Flics en jeans

I like old spaghetti police movies! Always dark, violents and originals. And they usually got a very good soundtrack. This one is no exception. The beginning is great, starting exactly like Street Law: small criminals doing pickpocket and many violent acts on bike. then come Millian violently punishing these little criminals. jack palance play a great bad guy, even if you know that he didnt put a lot of effort in this role. The first half is very good, but the second, I admit, is a little bit boring. Recommended for Millian and Bruno Corbucci fan and for the killer soundtrack by Guido and Maurizio...so cool.

I'm so glad that I actually enjoyed this one, because it has TEN sequels, and I would have watched them regardless. This is Tomas Milian as quirky cop Inspector Giraldi, a strangely-dressed, dirty-looking freak who keeps a mouse called Serpico and likes to get the bad guys in less violent fashion than his contempories (even those played by Milian himself).

The film was a huge success in Italy, mainly due I guess to Milian's off the wall performance as Giraldi, a crook turned cop who is always trying to track down a bad guy called the Baron, plus some other guy who keeps leaving message consisting of nothing but 'Up Yours!' on Giraldi's answer machine. Things are played out lightly enough until the Baron accidentally steals five million dollars from a hard case gangster (Palance) and starts getting his mates killed while the Mafia try and get their money back.

This doesn't stop Milian getting it on with the strangely patient Maria Rosaria Ommagio (who looks like Kate Bush), a robbery victim who doesn't seem to mind going to bed with Milian even though he wears two pairs of socks, three jumpers and some nifty red budgie smugglers, because of course no Milian film is complete without him at least appearing once in his pants. He also takes her disco dancing which made me burst out laughing at Milian's moves, as well as his get-up and the hat he wears that has "Tomas Milian" written on it in red pen.

It has a mainly light tone this film, but don't think of it as some sort of Eurocrime 'Trinity' film. The film does mainly stick to the grim plots of before, just with a much better character up front than the usual stone-faced killing machines. And his mouse wears a little hat at the end!

Oh, and all Jack Palance did was chew cigarettes and scowl, as usual.

Ah, Record Explosion in NYC has granted me the privilege of watching this incredible piece of cinematic forte. OK, maybe not, but it was only $4.

This entertaining yarn mostly lets Nico show what he does best: catching baddies with street finesse. Tomas Milian (credited on the box as Tunas Milian) portrays a hardcore street tough turned on the good side of the law pretty well. Laughs a plenty with his pimping scene in the disco club. I believe there are 9 total motorcycle jumps and most are unnecessary and where where the ramps?? See Nico mistreat a gal who ends up coming back for more; despite his insisting on not changing his socks. And his jeans are clearly black, not blue!!

On the cover of the box is Jack Palance visage surrounded by dollar bills and is credited as starring in this. I think it should have said "Showing up on camera when the booze ran out". Jack mostly scowls and doesn't do any of the dirty work (he didn't get paid enough for it). Like in his other classic Outlaw of Gor, Jack shows up early on, then goes from bar to bar then reappears one hour and 12 minutes into it to pick up his paycheck. He really deserves a quick knee to the nether region.

A criminal fiction with suspense , intrigue , frantic action , turns , a lot of twisted incidents , at the same time charged with tension and level staging enough which the viewer could really enjoy . Nico Giraldi (Tomas Milian) is a two-fisted undercover cop acting in the violent and rude manners of the Roman periphery and confronting the heaviest situations . Here Tomas Milian performs the likable and sui-generis role of commissary Nico Giraldi , formerly a robber who decided to join on the other side of the law by enlisting in the police , without loosing his slutty and dirty appearance ; however , when he's working proceeds with seriousness and effectivity enough , regarding crime and offenders . Along the way , the unkempt , wisecrack undercover cop pursues and detains a series of purse snatchers until he discovers an American at the top of an evil ring of robbers . As a ring of pickpockets and thieves plagues Geraldi's city , he attempts to find the hoodlums and the criminal mastermind behind the thieves . Eventually , he arrests Baronetto (Guido Mannari) ; later on , and from now on , Gerardi finds out the nasty Richard Russo (Jack Palance) is the true crime boss . The latter successfully dodges the police , while he leads his criminal empire with cunning and ruthlessness . Only a cop in blue jeans can bring justice to a city gone mad. He's clever . Sadistic. Ruthless . Jack Palance is the master criminal too twisted for even the toughest cops on the force . But he's about to meet a cop who's even crazier... The Cop in Blue Jeans...is dressed to kill.

