Qu'est-il arrivé au bébé de Rosemary ?

I am only eleven years old, and even I think this is one of the most laughable movies ever! Patty Duke would have made a good Rosemary, if only there was another director! I know that she is a very good actress, for I saw her as a child in The Miracle Worker. I am a huge fan of the original and bidded for this movie and almost went as far as to pay 50 dollars for it. I finally found it for sixteen dollars on ebay.com. I got it and wondered why I even bothered, wasting all that energy over a very mediocre film! I heard there is a movie called Rosemary is Pregnant Again, and have wondered if it is connected in any way. I can't find it anywhere. All I know is thatthis movie will probably stay on my shelf forever until another unsuspecting victim comes in and wants to see it. Then, I can finally get rid of it! This film gets a 2/2 out of 5, for sheer dumb luck. I'd rather go watch the movie PI.

You might want to see this tepid movie of the week out of morbid curiosity, but please, don't go out of your way. First off, Roman Polanski's Rosemary's Baby didn't need a sequel--the haunting, ambiguous ending is supremely creepy and leaves you with something to think about. And if it did need a sequel, it certainly didn't need one as poor as this. Note the numerous inconsistencies with the original: If Adrian/Andrew was born in 1966, why is he in his twenties by 1976? Why is the Manhattan apartment building now sitting on a huge lawn? Minnie and Roman are present, but where are the other members of the original coven? And why have they now decided to refer to the coven as "the tribe"?

And of course, a talented cast is entirely wasted. Ruth Gordon, who won an Oscar as Minnie in the original, is reduced to a braying cartoon character. A semi-recreation of the Satainic rape scene is really lame. This may have been made to cash in on The Omen, as it bears more resemblance to that film than it does to Rosemary's Baby. If you want to see better execution of a similar theme, see The Devil's Daughter (1972). Cult film reviewer Michael Weldon summed up this disaster with the sarcastic question, "How about a TV sequel to Repulsion, too?" Indeed.

I'm a big fan of "Rosemary's Baby", so when I found out there was a sequel, I was ecstatic... until I actually saw it. I have heard people who read Ira Levin's sequel "Son of Rosemary" say that Levin could not have possibly come up with a worse follow-up story to his original; these people have obviously not seen this film. The fact that the movie refers to the coven as "the tribe" is all-telling. (A "tribe" of witches? Please!) The "tribe" eventually abandons Adrian as their Antichrist in favor of Adrian's son. (Why would the grandson of Satan make a better Antichrist than the son of Satan?) Even Ruth Gordon, whose brilliant performance in "Rosemary's Baby" won her an Oscar, is too old and senile in this film to be interesting. Put this on your must-skip list.

It was a foolish idea to make a sequel to a film which even today (mainly today) remains the best horror movie ever done.Patty Duke who was a wunderkind when she was a child (remember "the miracle worker")was given a poor part and she was sadly unsupported by the rest of the cast (if my memory serves me well,only Ruth Gordon remained from the original cast).

In order to give this dud a "biblical" feel ,the story is divided into "books" (the book of Rosemary;the book of Adrian ;the book of Andrew).The flick begins with the impressive last lines of Polanski's work (You want me to be HIs mother?/Aren't you His mother?) You do not need anything else when you've seen the 1968 film.

Ira Levin ,who had nothing to do with this made-for-TV sequel,wrote in 1999 "son of Rosemary" which was not as successful as his first novel:the conclusion ,they say,has an "hidden " meaning based on a pun.I've been trying to solve it for months ,to no avail..Anyway Levin should not have written it in the first place.

I finally found it out:nothing to get hung about.

Sam O'Steen, the film editor on the superlative suspense flick "Rosemary's Baby" from 1968, here directs a quickie TV-made sequel, one in which Rosemary Woodhouse (Patty Duke Astin, in for Mia Farrow) is shunted off early--and inexplicably--presumably to help flesh out the more ghoulish aspects of this flaccid story about Satan's son on Earth. Most interesting is the return of Ruth Gordon to her Oscar-winning role as Minnie Castevet (with Ray Milland well-cast as her husband, Roman), but she isn't given much to do--and looks terribly uncomfortable at being involved anyway. This script is strictly low-rent goods, and must have shamed original author Ira Levin (who went on to write his own sequel). Fairly dim and pallid, with poor photography and no suspense or scares whatsoever.