User reviews

Ah, women-in-prison and Jesus Franco. What can we expect.

It really depends on the version you watch, as there are versions from 70 minutes (UK) to 99 minutes (Argentina). The US and Sweden have 86 minute versions, although Sweden banned even that. This is a 90 minute unrated version.

One does not expect to find a double Golden Globe and Oscar winner in a Jesus Franco film, but here she is - Mercedes McCambridge (All the King's Men - 1949) as the prison superintendent.

Also Maria Schell, who has 2 BAFTA Film Award nominations and another 14 awards, as an inspector from the Ministry. She did get prisoner 99 (Maria Rohm) out of solitary on her first day.

More expected is Herbert Lom as the Governor, the only surviving member of The Ladykillers (1955), and a Razzie nominee for King Solomon's Mines.

It appears Franco was going for quality as it is more than a half hour in before we see a breast, and some girl-on-girl action. Even that was shot with a lot of Vaseline on the camera. Don't the women in this prison take showers? Marie (99), Zoe (Rosalba Neri), and Rosalie (Valentina Godoy) attempt to cross 30 miles of snake-infested jungle and swamp at night to escape. yeah, right. They find a lily-covered pond that looks the same as the one in Virgin among the Living Dead.

Of course, it isn't the snakes on the ground they have to worry about, but the snakes attached to the dozen male prisoners that saw them and are running after them. One doesn't make it.

A good drama with some famous actors, but disappointing as a WIP exploitations.

The newest batch of detainees arrives at a remote women's prison. The fortress-like prison is ruled with an iron hand by Thelma Diaz (Mercedes McCambridge), a woman who has no qualms against death or torture. But when a new state official takes notice of the body count coming out of the prison, Diaz must prove her ability and hide the truth. As the powers that be turn up the pressure it sets up a daring escape by several of the ladies.

"Women in prison" flicks can be a mixed bag. Many offer the usual softcore action (usually of the lesbian variety) and / or nasty torture sequences that often exploit. But "99 Women" doesn't really offer too much of either. "99" is actually more artistic than most of the "W.I.P." films that I've seen and as a result it comes off as a bit bland. The photography is fine but with most of the action taking place indoors the camera-work is not flashy. The acting is pretty decent but the script is a bit "talky" in an unnecessary way. The softcore action is not awfully titillating since many of the scenes are shot in an "artistic" fashion the X-rated version does offer some hardcore inserts but you can easily tell they were added much latter since they don't match. "99 Women" has some style but not a lot of substance. A bit disappointing.

New inmate Marie (Maria Rohm) arrives at an island prison in the women's sector and receives the number 99. The inmates are controlled by the sadistic lesbian warden Thelma Diaz and Governor Santos (Herbert Lom) and submitted to torture, rape and lesbianism.

Apparently, this film "kicked off the genre in a new direction" and "was a big box office success in the U.S. in 1969." I find this somewhat hard to believe... because as much as I love exploitation and Jess Franco, this just is not all that great. Even with veteran actor Herbert Lom, it more or less has just a group of women wandering around doing a whole lot of nothing.

Not surprisingly, Franco continued to make more films in this genre, probably turning a quick profit: Women in Cell Block 9 (1978), Ilsa, The Wicked Warden (1977), Barbed Wire Dolls (1975), Women Behind Bars (1975), and Sadomania (1980).

This is one of Franco titles that receives little comment.

So I will.

First of all it proves Franco could have of gone mainstream if he chose to. This a competent drama. Maybe he would have if "99 Women" could have received more acclaim.

