remembering only the cool effects and robots I allowed my 5 year old to watch it. Big mistake! He was afraid to go to sleep, and it bothered him for about a week. This kid has handled action and SF movies OK before, although I do not let him watch the more violent or intense stuff. This movie is intense! Star wars did not bother him at all, but the Black Hole . . . Parents of small children beware! The Black Hole is CREEPY!
    7pensman

    Bad Choices

    This is a movie with a great premise, a superb villain in Maximillian Schell as both Dr. Hans Reinhardt and his alter ego Maximillian the robot. Some of the staging and shots are among the best of any science fiction movie. And the ending comes close to the ambiguity of A Space Odyssey especially with its shot of the melding of Reinhardt and his robot ending up in a Dantesque vision of Hell, which is incredible given this is a Disney film. Do not forget the haunting music by John Barry which echoes a faint James Bond sound.

    The weakness, and there are too many to note, are best seen in the V.I.N.CENT robot and his mentor bot, Bob. These characters were obviously meant to appeal to the kiddies who were no doubt the target audience.

    I imagine there were some mighty discussions on the set of this film as to whether they should be making a classic or childish crap. Unfortunately the latter choice seems to driven the bottom line.
    7funkagent

    Beautiful to look at and experience despite the weird finale.

    This is a film thick with atmosphere and a strange uneasy feeling as it unfolds. Like most reviewers here, I agree that the ending could have been much more coherent but there is just something about this thing that I cant get out of my head. There are elements here that some look at as flaws which are also some of the very things that many fans of the film absolutely love about it (ie; the robots, the actors) The lack of oversight regarding the "science" and lack of simple line of dialogue in a key scene which could have easily explained it would have boosted this film's fortunes and legacy over the decades. Regardless, its a nice tight little sci-fi escape.
    8mwendel

    Ahead of Its Time

    With the advancement of movie technology today, I am awaiting a re-make of this film as I can see the enhancement of the Armageddon-like atmosphere of this movie.

    Even though this film came out on the heels of Star Wars I feel that for its time and its budget it was awesome and very much overlooked. I think in this case, being a Disney film, didn't help its image either. As a kid this movie scared the pants off of me. It was dark and menacing and there was the big black hole staring me in the face the whole movie. (I can still recall the extent of the willies this movie game me).

    While flawed I see this movie as an artistic and hard core science fiction classic. It uses many of what I see as key elements in science fiction - known science, theoretical science, possible futures, and our fear of the unknown (I personally think even with what we know, we still know very little about black holes).

    This movie was made in the feel of 20,000 Leagues Under the Sea and Moby Dick, with the mad, yet brilliant captain, sailing a state of the art ship, knowingly, into certain and utter doom in the name of some idealistic obsession. And as it usually goes you have your idealistic yet rational unwilling passengers who want to get off the ship and survive the mad man's nightmarish dreams.

    The robots, while used in a highly symbolic fashion, were original in their concept and design. I particularly liked the way V.I.N.C.E.N.T. and B.O.B. were constructed as the "avatars" of humanity - completely man-made with human-like eyes and a "soul", that only allowed them to see the "right" side of things - as we see them. While on the other hand Maximilian was brilliant as the epitome of evil and twisted humanity in this movie - a man silently trapped and condemned to an inhuman fate as part of a mechanical nightmare.

    Lastly, I feel that the space backdrops and the internal renderings of the space ship, which I feel have somewhat of an impressionistic flair, are awesome and were very well done for the period. If you passed on this movie the first time I recommend giving it a second chance. Take in the movie - see its symbolism, its social commentaries and far reaching vision. I think some of the issues the movie quietly addresses are still relative today.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The film was originally supposed to take place in a completely weightless environment. The technical difficulties prompted a re-write of the script so that when the Palomino ties up the Cygnus gravity returned.
    • Goofs
      At the very start of the movie, when Vincent announces, "The largest black hole I have ever seen, Mr. Pizer," and Pizer replies, "Hmm. Let's look at it on the holograph," the viewer can see someone's hand turning Vincent by his left foot. The hand stays there for a moment before pulling back off-camera.
    • Quotes

      V.I.N.CENT: A wolf remains a wolf, even if it has not eaten your sheep.

    • Alternate versions
      The Anchor Bay DVD includes a space background in the overture.
    • Connections
      Edited into Max et le diable (1981)

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    FAQ18

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    Details

    Edit
    • Release date
      • October 3, 1980 (France)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • El abismo negro
    • Filming locations
      • Walt Disney Studios, 500 South Buena Vista Street, Burbank, California, USA(Studio)
    • Production company
      • Walt Disney Productions
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $20,000,000 (estimated)
    • Gross US & Canada
      • $35,841,901
    • Gross worldwide
      • $35,841,901
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 38 minutes
    • Aspect ratio
      • 2.39 : 1

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    Ernest Borgnine, Anthony Perkins, Robert Forster, Roddy McDowall, Slim Pickens, Maximilian Schell, Joseph Bottoms, and Yvette Mimieux in Le Trou noir (1979)
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