Le songe d'une nuit d'été

Yes, it's clear that director Peter Hall was influenced by Richard Lester in his filming of Shakespeare's classic comedy/fantasy: the hand-held camera, jump cutting, etc. And while one could quibble with some of his derivative directorial choices, there's no arguing that this is the best-acted "Dream" on film available.

There's hardly a weak link in the cast, with the exception of David Warner and Michael Jayston as the male half of the quartet of lovers. Warner is a skilled classical actor, but he never had an ounce of charm. Jayston is competent, but dull and colorless.

But the rest of the cast is marvelous, with special kudos to Helen Mirren, Diana Rigg, Ian Richardson, and Judi Dench as a very sexy Titania. Ian Holm's snake-tongue bit as Puck gets old, but his somewhat malevolent rendition of Puck is well done.

I'm surprised that no one has made more out of Paul Rodgers superb Bottom, by far the best I've ever seen on stage or screen. Unlike so many actors who broadly overplay the role to wring laughs, Rodgers plays Bottom completely straight and with total conviction - never descending to self-conscious comedic playing. And he's all the more hilarious for it. This Pyramus and Thisbee playlet at the end is the funniest ever.

I originally expected to watch a few seconds of this and turn to another channel; however, the film style intrigued me, so I kept watching. Then, I saw Titania...

She was beautiful. Her acting was sublime. The enthusiasm she had for the ass-headed Bottom was palpable. I had to tape it. Fortunately, there was another showing later in the day.

To my surprise, the beautiful Titania was none other than a youngish Judy Dench. Diana Rigg also appears as Helena, the spurned lover, who joins three other young people for the familiar comedy of errors.

Besides the fairies, the actors dress in modern garb...casual: Button-up shirts, mini-skirts, go go boots. The acting is wonderful and the choppy editing very appropriate. Was it as good as Propero's Books? No, but it gives it a run for its money...

This movie looks like it was hastily committed to film by high school students. The lighting changes constantly so one is never sure whether the scene is intended to be at night or during the day. The fairies appear to be various shades of green at different times. The lovers get muddier and muddier as the story progresses, and the stains migrate around their clothes and faces. The sound is exactly the same wherever the action is. There is a frequent use of jerky stop action to move the scene from place to place and to show fairies moving at the speed of light. The dreadful music is earnestly trying to be avante-garde and succeeding in being cacophonous and out-of-place. The costumes were trendy then but look rather silly now.

The virtually uncut script, an advantage for students, has the disadvantage of occasionally slowing the action to a near stop.

It's a pity because these are great performances by an amazingly talented cast. Helen Mirren's Hermia, less strident than most, Ian Holm's doglike Puck and Judi Dench's near naked Titania are standouts certainly. Best of all for me was Derek Godfrey as Theseus. He brings a lot of dignity and urbanity to a part often played as a pompous bore or a chump. Theseus is given a lot of lines, sadly cut in many productions, which comment on literature and drama. "The best of this kind are but shadows, and the worst no worse, if imagination amend it." You need a fair bit of imagination to amend the shortfalls of this film, but the effort is well worth it.

I was channel surfing one day and came upon this film. Unbelievable acting and costumes. I was glad I found it, most entertaining. This is one movie which should go down in history as one of the "must sees". Wish I could personally shake Clive Swift's hand for a wonderful performance in this classic, along with all the other performers! The "costumes" used to portray the individuals in each of their roles was wonderfully done. Also, the "life" put into each of Shakespeare's characters is outstanding. If one does not understand the play by reading it, one will surely understand it after watching this film! This is also a perfect film to see Clive Swift do some other acting other than his extraordinary performance upon "Keeping up Appearances".

This is not only the best version of the play available on film, it is easily one of the five best Shakespearian films of all (at least in English).

The fact that it was made on less than a shoestring budget is totally irrelevant. Whether or not there are any special effects, the photography by the renowned Peter Suschitzky ("Dead Ringers", "Empire Strikes Back", "Spider") is excellent. It's not only pictorial, but contributes greatly to the spontaneous, irreverent, slapstick-esquire approach to the whole production, which Peter Hall and his marvelous actors worked so hard to achieve. The locations are also ideal, given the modernized, anglicized look of the production.

Director Hall's interpretation of the play comes as close to 'perfection' as an enthusiast of the Bard could possibly ask for. He refuses to reduce the play to an erotic fantasy, as so many other have done (i.e. the 1999 film), and he rejects the even more common temptation to turn it into a loud, garish costume-ball. In other word, Hall presents the play as Shekespeare wrote it.It relies for its appeal on marvelous words and gestures, not on costumes and special effects.

As for the cast, one only need to look at the big names on the list to see that this production was literally one-of-a-kind. Actually the least famous major player in this company is the one most worthy of note: Paul Rogers, a wonderful character actor and a frequent collaborator of Alec Guinness, is quite possibly the best Bottom that most of us (in this day and age) are ever likely to see. Both Cagney and Kevin Kline were terrific in the major films, but Paul Rogers IS Bottom.

It says something about both film audiences and readers that the 1935 Warner Bros. film with James Cagney is rated more highly on the IMDb than this production. In that pretty but vapid collection of songs and dances, you could hardly hear any of Shakespeare's words, and if you could you would have to cringe, since almost none of the actors could adequately speak the lines. Cagney was good, but the rest was silence. GO WITH THIS VERSION INSTEAD! Fortunately, it was recently made available on DVD.