99 Women is a *tasteful, well-done yet erotic WIP film; I know of no other WIP film that is. If you do please share.

In this lovely but sad movie, in "99 Women" Franco quickly strikes this tone and stays there. It's an erotic drama set on a tropical island, and yet has no lines like "take her to the Playpen!" -like the Corman stuff much later. It plays it straight. It is Erotic but has class. Know Rosalba Neri has a lot of screen time. This film is a must for fans

But maybe I'm glad he didn't go mainstream- I do love some of his later stuff which is hardly that )

*I love trashy WIP films also, but they all don't have to be

The new inmate Marie (Maria Rohn) arrives in an island prison in the women's sector and receives the number 99. The inmates are controlled by the sadistic lesbian warden Thelma Diaz (Mercedes McCambridge) and Governor Santos (Herbert Lom) and submitted to torture, rape and lesbianism. When the Minister of Justice replaces Diaz by Leonie Caroll (Maria Schell), Marie believes that her life will improve and her case will be reopened. However, Marie is disappointed with the new warden and decides to escape with two other inmates. But their runaway scheme fails and the three women are chased not only by the guards, but also by male's prisoners that have not seen women for many years.

"Der heiße Tod", a.k.a. "99 Women" is a lame exploitation of the genre "women's prison" with a story that uses the clichés and the stereotypes of this type of story. The great cast is unusual in Jess Franco's films, but the insertion of scenes of explicit sex is ridiculous and without continuity. I believe that the version without these X-rated scenes inserted may be better. My vote is three.

Title (Brazil): "99 Mulheres" ("99 Women")

Does the world really need all these 'Women in Prison' flicks? The legendary director Jess Franco apparently seemed to think so, because almost half of the titles that fall under this category are his. There's also a lot of variation in this questionable sub genre of cult-cinema - largely determined by how old they are - as most of them are really nasty and exploitative whereas some (the pioneers mainly) are more sensual and emphasizing on the drama-elements. "99 Women", at least the original non-hardcore version, got released during the earliest stage of "W.I.P" madness and thus Franco was still clearly 'exploring' how far he could go with inserting lesbian sleaze and brutal whippings. The later ones are a non-stop series of tasteless sex and raw violence, but this film actually has a remotely decent script and an above-average amount of stylish elements. A small island in the Pacific Ocean serves as a gigantic prison, with a fort for women in one corner and one for men in the other. Female prisoners n° 97, 98 and 99 arrive one morning by boat and they immediately meet the sadistic head warden Thelma and the sleazy Governor Santos. The girls are punished and put in isolation cells for no reason and lethal 'accidents' appear to be a regular routine. Just because so many prisoners die, the government sends a new female principal to the island. She makes efforts to befriend the prisoners, particularly the beautiful & innocent Marie, but the wicked old headmistress constantly boycotts her. "99 Women" isn't the most exciting movie ever, as many sequences are dreadfully slow and pointless, and there's a serious lack of continuity. The locations are very nice looking and the photography is occasionally even elegant, but sadly it's all just an empty package. If you don't purchase the X-rated version, you won't have much sleazy goodness to admire. "99 Women" is incredibly tame, with only a couple of scarcely dressed women cat-fighting and some lesbian experimenting. The cast is really good, though, with the ravishing regular Franco-nymphs Maria Rohm ("The Bloody Judge", "Eugenie") and Rosalba Neri ("Amuck!", "Lady Frankenstein") playing likable characters. Herbet Lom is awesome as the fiendish, nudity-obsessed (can you blame him?) governor. Mainly just recommended to Francophiles.

Given Jess Franco's penchant for uber-strange, dream-like, over-sexed affairs, this comes off as one of his tamest and most main stream movies...as main stream as WIP flicks can be that is.

The film follows follows a familiar pattern. A group of girls are brought to an inescapable fortress/prison were they are to serve out their sentence. The lead girl (played by the lovely Maria Schell) may or may not be innocent, regardless she decides she does not wish to remain in the inhospitable place any longer than she has to and an escape attempt forms.

As would be expected, the prison is host to assorted debauchery and sadism on the part of the prison staff. Prisoners are mistreated, dehumanized, etc. Compared to most any other WIP flick out there, this one is pretty clean content wise. Some clothed cat fights, limited nudity and one harsh (though thankfully brief) rape scene are the most the film offers in terms of exploitation.

