28 reviews
What happens when a big-shot film producer like Dino De Laurentiis orders to take a low-budget production like "Queen Kong" out of circulation, supposedly because it discredits his own remake of the classic 1933 film? That's right, "Queen Kong" immediately became an immense cult-hit and probably a lot more popular than it ever would have been if De Laurentiis had simply ignored it! This is one of the most deranged comedies ever, only you laugh at how ridiculous it is and not so much at the script-jokes or parody situations. "Queen Kong" looks fresh & funny for about 10 minutes; during the opening sequences in which you unexpectedly witness that women are the strong gender here and men are all just redundant and insignificant wimps. The humor stops right after the "Libertine Lady" song which, I admit, has some of the coolest lyrics ever ("Burn your bra...Burn your panties...Call your mum...Call your aunties") and the rest of the film is amateurish nonsense and actually quite boring. Copying the original "King Kong" bit by bit, the story revolves on a female film crew that sets foot on a tropical island where the (once again female) natives idolize a humongous (oh yes...female) ape, named Queen Kong". She immediately fancies the male love interest of the film crew (character name: Ray Fay ha ha!). Watching this film is only amusing in case you're severely drunk or under the influence of soft drugs, as it is a series of absurd gags that you simply can't appreciate in a sober condition. The special effects are lousy and the monsters even look faker than the ones in the absolute cheapest Japanese Godzilla rip-offs. It's a real shame that several of the cast members agreed to star in this garbage. They all previously starred in good, solid Brit-horror films. The gorgeous Valerie Léon was in "Blood From the Mummy's Tomb" and Linda Hayden (luckily, she only has a cameo) was in "Blood on Satan's Claw" and "Madhouse". The male lead Robin Askwith played in "Horror Hospital" and the regretfully underrated "Tower of Evil".
What is most profoundly remarkable about 'Queen Kong' is that as it begins, the movie demonstrates genuine promise. Over the top as everything immediately is, my reaction wavered between delight and dismay - before I had time to process one passing moment, the mood flipped with the next. Yet overall my initial response was laughing with the picture, more heartily than I have in a little while. There were some great ideas to start, and my hopes were raised.
Unfortunately, that positive first impression is not maintained after about the first ten minutes. The entertainment only ever diminishes, and watching becomes a bit of a chore well before the end credits roll.
This is unquestionably a parody, so unserious in that angle as to occasionally include humor referential or non sequitur, and break the fourth wall. More than that, of course - for whatever jokes and absurdities are included along the way, 'Queen Kong' is above all an obvious direct send-up of the 1933 classic 'King Kong,' lampooning each and every story beat for comedic effect. By all means, there's nothing inherently wrong with this; spoofs can be very funny and enjoyable.
It's hard to describe what went wrong with this particular film, but what it comes down to is that the attempts at comedy mostly just aren't funny as meager cleverness quickly gives way to tired mediocrity. It doesn't help that the writing and direction is pointedly gauche and careless. I can appreciate that for some viewers idiosyncrasies such as featuring a flubbed line in the final cut, or disregarding internal consistency and continuity, may be endearing, and part of the fun. For me, it disrupts suspension of disbelief, and so thoroughly befuddles as a film-making peculiarity as to at best distract from whatever transpires next. And then there scenes that serve no purpose whatsoever - if 'Queen Kong' were made in 2021, Linda Hayden's involvement may be chalked up to a crowdfunding stretch goal that was surpassed, and so an unnecessary moment is forced in as wish fulfillment to cast a noteworthy star. The course of events that led to her addition in 1976 are mysterious to me: Favor for a friend? Contractual obligation? Who knows.
The movie tries to ham-handedly include themes including sexism, and feminism, comparing the plight of Queen Kong to the treatment of women in contemporary society. Were the screenplay strong enough to support the argument, I could even back the thesis that the lead character of Luce Habit, in her ambition and ego, is in part a reflection of how all too often "breaking the glass ceiling" really means nothing more than writing female-coded figures in the same way that male-coded figures would be. However, these notions are not approached with any real effort, or especial sincerity - and are further undercut by writing and camerawork that illustrates the male gaze. Does 'Queen Kong' actually want to explore these themes, and just fails to do so? Does it want to cheekily play off these themes, and just isn't funny enough to show it? It's impossible to say for sure, just as it's impossible to tell the intent or awareness behind passing dialogue or moments that toe the line with racism, or homophobia.
I was genuinely excited when I first started watching, because the earliest scenes defied the poor reception this film had otherwise seemed to elicit. But disappointment soon took over, turning increasingly to a sense of embarrassment. I don't doubt for one instant that there are folks who love the sort of movie 'Queen Kong' is, and find this specific picture an absolute charm. I am glad for them. What I see, however, is a feature with varying and uncertain levels of labor, diligence, earnestness, and discretion - but a level of humor and amusement that is dependably very low, or absent.
Oh well.
Unfortunately, that positive first impression is not maintained after about the first ten minutes. The entertainment only ever diminishes, and watching becomes a bit of a chore well before the end credits roll.
This is unquestionably a parody, so unserious in that angle as to occasionally include humor referential or non sequitur, and break the fourth wall. More than that, of course - for whatever jokes and absurdities are included along the way, 'Queen Kong' is above all an obvious direct send-up of the 1933 classic 'King Kong,' lampooning each and every story beat for comedic effect. By all means, there's nothing inherently wrong with this; spoofs can be very funny and enjoyable.
