As the horrors beneath the idealized 1950s come about, a successful young woman finds herself having a serious mental breakdown when she returns to New England.As the horrors beneath the idealized 1950s come about, a successful young woman finds herself having a serious mental breakdown when she returns to New England.As the horrors beneath the idealized 1950s come about, a successful young woman finds herself having a serious mental breakdown when she returns to New England.
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I saw this movie when it first came out, before I had read the book. It's impossible to capture the immensity of Esther's pain as she staggers toward oblivion, but watching the movie gave me a definite sense of a life in utter chaos. Yes, the film is flawed, but in my mind it stands alone as a separate entity. Marilyn Hassett's portrayal of Esther is terrifying--I haven't empathized so completely with a character on the brink of dementia since Kathleen Quinlan as Deborah in "I Never Promised You A Rose Garden." The supporting cast is equally solid--it's not their fault that there's just too much ground for one little movie to cover. Donna Mitchell stays in my mind as creating, in Joan's character, a young woman as doomed and in as much mental disarray as Esther. Mitchell is an amazingly underrated (and under-used) actress. I'm not sure if our boys would have given it two thumbs up, but it remains one of my closet classics.
Jameson Parker And Marilyn Hassett are the screen's most unbelievable couple since John Travolta and Lily Tomlin. Larry Peerce's direction wavers uncontrollably between black farce and Roman tragedy. Robert Klein certainly think it's the former and his self-centered performance in a minor role underscores the total lack of balance and chemistry between the players in the film. Normally, I don't like to let myself get so ascerbic, but The Bell Jar is one of my all-time favorite books, and to watch what they did with it makes me literally crazy.
Remember seeing this film years ago and it had a lasting impression on me! I remember the wonderful performance of Marilyn Hassett as Esther and Julie Harris as her mother! The breakdown of the main character was horrorfing and so well acted! I wish this was on video! Whatever happened to Marilyn Hassett she had a real promising career and what beautiful hair!
Just as all boys who become readers as a result of CATCHER IN THE RYE and later are either discovering Phillip Roth or "rebel" types, the same goes for the adult woman emerging from the BELL JAR....EVERY sort of bright or pseudo intellectual girl is introduced to this book which becomes their stepping stone into the neurotic hormonal changes into WOMAN. That is trite and will annoy most of you, but it has been true for a long time. Even Liz Taylor once was going to do the film when young but could not get anyone to finance the "downer" aspect of this terrific work. Of course, a film with a mental narrative is almost impossible to make into a good film. Joan Didion's PLAY IT AS IT LAYS was a fantastic film of a very little known subject....filmmaking and the "biz", but a good portrait of a woman and Tuesday Weld was mind blowing in it.Just as the boys went on into the literary world to Mailer, Kesey, Tom Wolfe,and others went on to the political savants Vidal etc.;the women did the Virginia Woolf and offshoots of downer hood and independence and the intellectuals of both genders met in the middle with earlier mentioned Joan Didion and John Gregory Dunne, but the bump in the rug was when Erich Segal had such a hit with LOVE STORY and both sexes were now trapped by this silly little book and started reading together because they became "adult" enough to discuss each others' favorites. Now, are new literary heroes are emerging through politics or trash and some heavy handed intellectuals or NO READING at all---compared to the days when one had up to three or four books going at once.There are so many writers from foreign lands who are doing better work because the world is so bizarrely transitioning into a heavy handed place to create and kids are using electronic communication devices which has played havoc with a lot of good storytellers who cannot get a publisher and we almost know what our old "favorites" are going to write about..There are a lot more books and writers than I make it appear....but, it is still frustrating to go into a store and come out empty handed because it is quite a luxury to spend $25-40 when you are having financial setbacks or one struggles to justify not reading a great book they have at their apartment or home bookshelves which are bursting. Try Lorca or some Chinese writers by going to the public library first.
I greatly enjoy the novel and the poetry of Sylvia Plath, but this movie does a great disservice to the book. I had seen the movie a number of years ago at the theater, and at this moment I am sort of half watching it on late night broadcast TV (which has done nothing to improve my opinion of the movie). The lead character comes across as whiny and irritating. The acting of the cast in general is pretty poor. It seems a shame that such a fine novel by such a complex and tragic author received the mediocre treatment given it by this film. Read the book!
Did you know
- TriviaDirector Larry Peerce and star Marilyn Hassett were married at the time of production.
- GoofsEarly in the picture an early-'50s New York cab has a telephone number on it beginning with "555". The all-numeric phone numbers were not put into use for another decade.
- Quotes
Esther Greenwood: To the person in the bell jar, blank and stopped as a dead baby, the world itself is the bad dream.
- Alternate versionsCBS edited 16 minutes from this film for its 1983 network television premiere.
- SoundtracksHere Comes The Night
Written and Performed by Janis Ian
Produced by Janis Ian and Ronald Frangipane
Arranged and Conducted by Ronald Frangipane (uncredited)
- How long is The Bell Jar?Powered by Alexa
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