Technically speaking, I would argue that this is Franco's most accomplished film. Light, color, sound are all good; even his use of camera angles exceeds what would normally be expected of him. The acting is all around what would be expected from this sort of affair, with the notable exception of Herbert Lom, who manages to be both a creep and oddly likable. A major down point is the script, which is so cut-n-dry that it never does a whole lot of anything.

An actually good Franco movie that may be too tame for his more fetish fans, but certainly worth a look.

(Note: This review is based on the regular edition of the film and not the badly re-edited hardcore version) 7/10

Maria has been sent to a prison on an remote island where the warden is giving kickbacks to the warden of the mens' prison on the other side of the island via his choice of girl inmates. Naturally he has his eye on fresh meat Maria. The government gets a whiff of the corruption and sends a plant in to investigate the abuses. For a WIP flick I was surprised how tame it was, for a Franco flick i was very surprised how tame it was. The only thing that keeps one falling asleep is the horribly inserted porn inserts that don't fit well into the film in the least. What's laughable is that Franco fans (yea hard to believe they're people out there who are) actually got angry that Franco's name is even on this version. Yea, we can't have his sterling image as an ingenious competent visionary be sullied *snicker*

My Grade: D

X-rated version DVD Extras: Nothing at all

From Eurotrash Emperor Jess Franco's comparatively respectable period comes this timid precursor to the WIP wave that was to engulf exploitation cinema of the upcoming decade, including of course many of Franco's own far more graphic ruminations on the subject. British-born producer Harry Alan Towers was still testing the waters as to how much sex and violence he could get away with at this pivotal moment in time for pictorial permissiveness, which accounts for the restraint in the representation of both. His past successes with a string of profitable Fu Manchu flicks based on the Sax Rohmer potboilers gave him the commercial clout to attract a "name" cast of mostly has-beens in desperate need of a paycheck, supplemented with a slew of sexy starlets prepared to pull down their panties. First among equals in the latter department was Towers' lovely young bride Maria Rohm a/k/a former Austrian stage actress Helga Grohmann who would shine most brightly in VENUS IN FURS and EUGENIE, both made by Franco for her husband. Playing Marie, the obligatory framed innocent, she's predictably overshadowed by the unrepentant bad girls headed by the ravishing Rosalba Neri's cynical Zoe.

Taken to a South American prison island (actually Alicante) where she's to be incarcerated in a magnificent fortress named El Castillo Della Muerte (the Castle of Death) for stabbing one of her rapists, shown in superbly stylized flashback, Marie (or number 99 as she will now be referred to) soon learns the ropes foolishly going up against head warden Thelma Diaz (Mercedes McCambridge hamming her way out of a mid-career slump) when another new arrival (ex-Bond girl Luciana Paluzzi) goes into cold turkey jitters. Like any other act of rebellion, this immediately lands her in solitary. An impromptu cat fight with dyed in the wool dyke Neri on account of her harassing Marie's friend Helga (Elisa Montés from Mel Welles' ISLAND OF THE DOOMED) risks making her a permanent resident there were it not for the unexpected appearance of social worker Leonie Carroll (revered German actress Maria Schell) come to inspect the prison's conditions following a number of recent deaths. This doesn't sit well with Thelma who not altogether wrongly suspects the intruder has come to take her place so she calls on the help of corrupt Governor Santos (a stoic Herbert Lom) whom she regularly supplies with inmates for intimacy.

Ticking off all the boxes (nudity, check ! whippings, check ! lesbian comforting, check !), the plot moves along as cheerfully as the grim proceedings will allow with hilariously hard-boiled dialog to keep fans grinning. McCambridge spits 'n growls her way through another turn for Towers and Franco that makes the one she gave in their JUSTINE look positively demure by comparison. Her once flourishing career might have gone down the drain but she was sure to kick up a stink. Half the fun's in watching her co-stars' perplexed looks on their faces as they attempt to keep from being blown off the screen by this one woman whirlwind.