It's hard to describe what went wrong with this particular film, but what it comes down to is that the attempts at comedy mostly just aren't funny as meager cleverness quickly gives way to tired mediocrity. It doesn't help that the writing and direction is pointedly gauche and careless. I can appreciate that for some viewers idiosyncrasies such as featuring a flubbed line in the final cut, or disregarding internal consistency and continuity, may be endearing, and part of the fun. For me, it disrupts suspension of disbelief, and so thoroughly befuddles as a film-making peculiarity as to at best distract from whatever transpires next. And then there scenes that serve no purpose whatsoever - if 'Queen Kong' were made in 2021, Linda Hayden's involvement may be chalked up to a crowdfunding stretch goal that was surpassed, and so an unnecessary moment is forced in as wish fulfillment to cast a noteworthy star. The course of events that led to her addition in 1976 are mysterious to me: Favor for a friend? Contractual obligation? Who knows.
The movie tries to ham-handedly include themes including sexism, and feminism, comparing the plight of Queen Kong to the treatment of women in contemporary society. Were the screenplay strong enough to support the argument, I could even back the thesis that the lead character of Luce Habit, in her ambition and ego, is in part a reflection of how all too often "breaking the glass ceiling" really means nothing more than writing female-coded figures in the same way that male-coded figures would be. However, these notions are not approached with any real effort, or especial sincerity - and are further undercut by writing and camerawork that illustrates the male gaze. Does 'Queen Kong' actually want to explore these themes, and just fails to do so? Does it want to cheekily play off these themes, and just isn't funny enough to show it? It's impossible to say for sure, just as it's impossible to tell the intent or awareness behind passing dialogue or moments that toe the line with racism, or homophobia.
I was genuinely excited when I first started watching, because the earliest scenes defied the poor reception this film had otherwise seemed to elicit. But disappointment soon took over, turning increasingly to a sense of embarrassment. I don't doubt for one instant that there are folks who love the sort of movie 'Queen Kong' is, and find this specific picture an absolute charm. I am glad for them. What I see, however, is a feature with varying and uncertain levels of labor, diligence, earnestness, and discretion - but a level of humor and amusement that is dependably very low, or absent.
Oh well.
- I_Ailurophile
- Nov 4, 2021
- Permalink
- bensonmum2
- Jul 9, 2005
- Permalink
- stevenfallonnyc
- Feb 25, 2004
- Permalink
This was a scene-for-scene parody of the original King Kong, with a merry but uncomprehending wink at the women's liberation movement. The better you know the original, the more you'll enjoy the in-jokes.
Never has a film contained so much embarrassment. Not only on the part of the directors, producers, writers and actors, but on the person who has accidentally been duped into watching it. Perhaps the first thing I should say is that I watch bad movies - BAD movies - all the time. They don't phase me, I can sometimes see things in bad films that others can't. Maybe those things aren't there. Either way, bad movies get a lot of bad rep.
Farouk (Frank) Agrama's 1976 atrocity, Queen Kong, is almost certainly the worst film I have ever seen. Worse than Plan 9. Worse than Raiders of the Living Dead. Worse than Bride of the Monster. It is about 750 billion times worse than the Dino DeLaurentiis remake of King Kong and about 984 billion times worse than Peter Jackson's over-long take on the story.
Frankly, this film was doomed from the start. It was produced by Harmony Gold, a typically useless independent company (though they managed to drag themselves out of the gutter in the 80's and are now quite reputable). The writers/producers Ronald Dobrin (Robin Dobria) and Farouk Agrama (Frank Agrama) have assembled one of the worst casts, constructed THE worst ape suit and hired the least skilled effects technicians. The result is, as you can imagine, not pretty.
Much of the film takes place in Lazanga (where they do the Konga...apparently) though you would be forgiven for mistaking it for the English countryside. Combined with the bottom rate acting of Robin Askwith (better know for "Confessions of a Window Cleaner" which is hardly Citizen Kane) and the obviously embarrassed Rula Lenska, this is indeed a depressing affair. The utterly ridiculous ape suit is beyond laughable - much like the film itself - it is just depressing.
As the location moves to London (which recreates the theater scene from the 1933 King Kong in a cheaply designed open air setup) the script descends even further and the production values crash and burn. Surprisingly, it isn't the first time London has been ravaged by a giant ape (see 1961's KONGA) but it IS the first time the ape has looked so unconvincing. Cue cut scenes of postcard London landmarks and a dire-straits intimate moment between Queen Kong and Ray Fay (like Fay Wray - geddit?). Before you know it the film is over and you have lost 90 minutes of you life.
If you want to see a bad film, watch Agrama's 1980 effort (Dawn Of The Mummy) and avoid this one. It is beyond being simple 'bad', it is a crime against cinema (it seems that Paramount Pictures agreed, they attempted to sue Harmony Gold in 1976). This film is also guilty of theft. It WILL steal 90 minutes from you which you WON'T get back. Go ahead, call the police, they won't be interested! Do yourself a favour. Don't. Just don't.
Farouk (Frank) Agrama's 1976 atrocity, Queen Kong, is almost certainly the worst film I have ever seen. Worse than Plan 9. Worse than Raiders of the Living Dead. Worse than Bride of the Monster. It is about 750 billion times worse than the Dino DeLaurentiis remake of King Kong and about 984 billion times worse than Peter Jackson's over-long take on the story.
