An intelligence agent discovers a Nazi plot to revive the Third Reich by using clones.An intelligence agent discovers a Nazi plot to revive the Third Reich by using clones.An intelligence agent discovers a Nazi plot to revive the Third Reich by using clones.
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Glenn Ransom
- Bernard Vogel
- (as Glen Ranson)
Gustaf Unger
- Hitler Clone (rumored)
- (as Gustof Unger)
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- All cast & crew
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Near-abominable tale of an intelligence agent (Vaughn) assigned by his boss (Leo Gordon, uncredited) to infiltrate an island outpost where he discovers a shocking plot to clone world leaders in an audacious plan to resurrect the Fourth Reich, forty years following the end of WWII.
Vaguely reminiscent of its contemporary "Boys From Brazil" has a great cast that aside from Vaughn sleep-walking through his role, includes Keenan Wynn, Aldo Ray, the lovely Lynn Cartwright (in a distinctly unlovely role as a sadistic Nazi), Kieu Chinh as a female prisoner, Victoria Carroll as a double agent and Corinne Cole ("The Party") in a frivolous bit part as a potential one-night stand, though our secret agent is so inept, he manages one corny pick-up line ("you need less bump and more grind"), before duty calls.
And let's not neglect William Lanning in the ostensibly unrelated scenes that punctuate, as he narrates the tale watching it unfold from a laser-read time capsule. If you're confused by that plot synopsis, you're starting to appreciate what "The Lucifer Complex" has to offer the patient viewer.
The film is absolute dross, pure guff, atrocious in almost every department, totally bereft of suspense, thrills or coherency, BUT, in my opinion it does qualify as 'so bad it's funny' and for that reason, coupled with the distinguished cast of Hollywood A-listers and B-movie personnel (Cartwright was always a scene-stealer, and she alone earns this turkey one star for pure camp value), it's essential for any film buff's burgeoning collection.
Vaguely reminiscent of its contemporary "Boys From Brazil" has a great cast that aside from Vaughn sleep-walking through his role, includes Keenan Wynn, Aldo Ray, the lovely Lynn Cartwright (in a distinctly unlovely role as a sadistic Nazi), Kieu Chinh as a female prisoner, Victoria Carroll as a double agent and Corinne Cole ("The Party") in a frivolous bit part as a potential one-night stand, though our secret agent is so inept, he manages one corny pick-up line ("you need less bump and more grind"), before duty calls.
And let's not neglect William Lanning in the ostensibly unrelated scenes that punctuate, as he narrates the tale watching it unfold from a laser-read time capsule. If you're confused by that plot synopsis, you're starting to appreciate what "The Lucifer Complex" has to offer the patient viewer.
The film is absolute dross, pure guff, atrocious in almost every department, totally bereft of suspense, thrills or coherency, BUT, in my opinion it does qualify as 'so bad it's funny' and for that reason, coupled with the distinguished cast of Hollywood A-listers and B-movie personnel (Cartwright was always a scene-stealer, and she alone earns this turkey one star for pure camp value), it's essential for any film buff's burgeoning collection.
If ever a film deserves obscurity this one should be completely eradicated from the first to the last frame, to prevent cruelty to viewers, to film making professionals, and to the actors trapped therein. Watching snails mate IS much more entertaining.
An obvious attempt to "rescue" already shot footage from some aborted movie project, the result is the best demonstrative excuse to outlaw cloning yet devised ...referring to the movie, not the biological process. Even worse, you can tell when the editors intentionally "stretched" the film by repeating the same scenes over and over and over and over and .... sow on. It is shocking to see reference to "script" personnel in the closing credits. I suspect this was an attempt to perpetrate a fraud. In the film there is no evidence of a script, nor coherence or continuity. The only plot possible for this film is the one into which it should be put.
Bury this movie, don't view it.
Why did I view this film? I cannot think of a single good reason other than stupid disbelief ...sort of like a deer frozen motionless in the headlights of an oncoming vehicle.
An obvious attempt to "rescue" already shot footage from some aborted movie project, the result is the best demonstrative excuse to outlaw cloning yet devised ...referring to the movie, not the biological process. Even worse, you can tell when the editors intentionally "stretched" the film by repeating the same scenes over and over and over and over and .... sow on. It is shocking to see reference to "script" personnel in the closing credits. I suspect this was an attempt to perpetrate a fraud. In the film there is no evidence of a script, nor coherence or continuity. The only plot possible for this film is the one into which it should be put.
Bury this movie, don't view it.
Why did I view this film? I cannot think of a single good reason other than stupid disbelief ...sort of like a deer frozen motionless in the headlights of an oncoming vehicle.
This movie could have been so much better if they would have had the lone survivor discovering that the video he is watching is really the Lucifer Complex and he was in it. Like he was discovering that he was a clone. But as the movie is, it makes little sense of anything.
But it has its moments. Not a great sci-fi flick, but not a total waste of time either. I thought the choreography was poorly done, and certain special effects, principally blowing stuff up, weren't done to well. But Robert Vaughn was, as always, cool. The "Nazi bitch" with the bride of Frankenstien hair style was kind of campy. Aldo Ray, and I've always enjoyed his work, didn't have much of a part or come across that well. The premise is okay but the plot, not to mention the characters, is never really developed. And the guy in the cave, watching all of this via computerized film footage? Well, lots of what he sees, which is what we watch with him, took place behind closed doors and in swamps and ... Who was holding the camera? Ahh, nothings perfect. This is OK sci-fi if you don't set your expectations to high. Its worth a watch.
This is a horrible movie. But it is also quite charming in the best bad movie way. What does it have. It has a man living in some mountainous (Scandanavian?) country with the entire knowledge of the earth on crystalline rocks, reviewing the decline of the human race. Interestingly, most of the history is in black and white with projection streaks running through them. The main story, however, involves the rise of the Fourth Reich. It is a convoluted story that really makes no sense. People are being captured and turned into zombie like clones. They then do the bidding of a Herman Goering type leader who sits back and yells out orders. There are women with machine guns that can fire up to 50,000 bullets without loading. The Nazi's are utterly incompetent. They leave a fully loaded tank around that can easily be commandeered by anyone who knows how to run it. What happens is apparently what causes the downfall of civilized society, but I'm not sure why. Keenan Wynn plays an old guy with a Santa Claus beard who rants and raves. We can't tell the clones from the real people and what, exactly, happens at the end. It's just the silliest piece of junk, but those women, running around in their gray prison uniforms, firing machine guns, is quite remarkable.
Did you know
- TriviaFilmed in 1976 but never released to theaters, going directly to TV in 1978.
- GoofsWhen Glenn is running from the soldiers, he ducks into the woods. When the Jeep stops and the men begin chasing him, they are only about 10 feet away, but somehow he eludes them.
- Crazy creditsIntroducing William Lansing (this was his only movie)
- ConnectionsFeatures Le Fantastique Homme colosse (1957)
- SoundtracksLivin' on the Brink
Composed & Performed by The Edgar Kelly Band
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- Hitler's Wild Women
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