By contrast, Schell seems all too aware she's slumming it, content to simper sympathetically and deliver the flattest line readings imaginable. Apart from Rohm and Neri, whose exploitation career would kick off in earnest with Ferdinando Di Leo's 1971 SLAUGHTER HOTEL, none of the top-popping floozies register very strongly, certainly not Paluzzi who - regardless of prominent billing - expires ten minutes into the movie and doesn't bare squat. A few years later, she would go proudly topless in Nello Rossati's entertaining THE SENSUOUS NURSE. Short-bobbed Brazilian bombshell Valentina Godoy (from Franco's THE GIRL FROM RIO) makes the most of the unfortunate Rosalie, cruelly ambushed during the botched prison break.

In light of the excesses this exploitation sub-genre was about to engender, 99 WOMEN appears almost innocent in its beat around the bush coyness. This approach forces Franco into ingenuity when it comes to boobs 'n beatings, displaying both with far more style than was his habit. Case in point being Rohm and Neri's then daring same-sex dalliance, spectacularly shot in a series of dissolves and close-ups of "non-vital" body parts by Franco regular Manuel Merino (who also photographed his COUNT Dracula) who achieves the scene's erotic effect through sheer suggestion. Bruno Nicolai's haunting theme song, The Day I Was Born (warbled by the incomparable Barbara McNair which suggests this was a recorded but unused track from VENUS IN FURS), appears in a number of starkly varying arrangements going from a jubilatory gospel rendition to a softly murmured version with minimal orchestration.

I've seen a lot of these women in prison films, but I don't know why I keep watching them because I've hated every one that I've seen. Jess Franco seemed to enjoy making them, however, as this trash makes up a large proportion of his filmography; and women in prison flicks are probably one of the main reasons why a lot of people's overall impression of the prolific director is not good. 99 Women came fairly early on for this genre, being released in 1969, and as such the film is not as racy as some of the other genre entries. This is not really a benefit or a hindrance, however, as 99 Women is just as boring as most of these films anyway. The plot is just your usual women in prison theme - bunch of girls in jail trying to escape from the awful prison guards etc. It's a shame that this is just another entry in an overpopulated genre too, as the film features a good cult cast - Rosalba Neri is one of my very favourite actresses, and the film also features the likes of Maria Schell and Maria Rohm, as well as the great Herbert Lom; but the cast considered, this is still a rubbish film and I wont be recommending it!

Surprisingly effective and well made WIP with Maria Schell and Herbert Lom as well as many of the usual good looking suspects. Not as violent as some of Franco's later efforts, this is in fact pretty sensual and always good looking and would slot alongside 'Eugenie….' and 'Venus in Furs' from the same period better than one would imagine. Good performances all round including a peculiarly effective one from a certain Mercedes Cambridge, who was apparently in 'Johnny Guitar'! Enjoyable and this just shows how well the old guy could direct if he put his mind to it or wasn't too restrained by others. Also he possibly refrained from indulging himself too much here because of his esteemed cast. Good score too from Bruno Nicolai.

Jesus Franco is one of the few directors in the world who could take a much-maligned genre like the women-in-prison film and make it even sleazier. "Barb-Wire Dolls" would have been unwatchably repugnant were it not so inept, and "Ilsa, the Wicked Warden" WAS unwatchably repugnant despite being equally inept. For that reason, I approached this movie with great trepidation, but was surprised to find it relatively well-made and surprisingly tasteful. The plot is pretty standard. Girls are imprisoned on island--they give them a number and take away their names. Since this was made in the more censorial 60's there is no graphic torture and no showers and the prisoners actually get to wear underwear beneath their prison smocks. Mercedes McCambridge is the harsh warden. Herbert Lom is the corrupt commander of the island who takes sexual liberties with the prisoners. Maria Schell is the well-intentioned but ineffective reformer,. Luciana Paluzzi is the top-billed convict, but she exits quickly and the real stars are Maria Rohm and Rosalba Neri who together lead the big bust out at the end.

