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In the rainforests of the Philippines, an oil prospector escapes the clutches of a violent cannibal tribe with a female hostage, then searches for his missing companion and their plane.In the rainforests of the Philippines, an oil prospector escapes the clutches of a violent cannibal tribe with a female hostage, then searches for his missing companion and their plane.In the rainforests of the Philippines, an oil prospector escapes the clutches of a violent cannibal tribe with a female hostage, then searches for his missing companion and their plane.
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Ruggero Deodato's name is forever linked with the cannibal movie genre mostly because of his infamous 'Cannibal Holocaust', a movie which I've yet to see uncut. 'The Last Cannibal World' (aka 'Jungle Holocaust') was his first cannibal movie, and isn't as well known or talked about. If you don't take it too seriously, and don't object too much to the gratuitous animal slaughter, it's sleazy, trashy entertainment. Deodato by the way didn't start this movie cycle, Umberto Lenzi did, but Lenzi later recycled some Deodato footage, and cast Ivan Rassimov and Me Me Lai in his 'Eaten Alive'. Anyway, Massimo Foschi plays an American, Robert Walker. The plane he and his colleague Rolf (Rassimov) are traveling on crashes and they get separated in the jungle. I forget where the setting was supposed to be. It doesn't really matter as these cannibal movies are fantasies with no basis in reality. They usually film them in the Philippines and get the locals to wear dirty wigs and ham it up, which is alright by me if it's alright with them. It's a living, right? Walker gets caught by a primitive cannibal tribe, who tie him up, rip his clothes off and play with his penis. Maybe they are impressed, I don't know, but instead of eating him they imprison him. He witness all kinds freaky stuff while caged, but eventually escapes and takes Pulan, a beautiful local girl, as a hostage (Me Me Lai, also in Lenzi's 'Man From Deep River', made before this, and his 'Eaten Alive', made after). Their relationship is difficult to fathom and depends a lot on which cut of this movie you see. Walker is eventually reunited with his old pal Rolf and then decides to kick some cannibal butt. Really the plot is slim, and who cares? This is just an excuse to see lots of gross stuff and Me Me Lai's breasts. If I was forced to defend this type of movie I really couldn't, but hey, I enjoyed it while it lasted. My favourite cannibal movie is still Sergio Martino's unfairly dismissed 'Mountain Of The Cannibal God', starring Ursula Andress and Stacy Keach, which was released the year after this. It isn't as hardcore as the Lenzi and Deodato movies but it's lots of fun.
A plane full of annoying oil hunters crash their plane deep in a jungle and almost immediately the non-Caucasian members of the expedition are caught and devoured by a band of revolting cannibal natives, leaving the smart, sensible survivalist Ralph stranded with the weenie, whiny, panicky dolt Robert, who gets them completely lost within minutes. They manage to construct a remarkably sturdy raft that is almost instantly crashed into some rocks. The duo is separated and Robert eats some mushrooms that make him vomit, and then he is captured by the always-naked, mostly male cannibal tribe. They tie him up, rip off his clothes, and tug at his genitals. There is more male frontal nudity in this than at a pool party at James Whale's house.
There is, of course, one beautiful female native with no body hair and breast implants who falls for Robert- although not until after he ties her up, leads her around on a leash like a dog, and beats the snot out of her. This is a pretty detestable movie.
The print I watched was called "Last Cannibal World" and it seemed to have all the good bits (the gore and sex, that is) cut out. The tons of cruelty-to-animals (not as much fun as cruelty-to-humans) and the offensive male-female relationship result in a non-extraordinary cannibal movie devoid of any likability. I was never bored, though, and there are lots of scenes of that pathetic blockhead Robert getting humiliated. He's peed on, gets rotten vegetables thrown on him, and it tied up and swung around on a rope because they think he's a bird. And, according to some text at the beginning of the flick, it's all true!
There is, of course, one beautiful female native with no body hair and breast implants who falls for Robert- although not until after he ties her up, leads her around on a leash like a dog, and beats the snot out of her. This is a pretty detestable movie.