Frankly, this film was doomed from the start. It was produced by Harmony Gold, a typically useless independent company (though they managed to drag themselves out of the gutter in the 80's and are now quite reputable). The writers/producers Ronald Dobrin (Robin Dobria) and Farouk Agrama (Frank Agrama) have assembled one of the worst casts, constructed THE worst ape suit and hired the least skilled effects technicians. The result is, as you can imagine, not pretty.
Much of the film takes place in Lazanga (where they do the Konga...apparently) though you would be forgiven for mistaking it for the English countryside. Combined with the bottom rate acting of Robin Askwith (better know for "Confessions of a Window Cleaner" which is hardly Citizen Kane) and the obviously embarrassed Rula Lenska, this is indeed a depressing affair. The utterly ridiculous ape suit is beyond laughable - much like the film itself - it is just depressing.
As the location moves to London (which recreates the theater scene from the 1933 King Kong in a cheaply designed open air setup) the script descends even further and the production values crash and burn. Surprisingly, it isn't the first time London has been ravaged by a giant ape (see 1961's KONGA) but it IS the first time the ape has looked so unconvincing. Cue cut scenes of postcard London landmarks and a dire-straits intimate moment between Queen Kong and Ray Fay (like Fay Wray - geddit?). Before you know it the film is over and you have lost 90 minutes of you life.
If you want to see a bad film, watch Agrama's 1980 effort (Dawn Of The Mummy) and avoid this one. It is beyond being simple 'bad', it is a crime against cinema (it seems that Paramount Pictures agreed, they attempted to sue Harmony Gold in 1976). This film is also guilty of theft. It WILL steal 90 minutes from you which you WON'T get back. Go ahead, call the police, they won't be interested! Do yourself a favour. Don't. Just don't.
This gender bent spoof of King Kong was hard to see until the advent of DVD. Thats a shame because its better than the film that producers of the remake of King Kong unleashed on the unsuspecting world. Having not pretense at being anything other than a send up this film lets it all go in what is mostly a good but really dumb comedy. The problem with the film is that even at a running time of around 80 minutes this movie is way too long. There is only enough material to sustain a 20 minute short and its stretched to fill a feature. The lack of material leaves many dead spots and allows for some really bad material to creep in. Had this been shorter it would have been better (say as a sketch on SNL), but as it stands now its a very interesting side note to the debacle that was the 1976 King Kong remake.
- dbborroughs
- Apr 24, 2005
- Permalink
Queen Kong is a 10 minute sketch stretched to feature length and in order to do this they had to include a lot of bad puns, lame jokes and winks to the camera. The stars, Rula Lenska and Robin Askwith are said to be horrified with how bad the movie was and are sorry to say they starred in it. And after seeing it, I can really understand why.
This was supposed to be a tongue in cheek spoof of King Kong. Well it's less a spoof than it is throwing all sorts of jokes at the audience in the hopes that somebody will laugh. Problem is, most of them just aren't funny. For example they're trooping through the jungle and find a sign for "Konga Kola" and that's it. No callback to it, no comment on it, no reason for it to be there except later for most of the letters to fall off when they're running away. Or they encounter a prehistoric set of bagpipes with 70,000,000 BC stamped on it and instead of having a clever or surrealist line they instead make a "high road" joke. You know the one, "we'll take the high road and they'll take the low road and we'll get there before them." That's not a joke nor is it funny or even a clever reference to something else.
The special effects are laughably bad with blue screens, video effects and paper mache critters that wouldn't have looked out of place in a Sid and Marty Krofft show from the 70's. That's how much of a budget we're talking about.
There's no point talking about the plot because it's just a spoof of King Kong. People go to an island, find a giant gorilla who falls in love with in this case a man, they take the gorilla back to London where it breaks free and yada yada. You get the rest. Except in this case they send the gorilla and her human love interest back to the jungle. The end.
It's just bad all around and not even in a fun kind of "so bad it's good" kind of way.
Avoid this at all costs.
This was supposed to be a tongue in cheek spoof of King Kong. Well it's less a spoof than it is throwing all sorts of jokes at the audience in the hopes that somebody will laugh. Problem is, most of them just aren't funny. For example they're trooping through the jungle and find a sign for "Konga Kola" and that's it. No callback to it, no comment on it, no reason for it to be there except later for most of the letters to fall off when they're running away. Or they encounter a prehistoric set of bagpipes with 70,000,000 BC stamped on it and instead of having a clever or surrealist line they instead make a "high road" joke. You know the one, "we'll take the high road and they'll take the low road and we'll get there before them." That's not a joke nor is it funny or even a clever reference to something else.
The special effects are laughably bad with blue screens, video effects and paper mache critters that wouldn't have looked out of place in a Sid and Marty Krofft show from the 70's. That's how much of a budget we're talking about.
There's no point talking about the plot because it's just a spoof of King Kong. People go to an island, find a giant gorilla who falls in love with in this case a man, they take the gorilla back to London where it breaks free and yada yada. You get the rest. Except in this case they send the gorilla and her human love interest back to the jungle. The end.
It's just bad all around and not even in a fun kind of "so bad it's good" kind of way.
Avoid this at all costs.