Relatively speaking this movie had a decent budget and a talented cast, and perhaps because of this (and the aforementioned threat of censorship)Franco had to reign himself in from his usual indulges. (I can just imagine the conversations he would have had with these relatively classy actresses: "No Jesus, I'm NOT going to perform analingus on her masticated rectum, I was a Bond girl for christsakes!"). Not that there isn't any sex or nudity. There is a great catfight/lesbian sex scene between Neri and Rohm as the lascivious Lom looks on, but the action is shot almost entirely in a montage of extreme close-ups (the only time after this that Franco was this circumspect in a sex scene was in "Erotismo" and that was no doubt because he was trying to avoid child porn charges after stupidly casting an underage actress). My favorite scene though is a flashback sequence where Neri does a sexy strip to a flickering candelabra, and in a touch that is both perverse and surreal her audience is a bunch of cigarette-smoking schoolgirls! Of course, there are those Franco aficionados out there who would prefer endless static shots of Lina Romay or somebody rolling around naked on a bed while Franco conducts a gynecological exam with his zoom lens to these much more sedate sex scenes, but there can be little doubt which is more classy and tasteful.

The best part though might be the catchy theme song ("Born to Be Bad") that leaves you with a warm feeling of nostalgia for that era (whether you experienced it or not). I don't know if I'd want to watch this movie again, but at least I didn't feel like running for the shower when it was over. If you want to see a Franco a WIP flick this is a good place to start (and also to stop).

Surprisingly tame (at least in the version I saw, titled "Island of Despair"), boring schlock from Jess Franco, whose direction is, once again, pretty terrible (example: we get a flashback regarding the events that led a VERY MINOR supporting character to prison - and Franco inexplicably keeps it going for about 20 minutes!). Luciana Paluzzi's role is little more than a cameo. (*)

99 Women is a women in prison film with a high calibre cast including Oscar winner Mercedes McCambridge as well as distinguished thespians Herbert Lom and Maria Schell.

These type of films have a mix of soft core sex action, lesbianism, some torture, even violent torture and a lots of campiness.

99 Women has decent production values, good acting but is dull as dishwater. The soft porn will send you to sleep. The story is just plain bad and the dubbing is nonsensical. The English dubbing just reverts to French at random moments.

It is bad and boring.

"99 Women" starring Oscar-winner Mercedes McCambridge as a sadistic prison warden and Maria Schell as a super-intendant with lesbionic tendencies towards one of the female inmates, who'd have thought that you could have gone wrong with this one? Apparently not me as I was quite excited about my purchase of this movie. It was pretty horrible as expected, but not in a good way. I was hoping this was going to be one of those hilarious women-in-prison exploitation flicks that were high in camp value. Hell, Mercedes McCambridge is in it! First off, the movie started off positively. We have three broads arriving on a boat, still in the clothes they were apparently arrested in, tried in Court, and then literally, sent up the river in! We are introduced to the blonde starlet, Marie, the black-haired stripper, Helga, and some other brunette who dies from some sort of "accident" that required medical surgery.

The camp factor needle hits "HIGH" as soon as we are introduced to Mercedes McCambridge appearing in a warden's uniform, barking orders in a faux-German accent (even though her name is Thelma Diaz) and giving Marie a backhand across the face for using her name instead of her number, "99".

However it only gets worse from here. While there are certainly some entertaining cat-fight scenes (ie hair-pulling, clothes being ripped off, face slapping, etc), the rest of the film is incredibly boring. There is a sadistic male warden (Herbert Lom) who coerces one of the female prisoners into seducing Marie for his pleasure, and there is one un-named prison guard who has the most hilarious facial expressions when introducing guests to McCambridge, but the rest of the film falls flat.

Maria Schell is not in the film nearly enough, and when she is, it's hard to determine what her true agenda is. It seems like she has a thing for Marie, but they never explore it.

