The Ritz

A man (Jack Weston} discovers his brother-in-law (Jerry Stiller)is trying to kill him. He gets into a cab and tells the cabdriver to take him where he won't be discovered. He's taken to the Ritz-a gay bathhouse.

This is an adaptation of a successful Broadway play. Most of the cast from the play recreate their parts in the movie including Rita Moreno who won a Tony for the play.

It's well-done with the cast going full force. The play was a slamming door farce that almost never works in movies but here it does. Also the movie is refreshingly non-homophobic. And Moreno and Treat Williams (as a detective) are hysterical. Worth watching.

THE RITZ is a zany and broadly played little farce directed by Richard Lester. It is an adaptation of a Broadway play by Terrence McNally, later acclaimed for MASTER CLASS and the hit musical THE FULL MONTY. It is set in a New York club-bath for gays. Dying gang leader George Coulouris tells his son Jerry Stiller and daughter Kaye Ballard that he wants Ballard's husband, Jack Weston, a Cleveland sanitation company owner, to be killed. That's the only plot there is. Weston tells a cabbie to take him to a place where no one will suspect he is hiding. Enter "The Ritz," a seedily elegant gay paradise with its clients that include self-mocking F.Murray Abraham, and chubby-chaser Paul B. Price. The cast is uniformly amusing, especially Rita Moreno as Google Gomez, an untalented Latin singer whom Weston mistakes for a drag queen. She frequently steals the show from everyone. Moreno got a Tony Award for her Broadway portrayal of that role. Also good is the improbably squeaky-voiced detective played by Treat Williams. Some of the resulting mayhem is very funny indeed; some stretches are more ho-hum. Nevertheless, it is a generally successful piece of entertainment regardless of one's sexual orientation.

The AIDS epidemic, of course, put The Ritz into a no-play situation in that it gay characters intertwine in all sorts of partnerships...though never seen on screen. But all really know about life in the gay clubs as they existed prior to AIDS. Putting all of that aside, and looking at The Ritz as if in a time capsule, it is a riotous farce with stereotypical gays that are nonetheless wonderfully funny and somehow loving people. Rita Moreno, repeating her award-winning stage role, dominates the screen at every interval...and her 'performance' at the baths' pool is among the funniest scenes of the decade. Treat Williams is also paramount in the craziness wonder of the film. Yes, the story that holds the film together is nonsense, although played well enough by F. Murray Abraham, Kaye Ballard, et al. But the film, despite its strange place in history, makes you laugh...and laughter is a good thing. The people are not hurt and not put down. The 'bad guys' are absolutely ridiculous, and the gays are lovable. It may be a little socially unacceptable, but nonetheless still with us. Even Rosie Perez did a Broadway revival , to acclaim, even after the AIDS crisis was abating a little.

Sweet and hysterically funny film based on a hit Broadway play by Terence McNally,THE RITZ is a 1970s New York City bath house. Into this asylum of loony characters comes Gaetano Proclo (Jack Weston), a man in disguise running from his hateful brother in law (Jerry Stiller).

Weston immediately meets up with several crazy gay men and gets involved in a show. Chris (F. Murray Abraham) decides to show him the ropes but things get manic when a chubby chaser (Paul B. Price) sets his heart on Weston. In the meantime, Stiller has a sent a naive detective (Treat Williams) to find Weston. Amid the confused identities and chases in and out of rooms, we also meet the immensely untalented Googie Gomez (hysterically funny Rita Moreno) who sings at the clubs, hosts the talent show, and is always on the lookout for a big-time producer. Of course Weston and Williams assume she's a male transvestite.

Stiller soon arrives and starts shooting up the place, but he's followed by his wife (Kaye Ballard) who is assumed to be a man! Stiller and Ballard arrive as the talent show opens with Moreno fracturing lyrics in Puerto Rican as she sings "Everything's Coming Up Rose's" and "Begin the Beguine." Moreno specializes in show tunes since she was fired from both "The Sound of Music" and "Camelot" by the infamous producer Seymour Pippin.

Everything comes to a head when Weston, Price, and Abraham disguise themselves as the Andrews Sisters to hide from Stiller. They mime a funny "Gay Caballero" number and bring down the house.

Many of the stars here were in the original Broadway production: Moreno (who won a Tony Award), Weston, Abraham, Stiller, Price, and the chorus boys (John Everson and Christopher J. Brown). And along with Williams and Ballard, we also have Bessie Love (Maurine) and Dave King (as Abe) co-starring. And look for John Ratzenberger (TV's "Cheers") and Peter Butterworth and Leon Greene (both from "A Funny Thing Happened on the Way to the Forum").

Although the film takes place in a gay bath house, the film is extremely funny and not offensive. This is a sweet, pre-AIDS gay comedy with a terrific cast.

I had caught this zany gay bathouse farce years ago and remembered it during a recent discussion of the gay subculture with a gay friend of mine. I wondered if the movie would be considered offensive by/to gays. Having seen it again, I would think not, and at least one gay reviewer here agrees with me. With mistaken identities, misunderstood intentions, and straight cluelessness, it is a hilarious comic romp. All the participants put in excellent comic work here. Rita Moreno, as mentioned often here, is particularly wonderful as the hopeless but aspiring singer - the accent is a hoot. Hard to find nowadays, but definitely worth seeing.