The print I watched was called "Last Cannibal World" and it seemed to have all the good bits (the gore and sex, that is) cut out. The tons of cruelty-to-animals (not as much fun as cruelty-to-humans) and the offensive male-female relationship result in a non-extraordinary cannibal movie devoid of any likability. I was never bored, though, and there are lots of scenes of that pathetic blockhead Robert getting humiliated. He's peed on, gets rotten vegetables thrown on him, and it tied up and swung around on a rope because they think he's a bird. And, according to some text at the beginning of the flick, it's all true!
(aka: JUNGLE HOLOCAUST)
Unlike Deodato's later atrocity CANNIBAL HOLOCAUST, I can at least stomach this one since only one crocodile is killed and skinned by the natives, and then they eat it afterwards. This is something they've been doing for thousands of years, so who are we (as so-called 'civilized' human beings) to say they can't?
Shot in Malaysia and the Philippines, this one is about an airplane (carrying Massimo Fosci and Ivan Rassimov) that lands in a survey camp in order to follow up on their research, firsthand. The plane is damaged on landing and the camp is found deserted. Of course, it doesn't take rocket science to figure out what happened to them.
As Fosci and Rassimov trek into the jungle, they get separated from the plane and then Rassimov disappears down some rapids, leaving Foschi alone to get captured by the natives. They take him to an underground cavern and rip his clothes of, and then start probing his genitals with a stick. Then they tie him onto a rope and haul him up to the ceiling. Native girl, Me Me Lai gets to watch all this and is fascinated by Foschi. It's love at first sight.
Next, we see a native guy tied up and his arm is cut in order to let the ants eat it all the way to the bone. Cool shot. Then the native boys urinate on Foschi on a ledge high up above his enclosure. He get's all wet. Ha! They keep him there because they are going to use him as bait for the crocodiles, so he escapes and forcibly takes Me Me Lai with him. Along the way, he rapes her in the elephant grass, but it looks more consensual than a rape.
He hooks up with Rassimov who has survived the rapids and they trek back to the plane. Rassimov is badly hurt while My My Lai get's captured by the cannibals and is eaten alive in some scenes that later appeared in Umberto Lenzi's EATEN ALIVE (1980).
In a memorable scene, Foschi cuts open the native guy he has killed and starts to eat his innards, just to let the other cannibals watching know he means business. Himself and Rassimov make it to the plane although Rassimov dies while the plane takes off.
The Shriek DVD includes revealing interviews with Foschi, Rassimov and Deodato, plus film posters and trailers. Rassimov comments that it was far easier to work for Deodato than it was for Lenzi while Foschi and Deodato both say that it was the producers who inserted the 'crocodile getting killed' scene and not Deodato. I think that's a load of bullsh#t, myself and I don't believe one word of it.
Still, it get's a 6 out of 10 for holding my interest and for not being as sh*tty as CANNIBAL HOLOCAUST.
Unlike Deodato's later atrocity CANNIBAL HOLOCAUST, I can at least stomach this one since only one crocodile is killed and skinned by the natives, and then they eat it afterwards. This is something they've been doing for thousands of years, so who are we (as so-called 'civilized' human beings) to say they can't?
Shot in Malaysia and the Philippines, this one is about an airplane (carrying Massimo Fosci and Ivan Rassimov) that lands in a survey camp in order to follow up on their research, firsthand. The plane is damaged on landing and the camp is found deserted. Of course, it doesn't take rocket science to figure out what happened to them.
As Fosci and Rassimov trek into the jungle, they get separated from the plane and then Rassimov disappears down some rapids, leaving Foschi alone to get captured by the natives. They take him to an underground cavern and rip his clothes of, and then start probing his genitals with a stick. Then they tie him onto a rope and haul him up to the ceiling. Native girl, Me Me Lai gets to watch all this and is fascinated by Foschi. It's love at first sight.
