IMDb RATING
5.9/10
3.1K
YOUR RATING
A deaf runaway is taken in by a psychedelic rock band while searching for her missing brother in San Francisco's Haight-Ashbury hippie district.A deaf runaway is taken in by a psychedelic rock band while searching for her missing brother in San Francisco's Haight-Ashbury hippie district.A deaf runaway is taken in by a psychedelic rock band while searching for her missing brother in San Francisco's Haight-Ashbury hippie district.
Linda Gaye Scott
- Lynn
- (as Linda G. Scott)
Mireille Machu
- Pandora
- (as I.J. Jefferson)
Garry Marshall
- Plainclothesman
- (as Gary Marshall)
John 'Bud' Cardos
- Thug
- (as John Cardos)
Bob Kelljan
- Arthur
- (as Robert Kelljan)
Featured reviews
My name is George Cox and I was the lead singer for the Storybook who recorded the majority of songs for this movie. We were a local San Fernando Valley band who were brought into the production by Ronald Stein and Dick Clark to help produce the music for this movie. It seems that the Strawberry Alarm Clock and the Seeds got most of credit for the music in this movie. My group and I really enjoyed all the recording sessions to produce the music for this soundtrack album. We also enjoyed watching the film once it was produced as it showed the life in San Francisco and Haight-Ashbury as it was in the 60s.
6emm
It's a rock band - hippie gang trying to protect a deaf runaway girl while on the search for her missing brother, but instead, they're taking The Trip to nowhere. Director Rush, who gave pony-tailed Nicholson some star treatment in HELL'S ANGELS ON WHEELS, delivers this pretty good view of offbeat, sublime hysteria pertaining to the drug frenzy that popularized late 60s culture. One troubling factor, though: it was made to immoralize society as we once knew it. Just say "wicked", and you'll enjoy this cinematic acid trip that isn't half-bad. RATING: * * 1/2
Dick Clark produced this film and I think the problem is it's not edgy enough as far as the drug taking and being hippies. Jack Nicholson seems to just act like a hippie while he really just wants to get laid and play in his band. The real locations of Haight-Ashbury in San Francisco are terrific as you really get to see what that part of the city looked like. In some scenes the onlookers across the street are looking at the camera and waving. Dean Stockwell lives in a box on a roof and spouts all sort of hippie lingo and tries to get laid. Henry Jaglom and Garry Marshall show up in small roles. Bruce Dern as The Seeker is rather confusing. I guess he's just a drug addict and the end of the film has me thinking that Dick Clark wanted to make an anti-drug film after all. Susan Strasberg was always excellent and even in a silly film like this she stands out. Nicholson's hands don't move when he's playing the guitar! Groovy!
Most everything people have already said about this movie is how I think about it, too. However, I would like to say for the Seeds fans out there that might try to see the film so they can see the Seeds footage that it's way too brief. I love the Seeds and I wanted desperately to see some closeups of the guys in action. Maybe see some good dancing by Sky or even get a good group shot. I was pretty disappointed to see Sky rocking out to some bad synchronizing on part of the audio engineers. It makes him look like he has no sense of rhythm! And you only get to see him for half seconds at a time. And Daryl Hooper (organist) isn't even shown when the band plays! It spends more time showing Jan Savage's fingers playing guitar than it spends on the any other Seeds shot. Quite a disappointment, especially since there is hardly any footage of this amazing band anywhere. Aside from that, the Strawberry Alarm Clock get great coverage, which is nice.
The plot of the movie is really entertaining as well. But I wonder, why didn't Jenny talk like a deaf person? I guess it's because you're led to believe she really isn't deaf.
Either way, it's a good movie with some good tripping scenes and cool clothes and lines: "Why are you dancing alone?" "I'm not, I'm dancing with everybody!" yikes! that's heavy! haha
The plot of the movie is really entertaining as well. But I wonder, why didn't Jenny talk like a deaf person? I guess it's because you're led to believe she really isn't deaf.
Either way, it's a good movie with some good tripping scenes and cool clothes and lines: "Why are you dancing alone?" "I'm not, I'm dancing with everybody!" yikes! that's heavy! haha
This movie rocks for 2 reasons: The Seeds and Strawberry Alarm Clock This is pretty much the only time we ever get to see these two 60's bands in action. The plot is good too although the end is pretty far out. I definitly recommend this to anyone who likes to stimulate their mind and watch a good movie. Jack Nicolson is even in it, I mean how cool is that? And this takes place in Haight Ashbury back in the day! Most privately owned video stores still rent this. I have gotten really inspired by this movie because I'm in a psychedelic band.
Did you know
- TriviaThis film was meant to perform the same function in relation to the earlier and similar film The Trip (1967). Jack Nicholson had written a script that director Richard Rush thought was too "experimental" for mainstream cinema, so the concept of a 'youth" film based in San Francisco and dealing with flower power and drugs was taken over by other writers. Nicholson eventually did not receive any screen credit for his work, although he took what was essentially the male lead role in the film; however, he did get to write the part of Stoney into it for himself as part of the package.
- GoofsWhen Jenny, who is deaf, is in Stoney's bedroom for the first time, she reacts to the sound of the cat meowing.
- Alternate versionsThe film was unreleased in the UK until 1972, after the junkyard fight between the thugs and the hippies was heavily cut at the behest of the BBFC. All later UK home video releases present the scene completely uncut.
- ConnectionsEdited into Love & Haight (2003)
- SoundtracksIncense and Peppermints
Written by John Shakespeare (as John Carter) and Tim Gilbert
Recorded by The Strawberry Alarm Clock
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Details
Box office
- Budget
- $200,000 (estimated)
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