Cría cuervos...

Told through the perspective of a young child - and her older self - and interweaving past, present and future, but also includes imagined and surreal scenes, albeit staged so masterfully that it all remains stringent and comprehensible and the political implications are apparent; again, Geraldine Chaplin convinces in a double role (as the mother and as the adult child.)

I took this film in a video library and watched it 3 times. It is one of the most powerful films I have ever seen. The techniques in the film are very modest but it's amazing what the director does with them. I liked very much this sad and quiet girl. The scene where her pet dies and she buries him is so solemn and heart-breaking. I felt sad about the old Grandmother who watches the old pictures in sadness. I also liked Geraldine Chaplin, she is very good in this role, her intimate bond with the daughter, and how she looks at Ana with sadness when the girl doesn't notice it. The scene where the girl imagines her mom combing her hair is mesmerizing. Maria's pain is very palpable.

By the way I found some interesting information about this film. Geraldine Chaplin was dubbed in the episodes where she plays the grown Ana. It was done because the actress has a slight British accent which is not annoying or too prominent (for me at least), but the point is that she plays a grown girl, and it would be rather weird if a grown person acquires an accent in one's mother tongue if this accent did not exist during the childhood. So it was an intelligent consideration of the director.

I recommend this movie very much.

What a wonderful movie! Saura has succeeded showing us the inside of childhood. One has to be a great artist to be able to reflect the true feelings of a child thrown in the turmoil of life. Little Ana's eyes are a world of suffering, of understanding, of emotions. This child has seen death, she has known it directly and she has no fear. Either to experience it or to give it or to see it. Thank you Mr Saura, after 23 years, you still give us these great moments of life.

Sensational film that dispenses a brooding plot and considered to be one of the best Spanish films , in fact was voted one of the best Spaniard film by professionals and critics in 1996 Spanish cinema centenary . Well directed film by Carlos Saura , including his own story and screenplay , who tried to create an enjoyable flick plenty of symbolism and metaphor by tackling a description about a particular family formed by three little girls , their stiff aunt and grandmother . This slow-moving and intelligent picture is well set in Spain of the 70s , in Madrid, the orphan sisters Ana , Irene, and Maite (Ana Torrent ,Conchita Perez , Maite Blasco) are raised by their spinster aunt (Monica Randall), after dieing their mother by a painful illness , and living together their silent and wheelchair-bounded grandmother . Melancholic Ana is traumatized after viewing death of her daddy (Hector Alterio ) in bed and painful disappearance her mum (Geraldine Chaplin who married Carlos Saura) , and she drifts into her own fantasy world . The fragile , single little Anna dreams of meeting her mom and she is obsessed by death .

Sensitive film full of feeling , haunting mood-pieces , wonderful images and sense of wonder . However , it turns out to be some claustrophobic , being mostly filmed at a Madrid mansion and brief outdoor scenes in Quintanar, Segovia, Castilla y León . This extraordinary flick spells through intricate patterns of frames , sets , sound and color . The title in Spanish stems from the phrase "Raise ravens and they'll pluck out your eyes" , the equivalent phrase in English would be "you reap what you sow". This film was notorious in the years of the Franco's downfall dictatorship including provoking and polemic issues and played by known and prestigious actors as Geraldine Chaplin , Monica Randall and Hector Alterio . In addition , a magnificent support cast such as German Cobos , Mirta Miller and special mention to Florinda Chico as a likable servant . His style is pretty much dry in the atmosphere as in the fresh dialog , as well as realistic , and including fantastic elements as when appears the ghost mother . ¨Cria Cuervos¨ is one of Saura's undisputed masterpieces and fundamental in his filmography where shows efficiently some peculiar characters and shot at the height of his creativity, in a period cultural difficult, where the enormous censorship of the political regime exacerbated the ingenuity and imagination of the scriptwriters . Splendid , luxurious photography with juicy atmosphere by Teo Escamilla who along with Luis Cuadrado are considered to be two of the best Spanish cameramen , both of whom worked for Saura . Interesting screenplay by the same director based on a original story . Moving and emotive musical score by Federico Mompou and of course the unforgettable theme song "Porque Te Vas" sung by Jeanette that was an enormous European hit , and appealed even to people who didn't understand Spanish language . This touching picture will appeal to Spanish films buffs ; being deservedly nominated for Golden Globe , and another 8 wins & 3 nominations . Rating : Top-notch and outstanding movie , worthwhile seeing .

The motion picture perfectly produced by magnificent producer Elias Querejeta was stunningly directed by Carlos Saura , a good Spanish movies director. He began working in cinema in 1959 when he filmed ¨Los Golfos ¨(1962) dealing with juvenile delinquency from a sociological point of view . He subsequently made LLanto por Un Bandido (1964) starred by an European all-star-cast . Saura is a well recognized filmmaker both nationally and internationally, and in proof of it he won many prizes among which there are the following ones: Silver Bear in Festival of Berlin for Peppermint Frappé (1967) and the successful La Caza (1966) that also won numerous prizes in International Festivals and in which four characters facing each other and terminating into a jarring burst of violence . Saura achieved Special Jury Awards in Cannes for La Prima Angélica (1974), in 1973, and for Cría Cuervos (1976), in 1975. Also, the film Mamá Cumple Cien Años (1979) got an Oscar nomination in 1979 as the best foreign film, and it also won the Special Jury Award at the San Sebastian Festival. He subsequently made ¨Deprisa , Deprisa¨ based on facts about juvenile delinquency in Spain since the 80s , as he tried to take a position in favour of outcast people and he got to make a both lyric and documentary-style cinema . In 1990, he won two Goya , The Spanish Oscar , as best adapted screenplay writer and best director . Saura became an expert on Iberian musical adaptations as ¨Carmen , Amor Brujo , Bodas De Sangre , Sevillanas , Iberia , Salome , Fado, Flamenco ¨ and even recently Opera as ¨Io , Don Giovanni¨

Like almost everyone i found this movie extraordinary touching and beautiful when i first saw it. I watched it several times and i realized something, it's really about Spain under Franco's dictatorship. Every character is a metaphor of Spain , the beautiful mother killed, cheated on by her military husband, the collaborating auntie who tries to educate the children, the old mute grand mother, who only wants to remember the old days (the republic) etc... every line in the movie can be heard in a completely different. The young rebel Ana is a true symbol of the spanish youth who can't stand anymore the military oppression, and who wanna be free to see the outside world (the song is reggae !). and the final scene with the hope of a new era coming (when the kids are arriving at school as a new year is beginning) is the reflection of what was about to happen in Spain (Franco died the same year). Anyway, whether you want to see its political message or not, it's just a wonderful movie, one of my favorite.