Next, we see a native guy tied up and his arm is cut in order to let the ants eat it all the way to the bone. Cool shot. Then the native boys urinate on Foschi on a ledge high up above his enclosure. He get's all wet. Ha! They keep him there because they are going to use him as bait for the crocodiles, so he escapes and forcibly takes Me Me Lai with him. Along the way, he rapes her in the elephant grass, but it looks more consensual than a rape.
He hooks up with Rassimov who has survived the rapids and they trek back to the plane. Rassimov is badly hurt while My My Lai get's captured by the cannibals and is eaten alive in some scenes that later appeared in Umberto Lenzi's EATEN ALIVE (1980).
In a memorable scene, Foschi cuts open the native guy he has killed and starts to eat his innards, just to let the other cannibals watching know he means business. Himself and Rassimov make it to the plane although Rassimov dies while the plane takes off.
The Shriek DVD includes revealing interviews with Foschi, Rassimov and Deodato, plus film posters and trailers. Rassimov comments that it was far easier to work for Deodato than it was for Lenzi while Foschi and Deodato both say that it was the producers who inserted the 'crocodile getting killed' scene and not Deodato. I think that's a load of bullsh#t, myself and I don't believe one word of it.
Still, it get's a 6 out of 10 for holding my interest and for not being as sh*tty as CANNIBAL HOLOCAUST.
A four-headed team clumsily ends up stuck in a jungle. Pretty soon, two of them die (rather clumsy again) while savage aborigines are chasing the other two males. The duo depletes one last time when one of them disappears during a wild-river flow
does it have to be said
clumsy! The supposedly last cannibal tribe on earth imprisons the one man left, named Robert. They don't start cooking him just yet, but fool around with him a little, first. He escapes and takes a local girl with him, who serves the role of beautiful hostage. However, the journey through the undiscovered jungle is hard, long and full of surprises.
Ruggero Deodato's general rehearsal before unleashing the notorious `Cannibal Holocaust' upon the world is an explicit horror film, but not as shocking or repulsive as its successor. This film merely serves as an old-fashioned adventure-movie, there were Cannibal Holocaust is a severely shocking ethical portrait. If you ignore all the illogicalness of this film, you'll have yourself a good time. That's a fact. It's a rough and straight-to-the-point horror production with more than enough footage to keep you entertained although a lot depends on your definition of entertainment, of course. Italian horror standards stand throughout the whole film: gore, sleaze and cruelty! Since so many things are happening during the first 20 minutes of `Jungle Holocaust', the film tends to get tedious after a while or so you would think! Surprisingly enough, there still are more than enough adrenalin-filled sequences that keep you alert and and this really is positive in my book Deodato gives an excellent portrayal of how someone is unintentionally driven into complete madness and a total loss of realism. Jungle Holocaust contains quite a lot of animal cruelty, which can be regarded as offensive by Italian horror-haters. The crocodile-dissection easily equals the vicious tortoise slaughtering in `Cannibal Holocaust'. The cannibals themselves are some of the wickedest I ever saw and they seem to follow some bizarre rituals, too. They show an unusual interest for male nudity and they don't seem to worry too much about controversial handlings such as murdering an infant (pretty disturbing sequence that was). They do bring forward beautiful women, as Me Me Lai is the sexiest native girl I ever saw. Jungle Holocaust is essential viewing for Italian horror/sleaze fans. Not as memorable as `Holocaust' or `Ferox' but certainly worth your time.
