Aspiring actress Norma Jean Baker lives in squalor in the early '40s as she works at the munitions plant and dreams of being a movie star. Abused as a child and an adult, she lacks self-conf... Read allAspiring actress Norma Jean Baker lives in squalor in the early '40s as she works at the munitions plant and dreams of being a movie star. Abused as a child and an adult, she lacks self-confidence, but photographer Ralph Johnson takes some publicity shots and convinces her to try... Read allAspiring actress Norma Jean Baker lives in squalor in the early '40s as she works at the munitions plant and dreams of being a movie star. Abused as a child and an adult, she lacks self-confidence, but photographer Ralph Johnson takes some publicity shots and convinces her to try for her dream, and supports her as she's bounced from casting couches to sleazy photo sho... Read all
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The only concession the producers made to period authenticity was the cars. No one has authentic 1940's hairdos or makeup. Check out the scene where everyone is leaving the screening room - they all look like they are in the 1970's which is when the movie was made. The main character's wig is a mess and looks like it has never been brushed.
And one character describes a "snuff" film as one where two women kill a guy - not what I usually hear a "snuff" film consists of.
The whole film is painful to watch as the production values are just terrible. Looks like the budget was about $500.
The movie is a retelling of Marilyn Monroe's life, I think it may have been adapted from one of the books that Robert Slatzer's (SLEAZER) published about Miss Monroe. You know him, he's the guy who claimed to have been Marilyn's confidant and husband for about a weekend. All his claims were never proved as a matter of fact his marriage claim was totally disproven when a check dated at the same time of their wedding and signed by Miss Monroe proved that she was in Los Angeles at the time. Even if it weren't based on Slatzer's (SLEAZER) writing it's just plain garbage.
Source material aside it was the whole film was a mess. The editing looked jumpy, the acting terrible, the dialogue lame and it sounds as if everything the actors said reverberated on the wall. The film looked like it was shot with the wost film stock they can find. I think it may have been shot in 8MM, I mean it looked horrible. As for the casting, they casts "Hee Haw" Honey Misty Rowe as Marilyn. I mean I always thought Miss Rowe was a total babe but come on she absolutely look nothing like Marilyn Monroe. Then again Poppy Montgomery, Mira Sorvino, Asley Judd all played Marilyn and they look nothing like her. At least they can act.
Two things that really stuck in my mind is the theme song, a soft rock/folk rock tune that went "Norma Jean wants to be a movie queen" and the other thing is when she finally gets her big break she utters the immortal words "I never have to perform fellatio again", except in a more graphic term.
The first thing I noticed is that the film maker really intended this as a "skin flick" by inserting needless nudity. Facts and getting the story straight were NOT high priorities. I especially like how they didn't even try to make Misty Rowe look that much like Marilyn. Before being discovered by Hollywood, Marilyn didn't have bleached blonde hair, as anyone vaguely acquainted with Marilyn's life would have known--but I guess wigs or hair dye were just too expensive for this film! The next thing I noticed is that this really wasn't a biography but instead was more like a series of sexually explicit episodes (a lotta rapes in particular) and beatings that were linked together by the theme of Marilyn Monroe--like it was inspired by her life only! In other words, it was pure exploitation. Instead of being titillating, however, it all came off as gross. Sure, Ms. Rowe was a sexy dish, but seeing her supposedly raped again and again is definitely NOT a turn-on for normal folks!! In fact, I sure worry about anyone who LIKES watching these terrible scenes. I really think if they had perhaps kept the nudity but not have it be in the forms of violent rapes it wouldn't offend most viewers.
Another really bad aspect of the film is the dialog. Again and again, Ms. Rowe goes off on the most ridiculous little speeches that don't sound the least bit like the way real people talk. In particular, the casting couch speech was laughable but examples of insipid drivel for dialog abound. Another great bit of dialog is the scene where Marilyn's mother appears in a dream wearing a straight-jacket and talks on and on about how hard life is! Ugghh!
Overall, there isn't really anything good about the film, though the production values are a lot better than Larry Buchanan's other films--which still isn't saying very much! Also, if you are looking for anything on the later life of Marilyn, this film isn't it as it focuses on the early career only. In 1989, Buchanan created GOODNIGHT, SWEET MARILYN that supposedly deals with Marilyn's last days. If it's as close to the facts as this film, expect to possibly see space aliens and a visit from Pope Innocent III in the movie! GOODBYE, NORMA JEAN is a rather sad and pathetic excuse for a film. The only reason it gets a 2 is that at least for Larry Buchanan it's got reasonably decent production values.
Written, directed, produced and edited by the great auteur, it is a soul-less and evil little movie.
Did you know
- TriviaIn casting the role of Marilyn Monroe, director Larry Buchanan conducted a "National Marilyn Monroe Lookalike Contest" which was won by unknown 21-year-old Alexis Pederson. After reading the script, Pederson turned down the role and instead it was offered to Misty Rowe, who took it.
- GoofsNorma Jeane was not a natural blonde. From childhood to early adulthood she was a Brunette. Only during her modeling days, sometime around 1946, did she dye her hair blonde.
- ConnectionsEdited into Goodnight, Sweet Marilyn (1989)
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