Le vieil homme et l'enfant
- 1967
- Tous publics
- 1h 30m
IMDb RATING
7.6/10
2.6K
YOUR RATING
In German-occupied France, a Jewish child is sent away from his family and conceals his religious affiliation from the anti-Semitic elderly man that takes care of him.In German-occupied France, a Jewish child is sent away from his family and conceals his religious affiliation from the anti-Semitic elderly man that takes care of him.In German-occupied France, a Jewish child is sent away from his family and conceals his religious affiliation from the anti-Semitic elderly man that takes care of him.
- Awards
- 5 wins & 2 nominations total
Elisabeth Rey
- La petite Dinou
- (as La petite Elisabeth Rey)
Didier Perret
- Le petit frère de Dinou
- (as Le petit Didier Perret)
Yves Boussus
- L'homme dans le magasin de jouets
- (uncredited)
Featured reviews
The film tells a story inspired by real events during the Second World War and the story transcribed is really touching. The relationship between the old man and the child is one of the best I've seen in movies in general. Actor Michel Simon still does a fantastic job here, and I'm surprised he's not better known than that for the quality of his acting. In the film, he perfectly interprets the role of the old man from the countryside completely bewitched by the Nazi propaganda on the radio. The film clearly shows us that a man can be good while having ideas that are not good, this forces the person watching the film to question himself, should he feel compassion for this old man who takes good care of the child, despite the fact that he is an anti-Semite and that he can reject the latter if he finds out the truth?
And frankly the film makes the task complicated for us by showing us an endearing man. The relationship between the old man and the child, central in the film, is frankly a success and it gives us an enriching experience which does not often happen in films and it proves its quality.
And frankly the film makes the task complicated for us by showing us an endearing man. The relationship between the old man and the child, central in the film, is frankly a success and it gives us an enriching experience which does not often happen in films and it proves its quality.
In the occupied France by Nazi Regime , a kid :Alan Cohen is sent away from his family : Charles Denner to countryside , where he is cared by an elderly marriage . There Michael Simon protecting , teaching and loving deeply the little boy . Although, he has an anti-Jewish and extreme right-wing ideology , but he doesn't know the child results to be an unfortunate Jew.
A really sensitive film with an enjoyable relationship between the great Michael Simon and the intimate child . It is a very attractive film with terrific performances dealing with human relations with high sensibility , family love , and brooding message against racism. Here stands out the wonderful interpretation by the extremely touching Michael Simon , he is a complete show , he's really the sense of the film along with the little boy Alain Cohen , who is excellent as well , both of whom are magnificent . It displays an agreeable musical score by maestro George Deleure, as well as atmospheric cinematography in black and white by Jean Penzer . The motion picture was very well directed by notorious writer , producer and director Claude Berri.
A really sensitive film with an enjoyable relationship between the great Michael Simon and the intimate child . It is a very attractive film with terrific performances dealing with human relations with high sensibility , family love , and brooding message against racism. Here stands out the wonderful interpretation by the extremely touching Michael Simon , he is a complete show , he's really the sense of the film along with the little boy Alain Cohen , who is excellent as well , both of whom are magnificent . It displays an agreeable musical score by maestro George Deleure, as well as atmospheric cinematography in black and white by Jean Penzer . The motion picture was very well directed by notorious writer , producer and director Claude Berri.
This tale of a young Jewish boy sent into the French country side to avoid the possibility/likelihood of a round up of Jews by the Vichy Government parallels Claude Berri's personal experience, I believe. It says at the very beginning of the film that it is an experience seen in retrospect from the vantage point of the child. So, while it is sentimentalized as another commenter wrote on this site, that's what one might expect from a grown up looking back at the adventures of his eight or nine year old self. This is definitely NOT a straight forward narrative from an uninvolved scriptwriter/director. The "Grandfather" with whom the child is lodged hates Jews. He claims to be able to recognize them by their smell, their hooked noses, etc. The role of the Grandfather is brilliantly executed by Michel Simon. Filmed in the sixties in black and white, it still appears occasionally at Jewish film festivals under the title "The Two of Us." While you may despise the Grandfather's bigotry, he's also portrayed as loving toward the boy and lovable. The connection between the Grandfather and the boy, portrayed by Alain Cohen, is actually quite touching. A brief scene at the very end seems to indicate that the boy was reunited with his parents after the war but it passes by so quickly that I'd have to see it again in a stop frame to be sure that the faces of the parents are real and not imagined. Not a great movie, but definitely worth seeing.
This movie shows the power of the media in shaping the minds of simple folk, filling them with irrational prejudices. This shaping is what leads to the rise of totalitarian governments and to Islamic fascism. The best way to fight this, is to have the chance to live with and directly influence, by subtly challenging these prejudices with reason and logic. But the logician, in this case was a nine year old boy who lives in the country with an elderly couple as a way of surviving the final years of Nazi occupied France. The movie is very touching and meaningful. Filmed in black and white, which gives the movies a war time feel. The on-screen relationship between the old man and the young boy, which helps each to grow, is what good story telling is all about.
A great film , having as pillars the young Alain Cohen and the magnificent Michel Simon as a sort of provisory grandfather
A war film, crafted so beautiful, scene by scene, exploring, in gentle manner, sensitive themes than it becomes, step by step, an exercise of seduction.
A beautiful film, for acting, story but, more significant, for the precise - powerful message.
A film about affection, family, friendship and noble pledge for acceptance of the other.
In short, useful. For remind, for resurrect old emotions, for the inspired simplicity and the story of a boy discovering, under the attention of Pepe and Meme, the life.
A beautiful film, for acting, story but, more significant, for the precise - powerful message.
A film about affection, family, friendship and noble pledge for acceptance of the other.
In short, useful. For remind, for resurrect old emotions, for the inspired simplicity and the story of a boy discovering, under the attention of Pepe and Meme, the life.
Did you know
- TriviaIn Paris director Claude Berri was born Claude Berel Langmann to Eastern European Jewish immigrant parents, on July 1, 1934, making him 9 years old in November, 1943. But in the first line of the film Claude Langmann says as an adult in a voiceover "In November, 1943, I was 8 years old." Alain Cohen, who played the boy in the film, was age 8 during the 3 month film shoot that started in July, 1966, which is probably why "8 years old" was used. Like the boy in the film, Claude Berri was sent away during the occupation of Paris to live with a non-Jewish family and his name was changed to be more "French."
- GoofsWhen Claude joins a wooden-sword fight while the Langmann family is living in Dijon, a flag containing a swastika is hanging from a building in the background (at 0:08:51 on the Cohen Film Collection BD; at 0:09:01 on the Criterion Collection DVD). Most viewers would assume that the only swastika flag allowed to be flown on dry land in German occupied France would be the German national flag (1920-1945) containing (on both sides) a right-facing swastika rotated to a 45 degree angle from vertical on a white circle in a red background. The flag shown in the film has a left facing swastika whose arms are aligned with vertical and horizontal.
- ConnectionsFeatured in Le fantôme d'Henri Langlois (2004)
- SoundtracksMaréchal, nous Voilà !
Music by André Montagard and Charles Courtioux
Lyrics by André Montagard
- How long is The Two of Us?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- The Two of Us
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $56,558
- Opening weekend US & Canada
- $5,255
- May 29, 2005
- Gross worldwide
- $56,558
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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Top Gap
By what name was Le vieil homme et l'enfant (1967) officially released in India in English?
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