- Leofwine_draca
- Oct 20, 2016
- Permalink
This movie sucks! I mean it, the acting is abominable, the sets and costumes look like something from an Asylum movie, and the jokes suck! That's my biggest problem is the jokes, in the hands of Monty Python they could have done a great job. Instead most of the jokes here are either movie references (like "Lady Jaws"), horrible puns, or stuff that does6make any sense. Like when they find the prehistoric bagpipe and instead of doing something Monty Python would have done and take a surrealistic direction, they make a I'll take the high road joke.
That's not funny, that doesn't even make any sense! The costumes and sets suck, the acting sucks, and the jokes are horrible. Don't watch it at any cost!
As a tot in 1976, I remember seeing blurbs and photos from this in "Famous Monsters of Filmland" and "The Monster Times", and then hearing it had been suppressed by Dino DeLaurentiis. I grew up imagining a cheeky, raunchy, hip spoof and now, finally, over 32 years later, I feel compelled to report QUEEN KONG is the worst movie I've ever endured, and that includes MYRA BRECKINRIDGE (and JUNO). Smug, ghastly cheap (what the hell did they spend the 632K budget on, exactly?!), laugh-free, irritating to the point of nausea, its 84 minutes feel like hours. There's not enough material here to sustain a two-minute sketch in the worst KENTUCKY FRIED MOVIE knock-off you could ever imagine, and I would like to personally test anyone who finds this entertaining for developmental disabilities. It makes Dino's KONG look like the 1933 original and should be avoided at any price. I would rather sit through two semesters of trigonometry, go without sex for six months, and endure a jalapeno enema than have to view this again. It's really that bad.
I think everyone is missing the point of this movie. This was not a serious adventure film and shouldn't be judged as such...it's basically a MAD Magazine film spoof done in live action. There's hardly even a fourth wall. I was never bored and laughed at the stupidity. Maybe you have to be older to get all the dumb jokes...."It's all teeth, just like Jimmy Carter" probably goes right over the heads of most people. Yes, it's a bit racist and sexist, but it was the 1970's. You might as well complain that Spaceballs wasn't actually Star Wars. It's charming and fun, and I can't believe no one else is seeing it for what it is...a dumb spoof.
- furanku-32730
- Jan 29, 2024
- Permalink
The film stars Robin Askwith as Ray Fay, Rula Lenska's character (a film director) is called Luce Habit. There's a few other recognizable actors in the film, well I recognized them - Carol Drinkwater (The first Mrs.Herriot from the BBC TV series All Creatures Great & Small)), Robin worked with the second Mrs.Herriot Linda Bellingham in "Driving Instructor" so I guess Robin and Christopher Timothy have something in common (though I doubt Robin had an affair with Drinkwater), the other recognizable actors are Valerie Leon of Carry On fame, and Linda Hayden in a cameo role playing a Singing Nun.
Here's the plot - Luce is filming in the jungle, her lead actor can't handle the riggers of the job and storms out of the camp, which is appropriate because he plays a "Camp" character. So Luce goes to London searching for a new male lead, "he has to be gentle yet strong and manly", guess who she picks. Luce drugs Ray and takes him to the jungle Island Lazanga "where they do the Conga" to finish her film. While filming of course they discover a village of maidens led by Valerie Leon as the Bikini clad High Priestess, of course they decide Ray a perfect sacrifice for Queen Kong, so they capture him and leave him on a giant table inside a cake for Queen Kong to eat. Of course Queen Kong doesn't eat Ray, but she does fall in love with him. The rest of the story is pretty much like the original King Kong, they take Queen Kong to England and all hell breaks loose.
The opening credits song for Queen Kong has to be heard to be believed, here's the lyrics - Queen Kong, Queen Kong Queen Kong is the chick with all the hair Queen Kong comes from I don't know where Kong Kong Kong Kong Kong Kong Queen Queen Queen Queen Queen, Queen Kong She's a Queenie who aint weenie She's a Queenie Queenie Queenie for my weenie When I'm feeling mighty spunky I want to do it with my hunky monkey Queenie Queenie Queenie Queenie, Queen Kong Kong Kong Kong Kong, Queen Kong
Queen Kong is riddled with bad jokes, but Robin & Rula deliver them without batting an eyelid, here's one of the early ones in the film that made me cringe, Robin's begging for a joint from some hippies - "Hey man have you got a joint, come on just let me have one please, I won't bother you again" the Hippie says "know man you're always after a joint, you say just one, but you keep coming back for more, beat it man, I said beat it man" Robin says " I tried beating it, but the Pope said it was wrong". Here's one of Rula's, Robin says " look at that great wall, what lies behind that great wall" Rula's reply "the Chinese have always lied behind the great wall"
The special effects for Queen Kong (if you can call them special) are terrible, they quite fit the film though, I have a feeling they're extra lo w budget on purpose.
OK, I liked the film, it kinda had the same feel as a Leslie Nielson "Naked Gun" film, and there's a link, the Queen impersonator in the first Naked Gun movie also appears in Queen Kong. Queen Kong definitely deserves to be taken from the vault and released properly, I would love to one day own a special edition widescreen version on DVD, with a commentary by Robin and Rula, but that'll probably never happen. But hey! Tim Burtons doing a remake of Planet Of The Apes, maybe with all the monkey hype that's going to be hitting us next year, someone might figure let's cash in, just a fantasy I know.
