IMDb RATING
5.6/10
365
YOUR RATING
A gunman joins up with a gang of Confederate guerrillas to find a cache of missing Confederate gold.A gunman joins up with a gang of Confederate guerrillas to find a cache of missing Confederate gold.A gunman joins up with a gang of Confederate guerrillas to find a cache of missing Confederate gold.
- Director
- Writers
- Stars
Ennio Girolami
- Chamaco Gonzales
- (as Thomas Moore, Enio Girolami)
Luisa Baratto
- Manuela
- (as Louise Barrett)
Federico Boido
- Fred Calhoun
- (as Ryk Boyd)
Aysanoa Runachagua
- Rios
- (as Alfred Aysanoa)
Angelo Boscariol
- Blake Gang Member
- (uncredited)
Antonio Decembrino
- Townsman
- (uncredited)
Alberigo Donadeo
- Deputy Joe
- (uncredited)
Gina Mascetti
- Woman in Stagecoach
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The title "Payment in Blood" appears to be a marketing title as another title of the movie was "Renegade Riders" as seen in the opening credits in the 1993 VHS released by MNTEX Entertainment. The transfer was low quality as the beginning credits were cut off since it was in "pan and scan" mode and not the "letterbox" mode usually used in the beginning to capture the full screen credits with the saloon style border.
The movie has all the classic Spaghetti-Western style and sound effects and out-of-sync voice dubbing that people love. It would be nice to see a new DVD transfer from the original film stock but there are no DVDs available although there are wide screen versions on the internet floating around.
The movie has all the classic Spaghetti-Western style and sound effects and out-of-sync voice dubbing that people love. It would be nice to see a new DVD transfer from the original film stock but there are no DVDs available although there are wide screen versions on the internet floating around.
Hmmm, now this sounds very familiar to me..... clean shaven poncho wearing bounty hunter goes undercover with a gang of "bad guys" in the pursuit of a cash box buried in a graveyard by soldiers during the Civil War.
And, yes, there are more than a few similarities between this film and Leone's "For a Few Dollars More" (in particular) and "Good, the Bad and the Ugly". And, yes, it has obviously a lower budget than both the aforementioned films. But when the "borrowed" stories are so good, there doesn't seem to be a problem in my eyes in recounting extended versions of such tales. So, I really enjoyed this film in its own right.
The leading role does owe more than a nod of the cowboy hat to Eastwood's Man with No Name, and in that respect Byrnes is not an ample substitute. To me, he is far too clean looking (although, like Eastwood's character, he will do whatever he needs to in order to get a job done). The show stealers are Blake (played by Guy Madison) and that rarest of things - a spaghetti western female role (Loiuse Barrett).
Whilst not as outstanding as some other Castellari films (say, Keoma and Jonathan and the Bears), it is still a highly enjoyable Spaghetti Western fare that I would recommend to fans of this genre.
And, yes, there are more than a few similarities between this film and Leone's "For a Few Dollars More" (in particular) and "Good, the Bad and the Ugly". And, yes, it has obviously a lower budget than both the aforementioned films. But when the "borrowed" stories are so good, there doesn't seem to be a problem in my eyes in recounting extended versions of such tales. So, I really enjoyed this film in its own right.
The leading role does owe more than a nod of the cowboy hat to Eastwood's Man with No Name, and in that respect Byrnes is not an ample substitute. To me, he is far too clean looking (although, like Eastwood's character, he will do whatever he needs to in order to get a job done). The show stealers are Blake (played by Guy Madison) and that rarest of things - a spaghetti western female role (Loiuse Barrett).
Whilst not as outstanding as some other Castellari films (say, Keoma and Jonathan and the Bears), it is still a highly enjoyable Spaghetti Western fare that I would recommend to fans of this genre.
This was the fifth(!) Spaghetti Western I've watched from director Castellari (whom I met at the 2004 Venice Film Festival) it's not too bad an effort actually, though still far away from the admirably elegiac quality he would eventually achieve in KEOMA (1976).
The plot is pretty typical of the genre: after the end of the Civil War, a Confederate Colonel (Guy Madison) wants to keep up the fight and recruits a band of outlaws to finance his campaign through random pillaging; given that the original Italian title makes an explicit reference to the fact that the gang totals seven men, I guess the film intended to be a roguish version of THE MAGNIFICENT SEVEN (1960)! Anyway, as expected, an outsider (Edd Byrnes) soon joins their ranks after having rescued one of them (Enio Girolami, the director's brother and who, in the role of a peon, irritatingly speaks almost exclusively in Spanish throughout!). However, it transpires (equally unsurprisingly) that he's really a government agent out to ensnare Madison and his men by ostensibly leading them to a buried cache' of Confederate money! Along the way, a female character is also thrown into the fray which, naturally, causes discord among the Colonel and his 'underlings' since, rather than share her with them as was their habit, he decides to keep her for himself; at the end, she too turns out to have been on the side of the law (and in cahoots with Byrnes all along)!
