L'odyssée d'un sergent

Sergeant Ryker is accused of being a traitor during the Korean War, a hanging offense. A long drawn out court-marshal ensues during which time the Sgt. must remain in a military jail. After much investigation the defense attorney attempts to exonerate the doomed non-com with an eleventh hour ploy. Very good picture.

After Lee Marvin won his Oscar for Cat Ballou and had great critical and popular success also with Ship of Fools and The Dirty Dozen, this former two part television episode from the Kraft Suspense Theater was edited together for release as a feature film. Sergeant Ryker casts Lee Marvin in the role of a soldier who was convicted of treason during the Korean War and sentenced to hang.

Sergeant Ryker could have been a whole lot better though. It has the look and feel of a made for television film, but more important than that, the editing probably left a lot out.

We come into the story with Bradford Dillman who has just successfully prosecuted Marvin now having doubts about what he did. The military more than most organizations does not like to admit mistakes and Dillman's doubts are raising all kinds of problems for him and for the United States Army.

Dillman has other problems as well, he's falling for Marvin's wife Vera Miles and she him. Still he persists in the quest and does get Marvin a new trial, courtesy of General Lloyd Nolan.

Marvin says he was given a confidential assignment to defect and gather intelligence. Problem is that the officer who allegedly gave him that assignment was killed and no record of it was found.

The trial takes an interesting turn and Dillman does a skillful job for his client. Yet the end of the movie will leave the viewer with a lot of unanswered questions.

Look also for good performances from Norman Fell as the sergeant who gives Dillman some key evidence, Murray Hamilton as Dillman's good drinking buddy and prosecutor Peter Graves.

The release of "Seargant Ryker" on tape was beautifully timed to take advantage of Lee Marvin's 'discovery' after 25 years of character acting. There was a brief shining moment when he won an Oscar, top billing and much better parts. However, this movie is a cobbled-together version of a two-part television drama. This drama originally served as the pilot for the series "Court Martial" which predated "JAG" by a few years. (When 'Court Martial hit the air, it was moved to WWII England, as opposed to the Korean War locale of "Ryker.") A few combat sequences were tacked on to "Ryker" make it look like an action film, which it isn't. It's a talky courtroom drama - but some of the talk is first-rate, as is BradfordDillman's performance as the reluctant defender. He's the one that's on screen most of the time, holding the plot together with the strength of baling wire. Vera Miles was always a competent actress, but never a star; she exuded a likable prettiness. If I sound mild about Miles, it's because she never moved me much. Dillman, on the other hand, did - he labored under a terrible handicap in the movies:he couldn't hide the fact that he had been to school, knew which fork to use, and was obviously bright. He was a better-than-good actor (see the underrated "Circle of Deception") and is definitely worth watching here.

In this legal drama -- not unlike Anatomy of a Murder, A Few Good Men, and Compulsion -- ambiguity permeates the courtroom like humidity in August -- in Florida. Who's right? Who's wrong? No one can tell, yet decisions have to be made. Peppering the proceedings with plot twists and flashbacks that recall film noir and Sergio Leone, the story maintains a quick pace that overcomes its clearly low cost shooting budget. Lee Marvin burns brightest in the film's constellation of great character actors (like Peter Graves, Murray Hamilton, and Norman Fell), largely because of The Big Gray One's tendency to switch from calm menace to scary violence, on a dime. Jaded critics bang and hack at Sgt. Ryker, calling it trite and stale. The film doesn't warrant this sort of hostility. It is simple, direct, and powerful. Who cares if it isn't a re-invention of a very old sort of wheel?

The Korean War has been dubbed Americas's forgotten war. So many unanswered questions were buried along with the 50 thousand men who died there. Occasionally, we are treated to a play or movie which deals with that far-off, ghostly frozen graveyard. Here is perhaps one of the finest. It's called " Sergeant Ryker. " The story is of an American soldier named Sgt. Paul Ryker (Lee Marvin) who is selected for a top secret mission by his commanding officer. His task is to defect to the North Koreans and offer his services against United Nations forces. So successful is his cover, he proves invaluable to the enemy and given the rank of Major. However, he is thereafter captured by the Americans, put on trial as a traitor and spy. Stating he was ordered to defect, he sadly learns his commanding officer has been killed and has no evidence or proof of his innocence. He is convicted and sentenced to hang. However, his conviction is doubted by Capt. Young (Bradford Dillman), his prosecutor. Convincing commanding Gen. Amos Baily, (Lloyd Nolan) of his doubts, he is granted a new trial and if found guilty will be executed. The courtroom drama is top notch as is the cast which includes Peter Graves, Murray Hamilton and Norman Fell as Sgt. Max Winkler. Korea was a far off place but the possibility of convicting a Communist and hanging him hit very close to home in the 1950's. Due to its superior script and powerful message, this drama has become a courtroom Classic. Excellent viewing and recommended to all. ****