Marathon Man

Quite apart from the infamous torture scene, which I found extremely difficult to watch without howling in horror (actually that's a lie, I DID howl) this film is FULL of nervous tension that occasionally boils over - the way it's been done is masterful. The bouncing-ball scene in the darkened building should be utterly prosaic, but it really isn't - the way it's choreographed and shot brings such an air of menace and trepidation you'll be biting your nails off. There's much of a similar vein in 'Marathon Man', and although the storyline is sometimes almost buried through the relentless suffocating tension, it's extremely watchable (with a cushion to hide behind at certain points) and one of the greatest non-Hitchcock thrillers I've ever seen. Don't hesitate!

I have always found this to be a very entertaining, involving, taut suspense movie with some very dramatic scenes. I've seen in three times and liked it better each time, particularly since it's been available on DVD which enhanced the sound from mono to stereo, and the 1.85:1 widescreen enhancing the cinematography.

I didn't find the infamous (this was quite a buzz when the film came out) dentist scene to be as terrifying as it was made up to be and the references to the McCarthy hearings are a bit annoying and typical of Hollywood director John Scheslinger. It's also a typical modern-day film in which the U.S government's police agencies are corrupt (oh, puhleeze, filmmakers - think of something new).

However, despite those negatives, the film is fascinating with no dry spots despite its two-hour length. There is a nice variety of action scenes and very interesting characters. Marthe Keller never looked better. Too bad she didn't make more movies in the U.S. Dustin Hoffman, as he did so well in the '70s, keeps your attention and Laurence Olivier is absolutely riveting. This is a terrific thriller, start to finish.

John Schlesinger's 1976 classic about a graduate student in New York City who becomes the center of a mean old ex-Nazi war criminal dentist and the government's objective to throw him over. Dustin Hoffman provides us with an excellent performance as the 'Marathon Man'. He was almost forty when he played the role and with his acting skills he makes us believe he is actually a graduate student. Roy Scheider is perfect as Hoffman's crafty and slick older brother who works for the C.I.A. Scheider really does a lot with his role making him perhaps even the coolest character in the movie. Veteran Shakespearan actor Laurence Olivier gives an incredible performance as the evil ex-Nazi that rightfully earned him a Academy Award Nomination for Best Supporting Actor. John Schlesinger provides incendiary direction, and the screenplay is consistently engrossing and full of twists. If you are looking for one hell of a suspense flick with a lot of action you should definitely check out 'Marathon Man' at your local videostore. 'Marathon Man' should have earned Oscar nominations for -- Best Picture, Best Director, Best Actor in a Leading Role - Dustin Hoffman, Best Actor in a Supporting Role - Laurence Olivier, Best Actor in a Supporting Role - Roy Scheider, Best Original Screenplay, Best Cinematography and Best Film Editing. Watch out for the creepy 'dentist' scene. Grade: B+

1970s movies are so cynical, aren't they? Dark, depressing, and often grainy-looking and washed out. "Marathon Man" fits that description. It's good, of course - very good - but it's not exactly a good time. Know what I mean?

William Goldman, one of Hollywood's few celebrity screenwriters, wrote both the original novel and the script for this film version. I find him a bit overrated, but here he does a good job of elevating hack-level thriller material into a sort of art form. The beginning of the film is particularly well-written and intriguing, since it's full of creepy and cryptic events that are not immediately explained. But, alas, I find the ultimate explanation of these events to be rather prosaic and disappointing.

So, I think the movie's strengths lie in the acting and directing, more so than the story. Olivier and Scheider give particularly great performances, and Marthe Keller comes across as appropriately sweet and sexy (her big "secret," though, should be really easy for anyone to guess!) I'm a little less enamored of Dustin Hoffman, whose character is inexplicably nicknamed "Babe." He's just way too old to be a typical graduate student (almost forty years old, to be precise), and he simply doesn't have much charisma to me. Usually I like normal-looking, non-glamorous actors, but somehow Hoffman doesn't float my boat.

Still, it's hard not to sympathize with the poor guy while he's being pursued, beaten, tortured etc. The "dental horror" scene is still quite effective, though it's rather short; I was more impressed by the subsequent chase through the dark streets of NYC. (The city, by the way, looks like a hellish, crime-infested, debris-strewn pit in this movie - like it does in most 1970s productions!)

In the end, "Marathon Man" isn't quite another "French Connection," but it's got more than enough suspense to crush a lot of the dross that infests theaters today. It's worth watching just for the terrifying scene when the bad guys start tearing Hoffman's door off its hinges - it's good stuff.

I think this is the best thriller I've ever seen. If you look at it today, it also proves that audiences were more intelligent in 1976 than they are now. MM was a fairly sizeable hit movie - despite making absolutely NO concessions to the lazy filmgoer who refuses to think. Nowadays you can read actual film critics who call something like "The Matrix" confusing and hard to follow, when in fact Laurence Fishburne just stands there and TELLS YOU what is happening. 25 years of lifeless, same old same old movies and TV have made most people into dimbulbs. If you're not one of them you'll love MM.