Here's the plot - Luce is filming in the jungle, her lead actor can't handle the riggers of the job and storms out of the camp, which is appropriate because he plays a "Camp" character. So Luce goes to London searching for a new male lead, "he has to be gentle yet strong and manly", guess who she picks. Luce drugs Ray and takes him to the jungle Island Lazanga "where they do the Conga" to finish her film. While filming of course they discover a village of maidens led by Valerie Leon as the Bikini clad High Priestess, of course they decide Ray a perfect sacrifice for Queen Kong, so they capture him and leave him on a giant table inside a cake for Queen Kong to eat. Of course Queen Kong doesn't eat Ray, but she does fall in love with him. The rest of the story is pretty much like the original King Kong, they take Queen Kong to England and all hell breaks loose.
The opening credits song for Queen Kong has to be heard to be believed, here's the lyrics - Queen Kong, Queen Kong Queen Kong is the chick with all the hair Queen Kong comes from I don't know where Kong Kong Kong Kong Kong Kong Queen Queen Queen Queen Queen, Queen Kong She's a Queenie who aint weenie She's a Queenie Queenie Queenie for my weenie When I'm feeling mighty spunky I want to do it with my hunky monkey Queenie Queenie Queenie Queenie, Queen Kong Kong Kong Kong Kong, Queen Kong
Queen Kong is riddled with bad jokes, but Robin & Rula deliver them without batting an eyelid, here's one of the early ones in the film that made me cringe, Robin's begging for a joint from some hippies - "Hey man have you got a joint, come on just let me have one please, I won't bother you again" the Hippie says "know man you're always after a joint, you say just one, but you keep coming back for more, beat it man, I said beat it man" Robin says " I tried beating it, but the Pope said it was wrong". Here's one of Rula's, Robin says " look at that great wall, what lies behind that great wall" Rula's reply "the Chinese have always lied behind the great wall"
The special effects for Queen Kong (if you can call them special) are terrible, they quite fit the film though, I have a feeling they're extra lo w budget on purpose.
OK, I liked the film, it kinda had the same feel as a Leslie Nielson "Naked Gun" film, and there's a link, the Queen impersonator in the first Naked Gun movie also appears in Queen Kong. Queen Kong definitely deserves to be taken from the vault and released properly, I would love to one day own a special edition widescreen version on DVD, with a commentary by Robin and Rula, but that'll probably never happen. But hey! Tim Burtons doing a remake of Planet Of The Apes, maybe with all the monkey hype that's going to be hitting us next year, someone might figure let's cash in, just a fantasy I know.
- BritTVFilmfan
- Feb 10, 2001
- Permalink
Hidden away for many years, Queen Kong is finally gained a DVD release, probably to the embarrassment of the stars, but also to the joy of fans of low budget seventies comedy. The film follows the 1933 King Kong remarkably closely and has fun poking fun at many films of the time. The film is clearly not to be taken seriously and has it's tongue firmly embedded in it's cheeky cheek and is by no means difficult to sit through. The women's lib overtones are quite laughable though as there are plenty of scantily clad (no nudity though) females exploiting the gender and prancing around for the men of the audience to have a right good ogle. A lot of the jokes may be of the 'groan' variety but in my book there's no such thing as a bad pun. One particular scene that gave me a hearty chortle was where a priest on a plane decks an annoying lady passenger because of her annoying laughter, and the singing nun on the plane raised a smile too. Of course film snobs will poo-poo it as film snobs are want to do and that's fine. It's not a film made for them, but for those who like ever-so-slightly risqué knockabout farces will get a lot from it. And from a strictly male point of view, any film that has Valerie Leon in a skimpy bikini for the entire length of it has to add a little something. It also looks better than it should do really, even if the white cliffs of Dover are now to be found on the African coast.
- Steamcarrot
- Mar 17, 2007
- Permalink
- gavcrimson
- May 5, 2003
- Permalink
"Queen Kong" has been hard to find on DVD or even video until very recently. Sadly it really isn't worth the effort, but there are many laughs to be had at how bad it is.
The film parodies the exact same plot as the famous classic, the twist here being that all the genders have been reversed. I don't think that would ever have worked as a movie, but as the budget here is so excruciatingly low, it is doomed no matter how funny the jokes are...and they are NOT. The general tone is something along the lines of a1970's Benny Hill special, most obvious in a scene when the lady jungle explorers walk past a giant Muppet-style animated plant tendril which proceeds to grope them in the boobs and bums as they jiggle past, squealing in light hearted protest. Yes folks, it really is that low. Well maybe that's harsh, in fact "light-hearted" is quite an apt description, as nearly all of the cast behave as though they are convinced that nobody is ever going to see this movie and they all just enjoy themselves without trying to actually do any acting at all.
I'll take Rula Lenska out of that observation though, as she does actually apply herself to the thankless role of "Luce Habit" the movie director and big game hunter, even though the lines she has to say are all toe-curlingly awful. It seems to me like the whole movie script was worked out on one evening in a bar and written on a napkin. In contrast to Rula Lenska, Robin Askwith behaves like he's got no brain at all.
The giant ape herself doesn't look too bad (yes - I was surprised too!), but no real effort is made to make her look 64 feet tall...she's constantly filmed next to very ordinary bushes and shrubs that never look remotely like full sized trees. Amazingly, there are some very large and not too shabby miniature sets made up to look like Tower Bridge and other parts of London, but sadly the budget must have been used up on making Tower Bridge, as when Queen Kong climbs Big Ben, they blend her image with just a photograph of the tower, and we only ever see the pointed roof in close up! What really screws "Queen Kong" into the ground is the really, REALLY, bad jokes in the script, which honestly would have been turned down by even the lamest TV sitcom. Very funny jokes would have made the threadbare production values bearable, but as it stands there's nothing good coming at you from any angle. Only the rarity of the movie makes this DVD worth tracking down.
