The Ritz

The AIDS epidemic, of course, put The Ritz into a no-play situation in that it gay characters intertwine in all sorts of partnerships...though never seen on screen. But all really know about life in the gay clubs as they existed prior to AIDS. Putting all of that aside, and looking at The Ritz as if in a time capsule, it is a riotous farce with stereotypical gays that are nonetheless wonderfully funny and somehow loving people. Rita Moreno, repeating her award-winning stage role, dominates the screen at every interval...and her 'performance' at the baths' pool is among the funniest scenes of the decade. Treat Williams is also paramount in the craziness wonder of the film. Yes, the story that holds the film together is nonsense, although played well enough by F. Murray Abraham, Kaye Ballard, et al. But the film, despite its strange place in history, makes you laugh...and laughter is a good thing. The people are not hurt and not put down. The 'bad guys' are absolutely ridiculous, and the gays are lovable. It may be a little socially unacceptable, but nonetheless still with us. Even Rosie Perez did a Broadway revival , to acclaim, even after the AIDS crisis was abating a little.

A well crafted, door-slamming comedy ala 'Noises Off' with a wonderful cast. Rita Moreno playing a no-talent bathhouse singer gives the performance of her lifetime (we all know how talented she really is, so seeing her 'off' is a lot of fun). Treat Williams is delicious as the soprano detective. Jack Weston, Paul B. Price, F. Murray Abraham, Kay Ballard and Jerry Stiller add their spices to this wonderful ensemble. It makes you wish that the days of the Continental Baths would come back - at least the wonderfully tacky shows at poolside!

It was 1976, Tehran Iran. Terry, also American, and I were bored at work and on the spur of the moment decided to skip out and check out the Tehran Film Festival. Boy, did we have no idea what we were getting in for.

It just so happened that the next film on the bill was The Ritz. We knew nothing about it, but we hailed our driver, raced downtown to the theater, and made it in just in time.

Before long, we were rolling on the floor. Truly, we couldn't hold on to our seats, I can't speak for Terry but the tears were just pouring down my face from laughter. And what made this worse was that, in a mostly packed theater, it seemed that most of the time the two of us near the back were the only ones laughing. Oh, every once and while the Farsi sub-titles would catch-up and the rest of the theater would let out a good laugh, I guess they were having a good time, but it was amazing to us how much was being missed, even some of the visual humor.

I suppose we were both just overdo for some comic relief, but I've watched this film again through the years and it remains one of the funniest films I have ever seen. Jack Weston as the everyman-victim is perfect, as is Rita Morena as a never-quite-been, trying with varying degrees of success, to retain her dignity, her temper, and her dreams. And the rest of the cast -- who can you fault?

Yes, from the dark opening deathbed scene, to all the madcap mistakes that follow, this is farce that at times sinks almost as low as the Three Stooges, but keeps sailing from floor to floor with surprise laughs at every turn.

Some folks can't seem to get past the subject matter, I guess. But if you can find this movie, and you can open your mind beyond the lifestyle to just enjoy all the zaniness that happens, then hang on to your towel!

There are times when a play is very successfully made into a movie, but not usually a comedy. The Lion In Winter was a very successful transformation form the stage to the big screen by James Goldman, author of both, and brother of William Goldman, a highly well thought of screenwriter. But all of that aside, if you would like to forget your troubles and simply laugh yourself into exhaustion, I highly recommend this movie.

Sweet and hysterically funny film based on a hit Broadway play by Terence McNally,THE RITZ is a 1970s New York City bath house. Into this asylum of loony characters comes Gaetano Proclo (Jack Weston), a man in disguise running from his hateful brother in law (Jerry Stiller).

Weston immediately meets up with several crazy gay men and gets involved in a show. Chris (F. Murray Abraham) decides to show him the ropes but things get manic when a chubby chaser (Paul B. Price) sets his heart on Weston. In the meantime, Stiller has a sent a naive detective (Treat Williams) to find Weston. Amid the confused identities and chases in and out of rooms, we also meet the immensely untalented Googie Gomez (hysterically funny Rita Moreno) who sings at the clubs, hosts the talent show, and is always on the lookout for a big-time producer. Of course Weston and Williams assume she's a male transvestite.

Stiller soon arrives and starts shooting up the place, but he's followed by his wife (Kaye Ballard) who is assumed to be a man! Stiller and Ballard arrive as the talent show opens with Moreno fracturing lyrics in Puerto Rican as she sings "Everything's Coming Up Rose's" and "Begin the Beguine." Moreno specializes in show tunes since she was fired from both "The Sound of Music" and "Camelot" by the infamous producer Seymour Pippin.

Everything comes to a head when Weston, Price, and Abraham disguise themselves as the Andrews Sisters to hide from Stiller. They mime a funny "Gay Caballero" number and bring down the house.

Many of the stars here were in the original Broadway production: Moreno (who won a Tony Award), Weston, Abraham, Stiller, Price, and the chorus boys (John Everson and Christopher J. Brown). And along with Williams and Ballard, we also have Bessie Love (Maurine) and Dave King (as Abe) co-starring. And look for John Ratzenberger (TV's "Cheers") and Peter Butterworth and Leon Greene (both from "A Funny Thing Happened on the Way to the Forum").

Although the film takes place in a gay bath house, the film is extremely funny and not offensive. This is a sweet, pre-AIDS gay comedy with a terrific cast.