Ruggero Deodato's general rehearsal before unleashing the notorious `Cannibal Holocaust' upon the world is an explicit horror film, but not as shocking or repulsive as its successor. This film merely serves as an old-fashioned adventure-movie, there were Cannibal Holocaust is a severely shocking ethical portrait. If you ignore all the illogicalness of this film, you'll have yourself a good time. That's a fact. It's a rough and straight-to-the-point horror production with more than enough footage to keep you entertained although a lot depends on your definition of entertainment, of course. Italian horror standards stand throughout the whole film: gore, sleaze and cruelty! Since so many things are happening during the first 20 minutes of `Jungle Holocaust', the film tends to get tedious after a while or so you would think! Surprisingly enough, there still are more than enough adrenalin-filled sequences that keep you alert and and this really is positive in my book Deodato gives an excellent portrayal of how someone is unintentionally driven into complete madness and a total loss of realism. Jungle Holocaust contains quite a lot of animal cruelty, which can be regarded as offensive by Italian horror-haters. The crocodile-dissection easily equals the vicious tortoise slaughtering in `Cannibal Holocaust'. The cannibals themselves are some of the wickedest I ever saw and they seem to follow some bizarre rituals, too. They show an unusual interest for male nudity and they don't seem to worry too much about controversial handlings such as murdering an infant (pretty disturbing sequence that was). They do bring forward beautiful women, as Me Me Lai is the sexiest native girl I ever saw. Jungle Holocaust is essential viewing for Italian horror/sleaze fans. Not as memorable as `Holocaust' or `Ferox' but certainly worth your time.
Jungle Holocaust opens with some beautiful shots of a small aircraft flying over a seemingly endless jungle. The four people on the plane are going to the middle of said jungle to check up on a mining crew one of them sent out there. When they get there the camp is of course empty, and all that they find of the inhabitants is a heavily decomposed head. They end up having to stay the night in the plane because the pilot, understandably, will not fly over the jungle in the dark. At this point their situation goes from bad to worse as they have to deal with getting separated, a tribe of natives who just happen to be cannibals, being lost, and being far out of their element.
The movie centers around Robert Harper (Mossimo Foschi) and his ordeals with the cannibals and the jungle in his struggle to get home. The character development is a highlight as the events take their toll on Robert's psyche. He becomes more savage, animal like, and at times it seems, insane. Actor Mossimo Foschi does a very good job portraying all of this, by the way. Actress Me Me Lai is never clothed, a plus in my book, and performs well, though her obviously fake breasts do detract from the believability as she is supposed to be playing a native.
There isn't much gore but some of what there is can get a bit strong. Some will find a scene with a crocodile particularly hard to watch.
Overall Jungle Holocaust is one of the best of the Italian Cannibal genre and is oddly uplifting for this kind of film. Highly recommended.
The movie centers around Robert Harper (Mossimo Foschi) and his ordeals with the cannibals and the jungle in his struggle to get home. The character development is a highlight as the events take their toll on Robert's psyche. He becomes more savage, animal like, and at times it seems, insane. Actor Mossimo Foschi does a very good job portraying all of this, by the way. Actress Me Me Lai is never clothed, a plus in my book, and performs well, though her obviously fake breasts do detract from the believability as she is supposed to be playing a native.
There isn't much gore but some of what there is can get a bit strong. Some will find a scene with a crocodile particularly hard to watch.
Overall Jungle Holocaust is one of the best of the Italian Cannibal genre and is oddly uplifting for this kind of film. Highly recommended.
Did you know
- TriviaThe film was originally conceived as a sequel of sorts to Umberto Lenzi's Au pays de l'exorcisme (1972). Lenzi was originally attached to direct, but the project fell through when the producers refused Lenzi higher payment. Although the idea was eventually scrapped, the original "sequel" concept is still readily apparent, as Me Me Lai and Ivan Rassimov star in both films.
- GoofsThroughout the film, there is no daylight nighttime continuity visible. Daytimes are changing without reason, sometimes multiple times in one scene.
- Alternate versionsThe original 1977 UK cinema version ("Cannibal") was cut by around 4 minutes by the BBFC to heavily edit cannibalism scenes, closeups of Harper's naked penis, animal killings and shots of a man's arm being eaten by ants. When the film was finally submitted for DVD release in 2003 (as "Last Cannibal World") the BBFC required 2 minutes 46 secs of cuts to remove the scene of a live crocodile being gutted and to edit a rape sequence. The distributors had also offered a pre-cut version, removing a further 1 minute 47 secs, though in the end the longer BBFC-approved version was eventually released.
- ConnectionsEdited into La secte des cannibales (1980)
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