The film parodies the exact same plot as the famous classic, the twist here being that all the genders have been reversed. I don't think that would ever have worked as a movie, but as the budget here is so excruciatingly low, it is doomed no matter how funny the jokes are...and they are NOT. The general tone is something along the lines of a1970's Benny Hill special, most obvious in a scene when the lady jungle explorers walk past a giant Muppet-style animated plant tendril which proceeds to grope them in the boobs and bums as they jiggle past, squealing in light hearted protest. Yes folks, it really is that low. Well maybe that's harsh, in fact "light-hearted" is quite an apt description, as nearly all of the cast behave as though they are convinced that nobody is ever going to see this movie and they all just enjoy themselves without trying to actually do any acting at all.
I'll take Rula Lenska out of that observation though, as she does actually apply herself to the thankless role of "Luce Habit" the movie director and big game hunter, even though the lines she has to say are all toe-curlingly awful. It seems to me like the whole movie script was worked out on one evening in a bar and written on a napkin. In contrast to Rula Lenska, Robin Askwith behaves like he's got no brain at all.
The giant ape herself doesn't look too bad (yes - I was surprised too!), but no real effort is made to make her look 64 feet tall...she's constantly filmed next to very ordinary bushes and shrubs that never look remotely like full sized trees. Amazingly, there are some very large and not too shabby miniature sets made up to look like Tower Bridge and other parts of London, but sadly the budget must have been used up on making Tower Bridge, as when Queen Kong climbs Big Ben, they blend her image with just a photograph of the tower, and we only ever see the pointed roof in close up! What really screws "Queen Kong" into the ground is the really, REALLY, bad jokes in the script, which honestly would have been turned down by even the lamest TV sitcom. Very funny jokes would have made the threadbare production values bearable, but as it stands there's nothing good coming at you from any angle. Only the rarity of the movie makes this DVD worth tracking down.
Purportedly, Queen Kong was never released theatrically in the US or the UK due to legal action from the owners of the copyright on King Kong, although I think the real reason for the film not seeing the light of day for several decades is simply that it is total crap. Who in their right mind would pay to see such garbage?
The film takes place in an alternate reality where women are the dominant sex. Robin Askwith, star of the Confessions movies, is petty thief Ray Fay, who is abducted by film-director Luce Habit (Rula Lenska), who wants him to play the lead role in her new movie. Sailing to the remote island of Lazonga Where They Do The Konga, Luce, Ray and the ship's all-female crew encounter a tribe of women (led by Carry On babe Valerie Leon) who intend to sacrifice Ray to their deity, a 64-foot tall ape called Queen Kong. To cut a far too long story short, the ape is captured, shipped to London, and escapes.
The infantile script for this grade Z clunker is packed with puerile gags and truly bizarre moments that make one wonder what kind of drugs were being passed around during its inception. And the fact that the cast were willing to go along with such inane nonsense suggests that the same drugs were freely available during shooting. Every joke tanks, with particularly dreadful parodies of recent blockbusters (Jaws and The Exorcist). Throw in some abysmal special effects and a couple of woeful musical numbers and what we have is quite possibly the worst movie I have ever seen. And I've watched a lot of cack in my time.
1/10
N. B. Linda Hayden, whose name appears on the poster, only appears in the film for about ten seconds, dressed from top to toe in a nun's habit and veil. If you seek this one out just for lovely Linda, prepare to be massively disappointed. And then some.
The film takes place in an alternate reality where women are the dominant sex. Robin Askwith, star of the Confessions movies, is petty thief Ray Fay, who is abducted by film-director Luce Habit (Rula Lenska), who wants him to play the lead role in her new movie. Sailing to the remote island of Lazonga Where They Do The Konga, Luce, Ray and the ship's all-female crew encounter a tribe of women (led by Carry On babe Valerie Leon) who intend to sacrifice Ray to their deity, a 64-foot tall ape called Queen Kong. To cut a far too long story short, the ape is captured, shipped to London, and escapes.
The infantile script for this grade Z clunker is packed with puerile gags and truly bizarre moments that make one wonder what kind of drugs were being passed around during its inception. And the fact that the cast were willing to go along with such inane nonsense suggests that the same drugs were freely available during shooting. Every joke tanks, with particularly dreadful parodies of recent blockbusters (Jaws and The Exorcist). Throw in some abysmal special effects and a couple of woeful musical numbers and what we have is quite possibly the worst movie I have ever seen. And I've watched a lot of cack in my time.
1/10
N. B. Linda Hayden, whose name appears on the poster, only appears in the film for about ten seconds, dressed from top to toe in a nun's habit and veil. If you seek this one out just for lovely Linda, prepare to be massively disappointed. And then some.
