In Bermuda, two amateur treasure-hunting divers have a run-in with local criminals when they inadvertently discover the secret cargo of a World War II shipwreck.In Bermuda, two amateur treasure-hunting divers have a run-in with local criminals when they inadvertently discover the secret cargo of a World War II shipwreck.In Bermuda, two amateur treasure-hunting divers have a run-in with local criminals when they inadvertently discover the secret cargo of a World War II shipwreck.
- Nominated for 1 Oscar
- 4 nominations total
Louis Gossett Jr.
- Henri Cloche
- (as Louis Gossett)
Peter Benchley
- Mate
- (uncredited)
Cameron Mitchell
- 'Goliath' Captain
- (uncredited)
Colin Shaw
- Young Romer Treece
- (uncredited)
Peter Wallach
- Young Adam Coffin
- (uncredited)
Featured reviews
Peter Yates directed this beautiful escape from reality adventure in which our protagonists Nick Nolte and Jacqueline Bissete team up with the silver screen legend Robert Shaw to find a sunken treasure off the beaches of Bermuda. Unfortunately they encounter competition who would go at great lengths to get what they want - even if it means murder - unless our protagonists' intrepid assistant (Robert Shaw) uses his valuable knowledge to keep the tables turned and remain one step ahead.
This film is a delight from start to finish. From the opening sequences of clearing clouds and Bermuda coming into focus and the astonishing underwater photograpy to the action packed adventurous finally, you simply can not take your eyes off the screen. The music from the one and only John Barry (who bought you the unforgettable themes from James Bond and Born Free) is mesmerizing and suits the picture elegantly. The cinematography is beautiful and gives you a lust for the holiday destination. Most importantly, the plot (written by the man who bought you 'JAWS') is original and riveting and high in adventure - I truly recommend this to all adventure fans.
Cast selection was genius. At the time, Nick Nolte was a new face to the silver screen and brought an unforgettable performance as an obsessed husband clearly hypnotized by the idea of Gold. Jacqueline Bissete is, well, how can I put this? - I would have liked to have been there with her on her holiday (gosh is she beautiful or what?). It was Robert Shaw I believe, who brought the most to the film. He is witty, ignorant, a know-it-all and a man who isn't afraid of anything and this is what people come to see adventure films for. I can't imagine anybody else nailing the role like he has. Pure brilliance from a great British actor.
Now how does a film with an interesting, ORIGINAL plot, great cast (including a legend), calm and mesmerizing music, golden cinematography and a great 'quotable' screenplay come to such underrated status is beyond Bermuda's Triangle. The current rating that IMDb gives to this film will never do it justice. I only hope for those who haven't seen it to overlook the score it has been given and take some time to sit back and escape to the fantastic world of "The Deep" - an experience I will be taking for many years to come. For me, a classic adventure of pure escapism!
This film is a delight from start to finish. From the opening sequences of clearing clouds and Bermuda coming into focus and the astonishing underwater photograpy to the action packed adventurous finally, you simply can not take your eyes off the screen. The music from the one and only John Barry (who bought you the unforgettable themes from James Bond and Born Free) is mesmerizing and suits the picture elegantly. The cinematography is beautiful and gives you a lust for the holiday destination. Most importantly, the plot (written by the man who bought you 'JAWS') is original and riveting and high in adventure - I truly recommend this to all adventure fans.
Cast selection was genius. At the time, Nick Nolte was a new face to the silver screen and brought an unforgettable performance as an obsessed husband clearly hypnotized by the idea of Gold. Jacqueline Bissete is, well, how can I put this? - I would have liked to have been there with her on her holiday (gosh is she beautiful or what?). It was Robert Shaw I believe, who brought the most to the film. He is witty, ignorant, a know-it-all and a man who isn't afraid of anything and this is what people come to see adventure films for. I can't imagine anybody else nailing the role like he has. Pure brilliance from a great British actor.
Now how does a film with an interesting, ORIGINAL plot, great cast (including a legend), calm and mesmerizing music, golden cinematography and a great 'quotable' screenplay come to such underrated status is beyond Bermuda's Triangle. The current rating that IMDb gives to this film will never do it justice. I only hope for those who haven't seen it to overlook the score it has been given and take some time to sit back and escape to the fantastic world of "The Deep" - an experience I will be taking for many years to come. For me, a classic adventure of pure escapism!
I remember seeing this film on cable long ago, and it is largely as I recall it. Pretty good action-adventure film in exotic location. (Bermuda) It seems like this was Nick Nolte's first big leading role, and he was fine. Jacqueline Bissett was rather more established at the time, and was wonderful (and beautiful) But the supporting cast really made this film. Eli Wallach didn't have a lot of screen time, but nailed the role of the old, alcoholic sailor. Louis Gossett, Jr., who was mostly in TV back then (I remember him from "The Rockford Files") was excellent as the creepy and malicious Haitian gangster. Best of all was Robert Shaw, who will be mostly remembered for "Jaws" but probably did his best work in "The Sting". I also remember his turn as a Nazi officer in "The Battle of the Bulge".
I understand that there was a longer version of this film which provided a lot more character exposition. That would have been cool to see, but you have to make choices for time when making a movie from a novel. Peter Benchley's novels were good middle-brow writing.
Anyway, this is a film worth seeing, with lots of underwater scenes
I understand that there was a longer version of this film which provided a lot more character exposition. That would have been cool to see, but you have to make choices for time when making a movie from a novel. Peter Benchley's novels were good middle-brow writing.
