Mary, Mary, Bloody Mary

First off, I loved the casting in this and the look and feel of it. I even thought the premise was interesting. That's why I kept watching. But when the killers so consistently get away when they could have been dealt with so easily over and over and over again, it really annoys me. Several victims drop their knives and/or guns or just ridiculously fall down instead of fighting back against their attacker. There was just no way for me to suspend disbelief in this movie and that really hurt it for me.

Honestly, the only real reason I kept watching was Cristina Ferrare. Her performance actually felt sincere and plausible almost no matter how ridiculous the situation was. It was a complex role to pull off, too. She's sort of bad and good at the same time. And she's gorgeous, to boot.

I'm seeing a lot of high reviews here with people who liked it a lot more than I did, so maybe you will too. I just couldn't handle how ridiculously often and easily the killer dispatched prey and evaded death. It reminded me of comedy bits where someone gets killed by a slow moving steamroller simply because they don't step out of the way of its path. The movie isn't quite that egregious, but it's up there.

Watch it for Cristina Ferrare's performance. As far as a thriller goes, it's only satisfying if you don't mind that it's mostly just people getting chased down and killed. It really did feel like a TV movie except for the nudity and light fake blood gore.

My two cents. Good luck.

This one was surprisingly good. A night, a woman's VW van breaks down near an apparently deserted house. She's grabbed by someone and runs, but then ends up staying the night. There's a flashback to her having seduced and killed a computer operator who worked at the American embassy in Mexico who bought one of her strange paintings. She kills by removing a hairpin from her ponytail, then drinking all the blood.

She meets a young guy she likes, while continuing to kill other people. Meanwhile, a man in giallo garb (black trenchcoat, black gloves, black broad-brimmed hat, plus a black handkerchief over the face kills a morgue attendant to get a look at one of her victims, killing him in the same way.

Regrettably, the videotape I rented blacked out during a couple of the seductions scenes! What the heck!

Carradine has a small role, but a good one.

I rather liked this small budgeted movie from the 70's about a woman who acts like a vampire in terms of feeding on blood but in no other way. Mary is an artist who kills men - and a woman - for the blood in their bodies. The sunshine doesn't bother her, apparently Crucifixes hold no spell over her, or garlic or any other vampiric safeguard we have seen in movies before. But that really is not what the film is about. It is about Mary finding herself and something/someone she loves - maybe. If I do not sound too convincing, it is because it is not too direct in what it is trying to do. Mary has other problems. It seems her father holds some sway over her, even though they have not seen each other in many, many years. He is the one that gave her this insatiable thirst to feed on the living. Character actor legend John Carradine plays the role with gusto, and at least several stunt doubles as he drives cars maniacally, runs up hills, and fights like a street kid. I do have to say that watching the cloaked and masked figure of Carradine do all these things was quite amusing, especially later when he pulls the mask down and we see this somewhat feeble old man that was John Carradine. That leap of credibility aside and several other leaps as well, Mary, Mary, Bloody Mary has some interesting things going for it. It is a precursor to Martin, perhaps Romero borrowed from here. Christine Ferrare looks lovely, and I thought she did an OK job with the role. She was quite good at looking bewildered. Maybe that was not intentional but worked for me. The settings in Mexico and Southern California have that cheap 70's feel that always injects some nostalgia into me. That was a decade for films like this that I grew up watching late at night(on the weekends) and all summer long. The murders too are for the most part pretty unsettling. The opening flashback scene and the one with the fisherman were particularly well-shot. I loved the eerie paintings too. But before you get the impression I thought this was a great film, Ferrare is very limited in her acting range, the rest of the actors often more so, Carradine's character is ridiculous, and the second half of the film plunges into total unreality - I shook my head again and again. Notwithstanding these very real problems, because of the atmosphere, the weird, interesting story, and the nostalgic feelings it gives off - I give this film a qualified thumbs up!

It was OK. The lead actress is beautiful. The story was a little hard to follow but at the end it all makes sense. Is she a vampire? what the heck is she? Are there more like her? What is the background? These questions were never answered. To me because the story just didn't have enough substance, I have to rate it low. I was asking questions the entire time and never got answers. The last 10 minutes pretty much sums up the entire movie, the rest of the movie is a lot of drama with some bloody scenes. Its really funny how the 70's treated bisexuality, there was one scene that kind of explained the bisexual summary but in today's time, its just laughable. The actors were OK, the direction was good, there was some nudity which added to the score. The story was short and lacked any substance. Just overall an OK movie in my book.

Ben Ryder (David Young) is hitchhiking across Mexico when he meets Mary (Cristina Ferrare) at an abandoned house on a dark 'n stormy night. The two hit it off and begin travelling together. But Ben doesn't know about Mary's insatiable need to drink blood, which leaves a path of corpses in its wake. Grabbed this one randomly to watch and it was pretty good. It can never live up to its amazing theatrical artwork, but what film could live up to that poster? One of the most interesting aspects of it is that it shot in Mexico. That doesn't really matter for the first hour or so, but toward the end director Juan Lopez Moctezuma starts to use the Mexico setting better. Especially good is a section in a Mexican parade where Mary is attacked by a stranger. The stranger is played by John Carradine and his face is cover 90% of the time, allowing the filmmakers to do lots of Lugosi/Plan 9 moments with the character. Also good is a chase in the finale the ends in a barren area that is perfect for the downbeat ending.