Mélodie pour un tueur

This early movie of actor Harvey Keitel is still rather unknown and was always overshadowed by the successful Keitel and de Niro movies like Scorsese's "Mean Streets" and "Taxi Driver". With Scorsese and di Niro being absent in this production, it was Keitel's time for a leading part.

He plays the schizophrenic character "Fingers", a brutal repo man who is dreaming of a classical piano player career in a distant future beyond violence. He falls in love with an ignorant woman, tries to convince his father and mentor of his musical talents, but also has to take any dirty job to survive. Finally he takes his famous "last job" and tries to get a large amount of money from a brutal Mafia youngster, but has to face his biggest enemy - and his last big showdown.

"Fingers" is a rather calm movie which leaves enough place for Keitel to show the different personalities of "Fingers". There are dirty back roads, a bloody showdown and the tristesse of other sad New York stories, but not the glam and the roaring action of the Scorsese movies. And there are always evidences of hope and love which are finally crushed by the wheels of reality... Watch out for "Fingers", one of Harvey Keitel's best performances ever.

Many times over the years James Toback has been referred to as ‘brilliant', and a good deal of those times the film ‘Fingers' is mentioned in the same sentence.

It stands right there with Resevoir Dogs, Bad Lieutenant, and Mean Streets-all Harvey Keitel films which have over the years gotten far more applause than they did earlier..

Actually the premise is just enough unique: the concert pianist from the wrong side of the tracks, the carefree and confused collector for his bookie father.

Toback's dialogue is very raw, but it is on target for the very raw world he describes.

Michael Gazzo gives one of his best performances ever as Keitel's father.

Not to be missed, but if you look to Toback to recreate this magic with his later efforts, ‘The Pick-Up Artist' or `Exposed', don't waste your time. Even his recent `Two Girls and a Guy' might have been `Two Mil Down the Drain' without the superb performance of Robert Downey Jr.

Obscuro-a-go-go seventies flick. Seems to be a self portrait of the director himself, how he sees himself. And by all accounts (including his own) it's an accurate portrait. He sees himself as an artist and artists are also gangsters outside the petty mores of straight society. He is vain and selfish and of course women dig him like crazy and get off on being abused. A women in a toilet immediately has sex with his majesty although they've never met. He is just too irresistible. Said girl went on to star in 'Charlie's Angels'. A better class of toilet then. In a final bit of vanity, the artist goes mad as well. He wants to be Van Gough, nothing less will feed his ego. Final shot is Mr.Torbuck as the untamed savage, music can no longer soothe the beast within, etc. One long love letter to himself. Went on to make some nonsense with Rudolf Nureyev and Nastassia Kinski.

Film is a sort of omnibus of seventies attitudes and cinematic style. Bit of second hand Scorcese here and there. Lurches wildly into self parody.

'Fingers' is the kind of movie that makes me value the 1970s over any other decade. A complex portrait of Jimmy Fingers, an ex-debt collector turned wanna be concert pianist (Harvey Keitel, in one of his top five performances), who finds himself drawn back into his old line of work as a favour to his aging gangster father (Michael V. Gazzo, 'The Godfather 2', 'Fear City'). Fingers isn't the most likable character, is obsessed by sex and music, both doo wop (which he plays at top volume on a boom box) and classical, and is obviously doomed to fail.

Keitel is absolutely mesmerizing on screen, and the movie is filled with a supporting cast of interesting faces, including Jim Brown ('Slaughter'), Tisa Farrow (Fulci's 'Zombie Flesh Eaters'!), Danny Aiello ('Do The Right Thing', 'Jacob's Ladder'), future "Angel" Tanya Roberts, and at least two Sopranos. I don't know why 'Fingers' isn't mentioned as much as the more celebrated 1970s crime movies of Scorsese and Coppola. Godard and Tarantino are both fans of this movie, and you will be too if you give it a look. Great stuff!

Harvey Keitel indeed does his best work here, as lil' Jimmy "Fingers", a prodigy concert pianist turned debt collector, who works for his domineering father. Shot in cruel hues by cinematographer Michael Chapman, and excellently directed by the obsessive James Toback, this film is a rare gem of a find. Even football great Jim Brown has never been better. And you know what, this is one of Jean-Luc Goddard's favourite movies of all time!! Enough said.