- BA_Harrison
- Jan 25, 2022
- Permalink
Frank Agrama, the director of this spoof on the King Kong theme is better known for his wildly searched horror of 1981 Dawn Of The Mummy. But before that he left us with this weird British remake of King Kong on a extreme low budget. Just look at Kong, just a man in a suit. And there is singing in it, there is a bit of inside jokes in it, this isn't a horror to be honest even as it is stated on the box, full uncut. But everything you see in the original King Kong they remade, the fight with the Tyrannosaurus Rex is unbelievable, it isn't done in stop motion but it's again, well, a man in a suit. But being so stupid and badly done you really want to see this cheesy piece of stupidity. The acting is okay, really, if you can catch this than you just wont believe that this kind of flick could be made in the seventies, really looks like a Carry On...but still, it's out there to be seen, well, see it.
When I saw Konga from 1961, I thought it was the worst King Kong parody ever made. I had no idea how wrong I was before watching this. Even for a comedy/parody, it was atrocious and depressing to watch.
This movie was meant to capitalize on the 1976 remake of King Kong and make it a comedy, but thanks to the shoestring budget of $632,000 and total incompetence of the cast and crew, this film is so shamelessly campy and cheap, it was a jaw dropping failure. And worst of all, all of the jokes fall flat on their faces.
The sets for the village and wall were incredibly cheap and the miniature city Queen Kong rampages through doesn't look very good either. Even by budget 70s movie standards, the creature effects were God-awful. The Queen Kong suit looked inferior to Konga with only her eyes being functional. The T-Rex and Pteranodon suits were even worse being loose fitting, rubber outfits that looked less impressive than a child's home-made Halloween costume. You can even see the monsters moving among normal sized plants and trees because there wasn't enough money for a miniature forest set.
I know this is a parody, but they could have at least tried to improvise more or rework the humor. Just so you know, Monty Python and the Holy Grail only cost about half as much as this and was a smash hit. Maybe if the crew handled things a little differently with their meager budget, they could have made a somewhat better film, but that never happened.
The camera footage often looked fogged up or messy and haphazardly jumps from one sloppy shot to the next. Half the time he spends being carried by Queen Kong, Askwith is obviously in front of a projector screen with a background so blurry, you can't even make it out.
The God-awful 70's rock song in the opening credits had some of the most hilariously bad and cringeworthy lyrics I've ever heard. "Queenie for my weenie?" Oh brother... "Liberated Lady" was only slightly more bearable to listen to. There's even this cheesy disco music playing as Queen Kong chases the group through the jungle that made it feel like a Scooby-Doo skit.
The cast gave an unsurprisingly corny and lazy performance. Lenska looks and sounds absolutely miserable throughout the whole movie and Askwith was either boring or irritating to watch. Both of them were humiliated to have starred in this mess, and who can blame them?
I can't even describe this as so bad, it's good. More like, it's so bad, it's horrible and almost unwatchable so don't waste your time.
This movie was meant to capitalize on the 1976 remake of King Kong and make it a comedy, but thanks to the shoestring budget of $632,000 and total incompetence of the cast and crew, this film is so shamelessly campy and cheap, it was a jaw dropping failure. And worst of all, all of the jokes fall flat on their faces.
The sets for the village and wall were incredibly cheap and the miniature city Queen Kong rampages through doesn't look very good either. Even by budget 70s movie standards, the creature effects were God-awful. The Queen Kong suit looked inferior to Konga with only her eyes being functional. The T-Rex and Pteranodon suits were even worse being loose fitting, rubber outfits that looked less impressive than a child's home-made Halloween costume. You can even see the monsters moving among normal sized plants and trees because there wasn't enough money for a miniature forest set.
I know this is a parody, but they could have at least tried to improvise more or rework the humor. Just so you know, Monty Python and the Holy Grail only cost about half as much as this and was a smash hit. Maybe if the crew handled things a little differently with their meager budget, they could have made a somewhat better film, but that never happened.
The camera footage often looked fogged up or messy and haphazardly jumps from one sloppy shot to the next. Half the time he spends being carried by Queen Kong, Askwith is obviously in front of a projector screen with a background so blurry, you can't even make it out.
The God-awful 70's rock song in the opening credits had some of the most hilariously bad and cringeworthy lyrics I've ever heard. "Queenie for my weenie?" Oh brother... "Liberated Lady" was only slightly more bearable to listen to. There's even this cheesy disco music playing as Queen Kong chases the group through the jungle that made it feel like a Scooby-Doo skit.
The cast gave an unsurprisingly corny and lazy performance. Lenska looks and sounds absolutely miserable throughout the whole movie and Askwith was either boring or irritating to watch. Both of them were humiliated to have starred in this mess, and who can blame them?
I can't even describe this as so bad, it's good. More like, it's so bad, it's horrible and almost unwatchable so don't waste your time.
- MrPaull0324
- Jun 15, 2025
- Permalink
Rula Lenska and Robin Askwith must have owed someone a favor at the BBC. Askiwth, who looks like an inbred hillbilly in a bad female wig (who stars in several UK films with the same idiotic look) is the unknowing betrothed to a female kong, so why the don him in female clothes assumes that Kong (KongA?) is a lesbian. With some clever writing and little budget this COULD have been made into a forgettable 5-minute skit on Benny Hill, but sadly they stretched it into 80+ minutes of absolute pointless, humorless and extremely derivative forgettable waste of film. I pity the poor viewers who made the tragic mistake of sitting thru this dribble. Plan-9 From Outer Space is fun because its so bad. This is a spoof that has no charm, seriously, don't watch it because its dreadful, yet avoid it because you value your life. There are no shortage of attractive, (yet very British in appearance) women in bikinis,(no nudity) but even that cant save the film. Had they been topless throughout like in a Sarno film, then the film would have taken on a entirely new meaning, this may read perverted but the film primarily takes place in a jungle with primitive people, so its really not that much of a stretch and it could have led to some funny scenes and enriched narrative and least SOME entertainment!
