Affreux, sales et méchants

I saw parts of the movie when i was a child, today i had the pleasure of having a second chance to see it. I grabbed the opportunity... I'm a person o likes cinema in general, maybe more independent, but keeping the attention on the products of the enterprise... The film is a pungent, powerful blow to the modern society... When it premiered it was also in this condition... But nowadays the film balances between the tragic and the comic gender, with a sensitive eye... Very funny... Extremely dramatic... The ironic look, that scola gives to the foundings of European civilization, the ability to survive, how in extreme conditions (poverty, famine, lack of hygienic conditions) the humans have the capability of preserving values has purity, humor, fantasy… And without being afraid in addressing the darkest side of man, the violent being, the amorality, putting aside the fear of shocking th audience… Etore manages a brilliant timing in managing the drama and the comedy… More would take place in this reflection but I don't want to risk sounding (even more…) pretentious…. One of my favorite movies... Até já... ps: I apologize for the quality of my written English...

Just a great film! I think that "Ugly, Dirty an Bad" has more quality than many "Hollywood-made-to-win-Oscars" films. Let's forget by now the humor side of the film; the content brought to the viewer shows as those kind of people try to survive day by day in extreme poverty and illness. Much more than a film to make people laugh, it's a documentary and a "finger-in-wound" in nowadays issues. I hope people after see that movie just don't remember the funniest scenes, but also the human side of the whole story pictured in there. Remember, everywhere we go, even if all around seems to be nice and beauty, somewhere, if we look carefully, we can discover "dark spots"... Recently in an opinion article about another film, in the heading section we could read "[...] Mary, satiated of removing thorns from the rose flowers in local factory [...]" That's the point: there's no roses without thorns! And if you see a rose without them, it's because someone had remove it before...

After all these years I still come back to this movie, enjoying a true art. Although it shows the so-called-life of the people from the bottom, it's still a beautiful portrait of the human race in its essence: we are truly ugly, dirty and evil inside, behind all those masks we wear. This is "human" deprived of all the "civilization". The movie itself is a masterpiece. All those shots, casting, directing, music, dialogs, scenes that make you cry and laugh and disgust you simultaneously, all led by the master Scola. One should not review any movie without previously watching this one. This is what any movie should be: a picture of life. Sometimes funny, but mostly loathsome. And we're all just animals inside, just give us a chance to show it. Highly recommended as "a must".

The great Nino Manfredi stars in this side-splitting and brutal black comedy about a bacteria-like family of degenerates occupying the slums on the outskirts of Rome. Manfredi is the misanthropic and miserly aging patriarch who has a secret hoard of money he guards zealously. He despises his wife and cretinous children who try to rob his stash and try to kill him by poisoning his maccaroni. You really won't believe this marvelous quintessence of gross until you see it with your own eyes. It is "commedia all'italiana" in full force.

This is an extraordinary film. A pitiless portrait of human race. Scola describes the life of poor and marginal people with no compassion, showing all their miseries and perfidies. In this sense, the film is very close to another masterpiece, Viridiana from Bunuel. Everything in this movie is so disconcerting (beginning with the slum which has a magnificent vista to St. Peter's Cathedral) that it also remembers me of David Lynch's works. Besides all that, the film is absolutely hilarious.