When the girls finally break out and trek through a "jungle", there are a few more camp moments, such as the scene with the harmless snake where upon spotting it and instead of running around it, the girls proceed to scream, grab it and cut it with a knife (LOL). The other semi-amusing moment was watching Marie and Helga make a dash for the fishing boats, hand-in-hand and wearing nothing short of see-through panties and torn jumpsuits.

Mercedes McCambridge was the movie's only saving grace. Her accent border-lined German and Spanish, and she had some pretty hilarious one-liners such as, "She was put in the punishment cell... for repeated insolences!" At various moments, her voice deepened into that same voice she used as Pazuzu in "The Exorcist", I thought maybe she was going to morph into Satan at any moment.

The most interesting thing that I heard about this movie was that there is an X-rated version out there. I watched the un-rated version which had no explicit sex scenes, only some gratuitous breast shots and a glimpse of bush. I shudder at the thought that Mercedes McCambridge might have filmed a scene not knowing that at some later point her body double would be enjoying an explicit lesbian sex scene with one of the female prisoners.

I would not recommend this movie to any women-in-prison enthusiasts out there. In fact, I would only recommend this movie to Mercedes McCambridge fans as she is the sole reason I gave this movie "one star". Don't waste your time with this one folks.

99 WOMEN gets off to a bad start by having a theme tune that belongs in another movie and when you've got an inappropriate soundtrack that belongs in another movie you're getting one out of ten there and then . That said it is directed by Jesus Franco so you have a rough idea what expect - not much

As you can imagine with a Jesus Franco movie set in an all female prison so pious celibacy is not on the agenda and the director deserves some credit for casting some very attractive actresses . It's a film of two distinctive halves where the first half introduces the characters and gives an excuse to show their sleazy back stories and their bi-curious lifestyle while the second half revolves around an escape attempt which resembles an exploitative female version of PAPILLION

Neither half is all that good and fail to work as a coherent story , just a series of scenes strung together with no great thought put in to the wider picture . It also suffers from several scenes where people talk in French without the benefit of English subtitles . That said one has to look on it of the context of when it was made when people would be still used to the rather repressive Hays Code in American cinema and this must have been a very subversive not to mention titillating film when it was released in 1969 but at the end of the day it's still exploitation cinema

Typical WIP movie with a lot of women behind bars without men . Off the coast of Panama , there is an island with a female penal colony , run by a sadistic superintendent (Mercedes McCambridge) and a cruel governor (Herbert Lom) . They are really villainous and heinous wardens who the prisoners really fear them . When three prisoners (Luciana Paluzzi, Elisa Montés, Maria Rohm) arrive in the penal colony , one of them mysteriously dies , leading to a mutiny and a getaway , resulting in an extensive investigation of the horrific deeds . Then a new warden named Leonie Caroll (Maria Schell) is assigned to the hard prison, but things go wrong . Somewhere in the jungles of South America some prisoners breakout and being relentlessly pursued by the nasty wardens. The unfortunate girls escape but are mercilessly chased by the most dreaded pursuers and they will stop at nothing to get their purports and at whatever means .What do they do to satisfy their innermost female desires! . New inmate Marie arrives at an island prison in the women's sector and receives the number 99 ! . Now you can see it for the first time! . As it really is! In all its raw realism!.Due to the Subject Matter of This Film Only the Very Mature Will Be Admitted!.99 Women... behind bars -- without men! . Apprehended and handed over to the custody of the local prison wardens and jail wardens ! . One soul hungered to touch another!.Whisper to your friends you saw it! Beaten ! Shackled ! Raped ! Just another day in the ruthless prison !