Nice first entry in cop Nico Gerardi series with noisy action , thrills , shooutous , motorcycle chases , car pursuits and brief doses of humor in charge of the main character . Formula thriller with plenty of action , crisply edition , tension , intrigue , suspenseful , skin bared and lots of violence in exploitation style . It belongs to Italian Poliziesco sub-genre , essentially developed in the Seventies and including ordinary trappings .The film is interesting enough , though it has some flaws , gaps and failures . This film results to be one of the best among the whole saga of the Tomas Milian/Nico , adding usual seasonings about the particular role Girardi. In the end , Nico must deal with Russo in a thrilling chase , causing a real pandemonium and including a surprising confrontation at an Embassy . Stars Tomas Milian , a sympathetic actor , well known for his several Spaghetti Westerns . After the tremendous success of Sergio Leone's A Fistful of dollars (1964) starring Clint Eastwood, Milian grubbed up his own image and propelled himself to stardom in similar fashion in such classic "spaghetti westerns" as The Bounty Killer (1966) , A fistful of Dollars (1966) with Lee Van Cleef , Face to Face (1967) , Django Kill... If You Live, Shoot! (1967) and ¡Corre, Cuchillo... corre ! (1968). He later turned to comedy , playing the recurrent characters of petty thief Monnezza and Serpico-like police officer Nico Giraldi a peculiar top undercover cop who often uses unofficial means to track down delinquents without avoiding his attitude of rude man, this is an attractive role who he performed in a variety of crime-comedy pictures playing in the manner of Serpico . He's well accompanied by a good cast , such as : Jack Palance during his Italian period and overacting in his regular style , Guido Mannari , Roberto Messina , Benito Stefanelli and the gorgeous Maria Rosario Omaggio as his girlfriend .

The motion picture Squadra antiscippo or Cop in Blue Jeans or Brigada Todo Terreno (1976) was professionally directed by Bruno Corbucci, Sergio Corbucci's brother . Bruno wrote and directed various Hill-Spencer films as ¨Banana Joe¨ , ¨Miami Supercops¨ , ¨Par-Impar¨ , ¨Cat and Dog¨ and ¨Aladdin¨ . He was a prolific writer and director , writing the famous cult Spaghetti : ¨Django¨ and many others . If you love the Tomas Milian's other movies, go for it , and if you've never seen one this is an acceptable start ; but being especially appointed for Milian fans .This is an acceptable entertaining juvenile that will appeal to Italian thrillers buffs .

THE COP IN BLUE JEANS, the US title of this film, was quite widely available in the video budget bins of the 80s and early 90s, so this may be the best known in the US of Tomas Milian's series of films as longhaired, unconventional cop Nico Giraldi. The films starts with a bang as a mini-crimewave is depicted in rapid-fire succession (the scene with the guy mooning the tourists to divert their attention as their possessions are stolen is a classic!), until after seven or eight minutes Milian jumps into action. Like most films of Bruno Corbucci, there is a serious political element in the film too, while it completely satisfies fans who just want an exciting violent action film. And of course, Tomas Milian is brilliant, creating an anti-hero (as he does so well!) who is unlike ANYONE in US cinema. I'm sure there are copies of this sitting in the 99-cent rack of video stores, so check it out if you want to see what is so good about the 1970s Italian police film genre or why Tomas Milian is one of the great icons of world film. My favorite film of this period w/ Milian is SWINDLE, where he is paired with David Hemmings. If you EVER see that offered or shown on TV, don't miss it!