Le casse-cou

Oh, what an incredible trashy bad movie from the '70's this is, starring none other than Evel Knievel himself and Hollywood celebs from the 'old' days Gene Kelly, Red Buttons and Leslie Nielsen as a villain.

The movie has a real shaky plot that doesn't make an awful lot of sense. I don't know it has something to do with an evil Leslie Nielsen wanting Knievel death so he can smuggle drugs with Knievel's death body as a cover. Meanwhile there are also several side-plots that makes you wonder why they are even in there. It makes the movie often disjointed to watch and halve of the time you don't know what is going on, also because there is often very little actually happening in the story.

The movie was an obvious attempt to launch Evel Knievel a movie career. He was known for his daring motorcycle jumps stunts but he is perhaps even better known because of his inability to land. He crashed- and broken more bones during his stunts than a regular race-car driver would in his entire career.

Evel Knievel is in this movie presented as an all American hero. He is loved everywhere, he gets the girl and also does charity. Meanwhile he also gives important life lesson's to kids. by telling them they will eventually blow up once they start using drugs. He gets a standing ovation as well from the crowd after this inspiring speech.

The only last month deceased Evel Knievel just wasn't much good as an actor. It also didn't really helped him that he had Hollywood-cannon's Gene Kelly and Red Buttons opposite him. He turns all the more pale in comparisons to them. It's true that Kelly's and Buttons' careers already had their best time and the same goes for Leslie Nielsen, who in this movie plays one of his last 'serious'. This is basically also the only reason why those three appear in this movie. It was a bit weird to see Kelly as an 'old' man, mainly of course since I'm used to seeing him in only just '40's and '50's movies.

I can name at least a dozen movies out of the top of my head that are way worse than this one. So perhaps this movie is not entirely deserving it's title of 'one of the worst movies ever made' but nevertheless, this is a great example of bad movie making, which at the same time also makes this movie some delicious bad trash from the '70's to watch. Viva Knievel!

3/10

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Evel Knievel, the greatest thing on two wheels (despite the fact that he had immense trouble with actually landing!) is on the attack! Truth, justice & the American way are under threat from some nefarious drug dealers out to use Evels fame as a way to smuggle drugs into the U S of A & then into the innocent hands of the nations youth no doubt!

From the opening bars of the theme tune to the closing credits this is non-stop-two-wheeled-high-octane-death-defying-cinema! You will witness the sheer power of Evel as his mere presence causes crippled children to walk - "You're the reason I'm walking, Evel! YOU'RE THE REASON!" Feel the love as he woos a captivating female reporter, what a dame! See the horror as his best friend is turned into a drug crazed dope-fiend by the bad guys, then rejoice as he is saved & reunited with his estranged son by the one & only Knievel!

In the grand, suspense filled rubber burning finale let out a mighty Huzzah as Evel foils the bad guys & saves the day for all the innocent children of the free world! Viva Knievel indeed!!

In VIVA KNIEVEL, the daredevil foils a drug shipment, charms a Mother Superior, reunites a long-estranged father and son, inspires crippled children to walk, woos a feminist news photographer and makes a 150-foot jump over a cage full of lions. Not all at once, however.

Robert Craig Knievel was one of his era's most singular pop culture figures, an endless self-promoter whose failures (e.g. his aborted 1974 Snake River Canyon jump) drew more media hype than almost anyone else's successes. A well-marketed, low-budget Knievel biopic starring George Hamilton did great at the box office in the early 1970s, so it was assumed the real Evel would also pack them into the theaters. But Knievel, unlike a Babe Ruth or Muhammad Ali, has no genuine on-camera magnetism and many of his line readings are horrid; trying to get Red Buttons to pay up on a debt, Evel says flatly, "You stole from me (long, long pause)... PROMOTER."

A quintessential 1970s cast (in fact, three POSEIDON ADVENTURE survivors appear here) includes a poorly-wigged Gene Kelly as Evel's alcoholic mechanic, a pre-AIRPLANE! Leslie Nielsen as the drug kingpin, Marjoe Gortner (take my word for it, kids, he was big in the 1970s) as Evel's protégé-turned-druggie and Lauren Hutton as the women's lib photographer who F-stops her way into Evel's heart.

Oooh... Leslie Nielsen is trying to sabotage Evel's bike. Will Lauren Hutton discover the plot in time?

And can Evel convince his mechanic to give up the bottle, and be a good father to the son he has heretofore ignored?

Will Evel and Lauren give up their adversarial flirting and get together?

DOES ANYBODY CARE?!?!

I am a fan of bad, cheesy movies. And even this one had me snoozing. Although I do give it thumbs up on the marvelous transition from the final jump to the closing credits.

Daredevil Evel Kneivel (just say his name out loud - ridiculous) stars as himself. The movie seems to portray Kneivel as some sort of wheelie-popping Christ figure.

You can't see it enough to fathom how truly bizarre it is. Kneivel says he's never taken a drug in his life, which is good so there was plenty enough to go around for the writer, the director and love interest Lauren Hutton.

And Kneivel's not even the weirdest guy in the movie! That honor goes to poor old Gene Kelly who plays Evel's sad excuse for a mechanic. His performance is quite possibly the worst captured on film; Kelly was playing this either as senile or retarded, though I suppose it doesn't matter which.

It's rough when the most convincing actor in the film is from Frank Gifford.