Sadistic and sleaze Women-in-prison movie from prolific Spanish filmmaker Jesús Franco or ¨Uncle Jess¨. Sleaziness and nudism abound in this movie with a lot of erotic scenes , grisly killings and gory frames. From the fevered , wonderfully perverted minds of Spanish filmmaker Jess Franco and Britsih producer Harry Alan Towers comes the notorious WIP shocker Der heiße Tod(1969) . This is an extremely controversial movie , in fact it remained banned in several countries . The moving story tells the ordeals suffered by a gaggle of female prsioner who are taken to a secluded women's prison-castle where they endure al manner of violent humiliations . And with Herbert Lom and Mercedes McCambridge showing as two feared villain wardens at a deadly prison mistreating inmates and undergoing creepy criminal acts . This is a so-so and extremely sadistic film with lots of graphical violence, rape, lesbianism and naked women. Like all of the production in the prolific Franco/Harry Alan Towers collaboration cannon (most of which were made in budget enough : Castle of Fumanchu , The Blood of Fu Manchu , Paoxismus, Count Dracula, The Bloody Judge ) this 99 Women is a visually lush , erotic and exploitation work , armed with exotic locations , weird interpretations , colorful cinematography by Manuel Merino and rousing musical score by Bruno Nicolai . Plot is incidental to violence , tortures and loads of nudism enjoying the female prisoners and torturing them . Here the sinister entertainment is watching as the torture-loving wardens mistreat prisoners as well as the subsequent getaway of the distresses girls across the lush jungle .

Produced in limited but acceptable budget by Harry Alan Towers who wrote the screenplay as well and under his usual pseudonym : Peter Welbeck .The motion picture was professionally directed by Jesús Franco or Jess Frank with lots of skin and little acting , providing a decent flick in budget enough but with some shortfalls , failures , flaws and gaps . In the Seventies Franco directed various WIP movies , such as : this revered classic ¨99 Women¨with Maria Schell , Herbert Lom , Elisa Montes , Mercedes McCambridge ; ¨Love camp¨ (1977) with Muriel Montosse , Monica Swinn ; ¨Barbed Wire Dolls¨with Lina Romay , Paul Muller , Monica Swinn ; "Wanda , The Wicked Warden" 1977 by Jess Frank with Dyanne Thorne , Lina Romay , Tania Busselier , or ¨Women in Cellblock 9¨ (1978) or Frauen für Zellenblock 9 with Karine Gambier, Susan Hemingway, Howard Vernon, Dora Doll and ¨Sadomania¨(1981) with Ajita Wilson , Andrea Guzon , Ursula Buchfellner, Antonio Mayans . This Der heiße Tod(1969) or 99 Women or 99 mujeres or 99 Femmes is an essential and fundamental trash movie gem not to be missed for Uncle Jess enthusiasts. It is a 78 minutes of pure mind melting sleaze entertainment with no sense and for some fans being an exploitation gold , though it depends on the version you have opportunity to see : light , softcore or hardcore . Rating : 5.5/10 . Passable and acceptable .Not for the easily offended , but what Franco movie is ?.

On the American market, two basic trends can be observed nowadays: First the sustained lack of availability of monumental German as well as general European films, second the flooding with cheap editions of even cheaper film elaborates for which even the plastic of the DVD is wasted.

"Jess" Francos work belongs to the second category. After World World II, the film industry lay down in Germany. The good directors were either dead or in the US, successors were not in sight. The people was lacking even its basics. However: Panem Et Circenses! Bread and Plays! Simultaneously with the Adenauer era which supplied the starving people with bread and sausage, the German film industry set wholly on entertainment. The 4 main branches, that had been cultivated, were: 1. The "Heimatfilm" (maudlin Melo-Dramas). 2. The "Schlagerfilm" (Schlager musicals), 3. The "Lederhosenfilm" (rustic, blunt and outspoken sex(-Ploitation) movies in the era of German Pre-liberalization (vide: "Schulmädchenreport" and the like), and 4. "Krimi" (thrillers compared to which Grimm's fairy tales are startling).

