Duel à cheyenne pass

RELEASED IN 1977, "Grayeagle" is a Western about a settler in the 1848 Montana region (Ben Johnson) whose daughter (Lana Wood) is kidnapped by a Cheyenne brave (Alex Cord). He teams-up with his Native partner (Iron Eyes Cody) and a friend (Jack Elam) to get his daughter back. Along the way they must tangle with a Shoshone hunting party, including a crazy brave named Scar (Jacob Daniels).

While the plot is reminiscent of 1956's "The Searchers," it's different enough to not be a rip-off. "Grayeagle" may be far from a big-budget Western, like "The Searchers," but I like it better. It genuinely surprised me for a number of reasons. For one, it's not a typical Western; it's just as much a Native American film as it is a cowboy/settler Western; and the Natives are portrayed quite well, considering the time period.

Secondly, everything about the movie is over-the-top, like the acting, the (melo)drama and the blaring score. Speaking of the score, it plays like the bombastic music of the original Star Trek TV series, but updated to the mid-70s and fitted for a Western. It's quite good, sometimes even moving, albeit decidedly dated.

The plot similarities to "The Searchers" is interesting in that Lana Wood's sister, Natalie, played the kidnapped girl in that film. Speaking of Lana, she's just gorgeous. You might remember her as Bond girl Plenty O'Toole in 1971's "Diamonds are Forever."

The annoying, half-crazy character Bugler was played by the director, Charles B. Pierce, who made the similar "Winterhawk" (1975). You might remember Iron Eyes Cody (aka Standing Bear) as the American Indian shedding a tear about litter in one of the America's most famous television public service announcements, "Keep America Beautiful," from the early 70s. While Cody certainly looked Native American and claimed his father was Cherokee (and his mother Cree), he offered conflicting data on his heritage. Evidence shows that he was a 2nd generation Italian-American based on an interview with his half-sister and documents, which included a baptismal record. But Cody denied the claim. He was likely part Native, but who knows?

Shot in the Helena National Forest Northeast of Helena, Montana, the landscapes are picturesque. "Grayeagle" is full of gusto and reminiscent of the later "The Mountain Men" (1980). It must be respected because the creators gave it their all to entertain the viewer; in fact, I include it on my hallowed "Favorite Westerns" list, perhaps as more of a guilty pleasure since the flick is so overdone that it sometimes borders on ridiculous. So I can see why some people don't like it. While it's often supremely entertaining, the sacred words are fitting: "Just because you like a movie doesn't mean it's good."

THE FILM RUNS 104 minutes.

GRADE: B/B- (6.5/10)

This film started off well enough (apart from the curious scene with the mysterious rider silhouetted in the setting sun on the horizon contrasting with the cabin in full sunlight) but its last 30 minutes or so dragged along when they should have been more exciting. Very few of the Native Americans looked realistic, one exception being Standing Bear, ironically played by Iron Eyes Cody, whose heritage has been queried in other reviews.

Talking of whom, I couldn't work out the significance of his flashback halfway through the film, when a young Running Wolf visits Standing Bear's cabin and ominously eyes his young daughter (or wife?) who looks nothing like a Native American. Was she to become the mother of Beth, who was later adopted by the Colters? Enigmatic scenes like this make me wish for the IMDB Message boards (discussion forum) of a decade ago where I might have been enlightened.

The version I saw was the full 104-minute version. Perhaps the 60-minute UK cut was less puzzling.

Great cinematography, and it's always good to see Ben Johnson and Jack Elam.

This tale features the corny professionalism that makes American International Pictures so fun to watch. Although politically incorrect and revisionist, it touches the heart. The viewer sees the late Natalie Wood's sister giving it her all. Alex Cord goes against type to be genuine in his depiction. Western fixtures Ben Johnson, Jack Elam, Paul Fix, Charles Pierce, etc., enhance any horse opera. Critics, use your free rental coupon to watch 'Dances with Wolves'. Fans of Samuel Z. Arkoff, get the popcorn ready. You'll also need a handkerchief and a strong stomach for the implied violence. Just sit back and enjoy the show.

I'm going to make a suggestion here. When you watch this movie for the second time, turn down the volume completely. Make up your own wonderful scripting and music. Somehow, the scenes, acting, and storyline make complete sense and the movie becomes a wonderful exploration of images from a first rate motion picture that might have been. There are moments of incredible color and western imagery that are delightful to see, even if they fall far short of being the reality of the era depicted. Sorta reminded me of a nice western novel you picked up in a shop while in the airport. There's Alex Cord and Lana Wood in a classic lover's pose on the front cover with Iron Eyes Cody looking on in the background. Perfect Native Americans, who of course, are not native at all. This motion picture had everything it needed to be a wonderfully engaging drama with spectacular filming and broad scope. Yet, somehow during its production, it simply became a good children's tale. So, the question here is; how do you manage to get the money and all these industry tools, Ben Johnson, Jack Elam, and all those great actors, and turn a wonderful movie into this? I don't know. But, it saddens me.

I loved this movie and would recommend it as a family picture. I disagree that this is a poor remake of the "Searchers" they are not the same at all. Some of the reviewers obviously never really watched the films. I'm a fan of Ben Johnson, Iron Eyes Cody and Jack Elam. I thought Jimmy Clem was so believable in his part of Abe Stroud, though I thought he did a little too much spitting tobacco. Paul Fix was unreconizable as himself in the part of Running Wolf, I would never have guessed it was him. Charles B. Pierce was very convincing as the demented bugler. Lana Wood was very pretty and I think tried to do a good job but she really wasn't a very good actress, at least in this part. Alex Cord was just right in his portrayal of Grayeagle. He really had to carry the scenes he did with Lana. Grayeagle says little because that was the right way to portray a warrior of the day who knew some English but saved it for when he had something to say. Small talk would have been ridiculous for Grayeagle. He used facial expressions and body language very well. Alex Cord was so graceful mounting and dismounting the Appaloosa and rode well centered, it was a pleasure to watch him ride. I always thought Ben Johnson was the best rider I had seen in movies but Alex Cord is excellent. They did a good job picking the horse for Greyeagle to ride, that appaloosa was just the type that would have been ridden in the 1800's not the quarter horse type appaloosa seen in so many movies. Greyeagle's horse looked and moved like the kind of horse a high warrior might ride. Looked like fun to ride if you didn't have to re-shoot too many scenes. I liked the attention to detail of the costumes and blanket for the Appaloosa with the buffalo pictures, meaning kills? I had lots of questions about the meaning of costume items worn by the Cheyenne and customs portrayed in the film. I wish the director could have had Standing Bear tell Beth the meaning of things that went on in the Cheyenne camp so the viewer wouldn't be left with questions about what they were watching. There were a few glaring oops in the film such as the same quilt seen in the Coulter cabin as in Abe Strouds cabin, also the fabrics and colors were all wrong for the period. Shoes on the Indian ponies, though that could be overlooked due to horses used to being shod could come up lame in the filming. I also had the feeling that the Coulter cabin and Abe Strouds cabin were one in the same just changed a little inside. The appearing and disappearing stripes on the legs of the appaloosa, kind of noticeable I think. The music was wonderful and the scenery was beautiful. One of my favorite scenes was Ben Johnson, Jack Elan and Iron Eyes Cody racing across the land shouting to each other and running full out. I think they really had a good time with that scene. Big Oops, Ida Coulter? Trapper Coulters wife was referred to as Maria by the Cheyenne who visited her. The name Ida Coulter was never mentioned. I hope this movie is available to purchase again , I think it's a classic.