Suicidez-moi docteur

This was, without a doubt, the most hilariously comic performance that the brilliant Dom DeLuise had on film. When, in the midst of a depressed "woe is me" rant, he looks up and asks "Do you think we'll ever switch to the metric system?", well, it just don't get no funnier than that. His botched suicide attempts, as well as his eagerly wanting to help Burt with HIS suicide, oh heck, just go rent it yourself! You'll love it.

Burt was brilliant too. He holds a thin line between wanting to die and wanting to live that is believable. It's a real shame that this movie often gets me blank stares when I tell others about it. More people know about Four Weddings and a Funeral (a movie so horrid that I still refuse to watch another Andie McDowell flick) than this quiet classic. (sigh)

Burt Reynolds throws himself in front of and behind the camera in this 1978 gem of a comedy. Not the best comedy that year, but far from the worse. Reynolds may have bit off more than he could chew by directing and acting all in one, but the final product was funny enough for cinemas. Still, without Dom DeLuise, this movie would be far from watchable. It is DeLuise that saves this movie. At sometimes dark, The End mixes mild comedy which delivers this Woody Allen (who wrote the original script) type story. DeLuise is nothing but brilliant as the lovable, yet crazy friend of Reynolds. This movie is nothing but fun. Not the best movie, but a nice story with an interesting cast of characters. However, if this movie was re-edited the movie would have been better told. The movie changes once Dom DeLuise is introduced. The first half of the movie has its funny moments, but it is not until the second half do we start to truly laugh. A better Editor could have saved this movie by cutting the timeline up to have most of the first half as a flash back. For starters, I would have started the movie at the half way point where we find Reynolds waking up from attempted suicide. Then have his character going back in time to reflect on what occurred following up to his arrival in the nut house. That way, we could welcome Deluise earlier to the movie and give the Reynolds character more of an appreciated back story before we arrive at the central transition. Before Reynolds arrives to the beach, i would have his final flashback be of his daughter where we get to the climax of his final decision. All in all, a good movie worth watching.

Everyone remembers this one, esp the scene at the loony bin window where Dom Delouise is hellbent of finishing Burt off, Burt has second thoughts about plummetting to his death, and so on. That alone is great. Kirsty McNichols was also very good too. (I was too young when I saw it to appreciate the presence of Myrna Loy and Joanne Woodward, and so I do look forwards to seeing it again in fact)

I also can remember seeing David Steinberg doing his whacked out shrink routine-'Get off of me!', etc. too. He is kinda forgotten now but a funny guy nonetheless.

So yeah, I do recommend this to anyone who wants to see an underrated Reynolds flick, it really is pretty good.

***

For a guy diagnosed with a terminal disease, Burt Reynolds sure pumped a lot of life into this film.

This is the ultimate in black comedies, a man is told he's got a little over a year to live. We would all react in different ways. Burt Reynolds gets this cheerful bit of news and goes immediately berserk and starts acting all kinds of crazy.

Of course everyone around him sees him differently. Wife Joanne Woodward, girl friend Sally Field, parents Pat O'Brien and Myrna Loy. Burt pushes all their buttons except O'Brien who seems oblivious to all.

Reynolds always had a marvelous gift for comedy that in his prime period of the seventies was utilized rather well. His career seemed to go in the same path as Tom Selleck's, I think they could have played a lot of each other's parts.

Of course it was nice to see two veterans of old Hollywood, Myrna Loy and Pat O'Brien in support. They never disappoint.

My favorites though are Strother Martin as the officious head of a mental institution where Reynolds gets committed after some bizarrely unsuccessful suicide attempts and Dom DeLuise as another patient there.

DeLuise when he gets going approaches Robin Williams kind of zaniness and he was working on all cylinders in this film. He's ready to offer all kinds of help to Burt to fulfill his mission.

Directed by, and starring, Burt Reynolds, this is comedy about a salesman learning he has only months to live is in Woody Allen territory. The script has joke upon joke, few of them demanding to begin with, but then embellished by bits of business that are a little distracting.

Well, I'm giving the elements credit because it's not that easy to make a comedy about having a terminal illness. Dabney Coleman managed to inject a few funny boluses into "Short Time" but "The Bucket List" was a slapdash affair providing an excuse for two older (but sometimes magnificent) actors to do the things we wish we had done. I almost hate to say it but arguably the most entertaining comedy about dying is the Rock Hudson and Doris Day film, "Send Me No Flowers."

Burt's direction of "The End" is function and lapses only into one easy cliché -- a man wakes up sweating and thrusts his goggle-eyed face into the camera. He also drags out amusing moments. The script by Jerry Belson is fast and touches the bases. It may depend a bit much on obvious jokes -- "I told you not to cuss, Godammit." But it more than makes up for such weaknesses.

Eg., Burt goes to make his last confession. The priest is Robby Benson, who looks about fifteen years old. Burt uneasily explains that he has a little difficulty calling him "Father" so the priest suggests Burt just call him Dave. In the confessional, Burt begins with, "Bless me, Dave, for I have sinned." And when the priest isn't regaling Burt with his OWN confession about lust and ambition, he flosses his teeth while listening to Burt talk about infidelity. Burt is doing his best to get organized but there is the intermittent "pluck" and "plick" from the other side of the confessional window.

I really like Burt Reynolds. He's the least prepossessing movie star who ever breathed. Confident enough to be self deprecating in public despite his dark handsomeness. Cary Grant would never have made fun of his own ouvre the way Burt did at an Academy Award presentation by portentously rattling off a string of his own hits, like "Navajo Joe" and "Sam Whiskey."

He can handle serious drama well and with the proper plot he excels, as in "Deliverance." But his ordinariness doesn't seem to work well with comedy. What you get without cultivation is lowbrow slapstick that sometimes is more silly than witty. As a performer Burt has a certain range but comedy broaches the perimeter of possibilities.