When the liberalization of sexuality came, towards the end of the 60ies, there was a sensible shortcut in "apt" directors who could handle these smeary, sleazy and grimy concoctions. Ulli Lommel belonged to those who tried, but the Spaniard Jesus Franco filled in the blank. In a sheer endless series he produced crap over crap, manure over manure, feces over feces (for which, in 2009, he awarded the Goya-Price by the Spanish King). Well understood: Germany in the film landscape of the 60ies - that was sex and crime, Heimat and Wirtschaftswunder, crap and dilettantism. At exactly the same time, e.g., in France, directors like Godard, Rohmer, Truffaut, Eustache, Chabrol, Rivette, Melville a.o. worked with actors like Belmondo, Brialy, Anna Karina, Lafont, Leaud, Jeanne Moreau, Piccoli, Jean Seberg. Not to speak about the US, where despite the Big War there always has been continuous high-level film work.

Would there not have come the Big Release from all that manure - and it came in the person of Rainer Werner Fassbinder, who mucked out the German Augias Stall beginning at approximately 1966 - one could hardly imagine what would have happened. But such movies like "Der Heisse Tod"/"99 Women" (1969) still stand here in the now historic landscape like monuments of an epoch when the level of the German film sank below zero. This does, however, not legitimate anybody to put such dung onto DVD. Can one really hold anything against that once famous film critique who said that the new German film did not only start with Fassbinder, but also ended with him?

One of the earliest 'women in prison' (WIP) films, directed by Jess Franco. The plot follows the standard formula; new arrivals at isolated 'hell-hole' of a prison, tyrannical governor, sadistic guards, corruption, inhumane punishments, nudity, sex between inmates, rape, and prisoner revolt. What sets this apart from many though is the notable cast; Mercedes McCambridge (had a *very* long and distinguished career - but probably best known for providing the 'demon voice' in The Exorcist) as prison governor, Herbert Lom as governor of a nearby male prison, Maria Schell as prison reformer/potential replacement governor, plus noted Eurobabes Rosalba Neri (the woman exudes an animal sensuality from every pore), Maria Rohm, and Luciana Paluzzi (Thunderball) as featured prisoners. By the way, it never ceases to amaze me how many women's prisons of the time apparently allowed full hair/makeup access - even in 'solitary' - and an endless supply of black stockings (the tops of which Neri flashes at every opportunity)! 😄 One of the taglines for this in the US (where it did extremely well) was 'Torture, catfights, and passions without men!' and it delivers on all fronts. It's not high drama, it's a WIP-exploitation flick; but it is nicely shot, well acted, and actually has a story and characters you care about. Plus, the theme song is pretty cool! 7/10.

Women in Prison, the soft core exploitation cut! Even by director Jesús Franco's inept standards this bottom feeds at the well of pointlessness. From the moment that we are introduced to the ladies of this penal island hell, in a whirl of bad dubbing, bad colour and camera techniques from the kinder garten, you know you are going to have to stick forks in your legs for alternative entertainment.

These lady cons are babes, they don't look like the fictional caged dolls of Prisoner Cell Block H, or real life monsters like Aileen Wuornos, on no! They have wandered in off of the pages of Penthouse and Playboy, or from one of my dreams when I was a horny teenager. I was half expecting Emmanuelle to make an appearance at some point, but Franco probably used all his budget on getting Herbert Lom, Mercedes Mccambridge and Maria Schell to star!

Yes, three quality thesps in this! Lom is resplendent in stubble and shifty shades, and with a sinister limp to accentuate his degenerate badness. McCambridge is some harpy bitch with a screw loose and a bad accent, she wants to be Eva to Herb's Adolf. Then poor Maria, wandering around lost, like someone slipped a Mickey Finn in her cuppa and she has no idea what film she is in. The three of them must have been so proud and had annual reunions to rejoice at what a fun time they had on the shoot.

The plot, basically, is girls in prison are abused and used by a sadistic regime that's meant to reform. There are cat-fights, some flesh, an escape that is used purely to introduce some blokes from the men's prison on the other side of the island, and of course rape, torture, lesbianism, desperation and some sand! All tastefully filmed...of course. Woeful film and woeful film making, but it still gave me one of the biggest laughs of the year, and that porn movie jazz is half decent! 2/10