- lordzedd-3
- Feb 23, 2007
- Permalink
Queen Kong (1976)
BOMB (out of 4)
A tough female director is in the tough jungle with her tough female crew when the latest actor quits. She's able to find a man (Robin Askwith) who takes the lead role but once in the jungle the crew runs into a giant female ape. Sure enough, the ape falls for the man.
QUEEN KONG is a British production that was meant to try and make fun of the Dino De Laurentiis film KING KONG. This wasn't just your typical rip-off but the film also tried to be something like Monty Python and to say it failed would be an understatement. If you read around for reviews you'll see that there are many people out there who hate it like me. However, I think some of the reviews were quite unfair. As awful as the movie is I'd argue that it was at least semi well-made and it at least wasn't on the same level as something from Jerry Warren.
With that said, it was quite torturous to sit through this film because of how unfunny it is. I mean, there wasn't a single time throughout the film where I even cracked a smile. The worst thing about the movie is the fact that it's so darn annoying and that's especially true for the lead actor who is given some of the worst one-liners that you're ever going to hear. I'm not sure what type of drugs were being passed around by the screenwriters but whatever lines they wrote that they thought was funny just didn't come across on the screen.
Even with the comedy being so awful one would wish that they could at least have some fun with the monsters but that's not the case either. They all look incredibly cheap and awful but to be fair they're really no better or worse than the majority of the Godzilla movies that were made earlier in the decade. QUEEN KONG has an awful reputation and it really deserves it. The entire idea just really blows up in the viewers face and they're left with a really challenging movie to get through.
BOMB (out of 4)
A tough female director is in the tough jungle with her tough female crew when the latest actor quits. She's able to find a man (Robin Askwith) who takes the lead role but once in the jungle the crew runs into a giant female ape. Sure enough, the ape falls for the man.
QUEEN KONG is a British production that was meant to try and make fun of the Dino De Laurentiis film KING KONG. This wasn't just your typical rip-off but the film also tried to be something like Monty Python and to say it failed would be an understatement. If you read around for reviews you'll see that there are many people out there who hate it like me. However, I think some of the reviews were quite unfair. As awful as the movie is I'd argue that it was at least semi well-made and it at least wasn't on the same level as something from Jerry Warren.
With that said, it was quite torturous to sit through this film because of how unfunny it is. I mean, there wasn't a single time throughout the film where I even cracked a smile. The worst thing about the movie is the fact that it's so darn annoying and that's especially true for the lead actor who is given some of the worst one-liners that you're ever going to hear. I'm not sure what type of drugs were being passed around by the screenwriters but whatever lines they wrote that they thought was funny just didn't come across on the screen.
Even with the comedy being so awful one would wish that they could at least have some fun with the monsters but that's not the case either. They all look incredibly cheap and awful but to be fair they're really no better or worse than the majority of the Godzilla movies that were made earlier in the decade. QUEEN KONG has an awful reputation and it really deserves it. The entire idea just really blows up in the viewers face and they're left with a really challenging movie to get through.
- Michael_Elliott
- Oct 3, 2017
- Permalink
- ultramatt2000-1
- Aug 10, 2005
- Permalink
Movie director, Luce Habit (Rula Lenzka) needs a leading man for her latest epic. She discovers Ray Fay (Robin Askwith), drugs him (!), and whisks him away from London to Lazanga. With her all-female crew, Luce is all set for filming.
Native troubles, the entrance of the titular beast, and general idiocy ensue.
QUEEN KONG is -obviously- a British parody of its male counterpart. For a comedy, it suffers from a dire lack of any real humor. It's peppered with antiquated, anything-but-funny "jokes" that couldn't possibly have elicited laughs, even in 1976! It's sort of like a really long, completely awful episode of The Benny Hill Show.
Yes, there are bikini-clad dancing girls.
This could possibly be the most inane, eye-gouging-ly dull movie to ever come out of the UK!
In addition to the "monster" of the title we also get a woman-eating rose bush, and a man in a cardboard dinosaur costume.
For his part, Askwith seems to be having a blast, like he does in all of his movies. His Mick Jagger / Brian Jones-hybrid look and goofy persona are always likeable. It's just not enough to salvage this saggy saga.
Good luck with this bowl of rotten bananas!...
Native troubles, the entrance of the titular beast, and general idiocy ensue.
QUEEN KONG is -obviously- a British parody of its male counterpart. For a comedy, it suffers from a dire lack of any real humor. It's peppered with antiquated, anything-but-funny "jokes" that couldn't possibly have elicited laughs, even in 1976! It's sort of like a really long, completely awful episode of The Benny Hill Show.
Yes, there are bikini-clad dancing girls.
This could possibly be the most inane, eye-gouging-ly dull movie to ever come out of the UK!
In addition to the "monster" of the title we also get a woman-eating rose bush, and a man in a cardboard dinosaur costume.
For his part, Askwith seems to be having a blast, like he does in all of his movies. His Mick Jagger / Brian Jones-hybrid look and goofy persona are always likeable. It's just not enough to salvage this saggy saga.
Good luck with this bowl of rotten bananas!...