Anyway, this is a film worth seeing, with lots of underwater scenes
This movie has it all. I remember seeing this movie when it came out on TV.At the time I didn't know why I liked it so much, but now I know it was the ocean, the adventure, mystery, and intrigue. I just loved this movie. And I can't help it, I still do. I love the ocean scenes, and Nick Nolte's acting (not to mention Jacqueline's). I just ran across the DVD at Wally World for $5.50 and I had to buy it. I got a lot of enjoyment out of this movie and I have to give it a 10/10. I felt that all the acting was just fine including Robert Shaw's. I think that anyone who likes islands, adventure, scuba diving for gold, and beautiful woman will enjoy this movie.
In spite of its many shortcomings (lazy direction, over-the-top acting, gratuitous violence, to name a few), you really HAVE to love this movie! Two years removed from the sensational release of JAWS, THE DEEP in many ways had some very big shoes to fill. For me, THE DEEP is JAWS-lite -- a kind of melodramatic, soap-opery version of JAWS. For all its flaws, allow me to wax poetic about the many virtues of this sublime cinematic guilty pleasure:
1) That amazing opening aerial montage of Bermuda - maybe the greatest opening establishing shot in the history of cinema. All the Bermuda based location work in this movie is top notch, adding a rich and handsome texture to the otherwise middling narrative.
2) Robert Shaw. While his performance is slightly overbaked (while also channeling and lazily riffing on Quint), his performance still manages to be larger than life - the delightful glue that keeps this movie together. What an amazing run he had over the last five years of his life, highlighted by THE STING in '73, THE TAKING OF PELHAM 1-2-3 in '74, JAWS in '75, BLACK Sunday in '76 and THE DEEP in '77. Amazing.
3) A 32 year old Jacqueline Bisset. As a 13 year old boy, I can assure you that she made a pretty indelible impression on me.
4) The great supporting turns from Eli Wallach and Lou Gossett, Jr.
I could go on but suffice it to say that watching this movie from time to time is sorta like taking a warm bath in the dead of winter. It's one of those movies that somehow never gets stale and always manages to entertain despite its shortcomings.
1) That amazing opening aerial montage of Bermuda - maybe the greatest opening establishing shot in the history of cinema. All the Bermuda based location work in this movie is top notch, adding a rich and handsome texture to the otherwise middling narrative.
2) Robert Shaw. While his performance is slightly overbaked (while also channeling and lazily riffing on Quint), his performance still manages to be larger than life - the delightful glue that keeps this movie together. What an amazing run he had over the last five years of his life, highlighted by THE STING in '73, THE TAKING OF PELHAM 1-2-3 in '74, JAWS in '75, BLACK Sunday in '76 and THE DEEP in '77. Amazing.
3) A 32 year old Jacqueline Bisset. As a 13 year old boy, I can assure you that she made a pretty indelible impression on me.
4) The great supporting turns from Eli Wallach and Lou Gossett, Jr.
I could go on but suffice it to say that watching this movie from time to time is sorta like taking a warm bath in the dead of winter. It's one of those movies that somehow never gets stale and always manages to entertain despite its shortcomings.
In Bermudas, while diving for pleasure, David Sanders (Nick Nolte) and Gail Berke (Jacqueline Bisset) find a submerged vessel, and they bring a couple of objects withdrawn from the ship. They look for the advice of Romer Treece (Robert Shaw), an expert in treasures and old ships, and they realize that indeed there were two vessels in the same location: a French one, from the Eighteenth Century, with a treasure in jewels, and another one, from the war, with a load of morphine. David and Gail associate to Treece, trying to recover part of the underwater wealth. Meanwhile, the powerful Haitian drug dealer Henri Cloche (as Louis Gossett Jr.) menaces the group, trying to get the drugs. "The Deep" is a very linear adventure, without any plot point or surprises. The wonderful locations, the magnificent photography, the good cast and the amazing beauty of Jacqueline Bisset support this movie, which is recommended for killing time only. My vote is six.
Title (Brazil): "O Fundo do Mar" ("The Bottom of the Sea")
Title (Brazil): "O Fundo do Mar" ("The Bottom of the Sea")
Did you know
- TriviaIn the beginning of the movie, whilst Gail (Jacqueline Bisset) is diving, she reaches under a part of the shipwreck and gets her arm yanked by the giant green moray eel, which causes her to scream in pain. In real life, her stunt double, Jackie Kilbride, dislocated her shoulder doing this scene. A diver was told to pull the stick attached to her wrist from inside the wreck. When the stick appeared, he pulled with all of his might (as instructed). The scene was done in one take, with multiple cameras, as there was no chance (or need) for repeating it.
- GoofsIn one of the underwater scenes, Treece refers to the girl as "Kate," when the character's name is "Gail."
- Quotes
David Sanders: I'm goin' down there, and you're gonna have to blow me up too!
Romer Treece: As you please, boy.
- Crazy creditsOpening credits prologue: Bermuda
- Alternate versionsMore scenes from the television version NBC broadcast include: A scene in which just Treece and David go diving, whilst Gail and Coffin speak of Treece's past, including his wife who was murdered by a drug dealer. When David and Gail first go to Treece's lighthouse, they are stopped and held at gun point by a territorial Kevin. Whilst David is turning the rented scuba equipment in, Gail goes and we see her rinse off the salt water from the sea. A scene where Cloche attacks Treece's lighthouse in the middle of the night, threatening to kill David and Gail.
- ConnectionsEdited into Yes Frank No Smoke (1986)
Details
Box office
- Budget
- $9,000,000 (estimated)
- Gross US & Canada
- $47,346,365
- Opening weekend US & Canada
- $6,835,540
- Jun 19, 1977
- Gross worldwide
- $47,346,365
- Runtime2 hours 3 minutes
- Color
- Aspect ratio
- 2.39 : 1
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