The film features plenty of action set to a rousing score by Francesco De Masi and climaxes agreeably with an atmospheric sequence set inside a cave (where the now worthless money is stashed) that served as burial ground for some Indian tribe or other.
The plot is pretty typical of the genre: after the end of the Civil War, a Confederate Colonel (Guy Madison) wants to keep up the fight and recruits a band of outlaws to finance his campaign through random pillaging; given that the original Italian title makes an explicit reference to the fact that the gang totals seven men, I guess the film intended to be a roguish version of THE MAGNIFICENT SEVEN (1960)! Anyway, as expected, an outsider (Edd Byrnes) soon joins their ranks after having rescued one of them (Enio Girolami, the director's brother and who, in the role of a peon, irritatingly speaks almost exclusively in Spanish throughout!). However, it transpires (equally unsurprisingly) that he's really a government agent out to ensnare Madison and his men by ostensibly leading them to a buried cache' of Confederate money! Along the way, a female character is also thrown into the fray which, naturally, causes discord among the Colonel and his 'underlings' since, rather than share her with them as was their habit, he decides to keep her for himself; at the end, she too turns out to have been on the side of the law (and in cahoots with Byrnes all along)!
The film features plenty of action set to a rousing score by Francesco De Masi and climaxes agreeably with an atmospheric sequence set inside a cave (where the now worthless money is stashed) that served as burial ground for some Indian tribe or other.
When his career started to wane stateside, Edd "Kookie" Byrnes went to Europe and starred in several spaghetti westerns, including this one. I've seen several of Byrnes' spaghetti westerns, including this one, and in all of them he seems to be out of place. He looks too clean-cut to be stuck in the grittiness of the spaghetti western world. Still, he does give it his all, rolling around in the dirt and giving it his all.
As for the rest of the movie, it has its ups and downs. It has a great musical score by Francesco DeMasi, very memorable despite a lot of it being repeated as the movie runs. There are also some serviceable action sequences, which is fortunate because the parts of the movie between these action sequences is kind of slow and lacking plot and character development.
If you like spaghetti westerns, give this movie a go. If not, look for another movie.
As for the rest of the movie, it has its ups and downs. It has a great musical score by Francesco DeMasi, very memorable despite a lot of it being repeated as the movie runs. There are also some serviceable action sequences, which is fortunate because the parts of the movie between these action sequences is kind of slow and lacking plot and character development.
If you like spaghetti westerns, give this movie a go. If not, look for another movie.
Crazed Confederate raider Guy Madison can't stop raiding, even after the Civil War is over and done with. Ex-Confederate Edd "Kookie" Byrnes knows where a fortune in confederate treasure is buried and needs the bloodthirsty Madison and his band of cutthroats to get there, leading to an uneasy alliance and a harrowing trip across the frontier.
Another of director Enzo G. Castellari's patented brand of light-hearted adventure films, Payment In Blood is a decent enough, if not very original movie. It does have it's share of good action scenes, locations, and performances by it's lead actors, benefiting greatly from Byrnes charisma and Madison's machismo. The climax at the Indian burial ground is pretty neat too.
Castellari is actually pretty good at setting up and directing action sequences. He made his fair share of good movies, but I feel he really could have knocked it out of the park (and still can) if given the right script.
Another of director Enzo G. Castellari's patented brand of light-hearted adventure films, Payment In Blood is a decent enough, if not very original movie. It does have it's share of good action scenes, locations, and performances by it's lead actors, benefiting greatly from Byrnes charisma and Madison's machismo. The climax at the Indian burial ground is pretty neat too.
Castellari is actually pretty good at setting up and directing action sequences. He made his fair share of good movies, but I feel he really could have knocked it out of the park (and still can) if given the right script.
Did you know
- ConnectionsReferenced in Midnight Movies: From the Margin to the Mainstreamo the Mainstream (2005)
- SoundtracksSeven Men
Composed by Francesco De Masi (as De Masi), Alessandro Alessandroni (as Alessandroni) and Audrey Nohra (as Nohra)
Sung by Raul Lovecchio (as Raoul)
Details
- Release date
- Country of origin
- Language
- Also known as
- Sept Winchester pour un massacre
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 38 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
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Top Gap
By what name was 7 Winchester pour un massacre (1967) officially released in India in English?
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