Avec Django, la mort est là

A solid (if standard) plot, good action, and well directed by an under appreciated filmmaker who churned out many solid entries in the genre. Only one thing holds it back: the lousy acting of Richard Harrison. Harrison had a real knack for detracting from the overall value of the films he appeared in, in all honesty he just could not act. Cast Anthony Steffen, Gianni Garko, or Craig Hill in the lead in this well crafted spag and it would have been something to remember.

Vengeance is directed by Italian horror-maestro Antonio Margheriti, and it proves that he can direct a good western as well.

The hero is a Django-like character named Rocco. Richard Harrison does a fine job in this role. The showdowns between Rocco and the various men he is seeking to kill are suspenseful, entertaining, and very well done, especially the beer glass duel with the character named "Kid" (which I had to watch a couple of times to figure out how "Kid" was cheating).

In the end, it is Claudio Camaso as the main villain "Mendoza" who steals the show. Mendoza is a wonderful character who is kind of a cross between Malcolm McDowell's character in "A Clockwork Orange," and a villain you would see in the Batman TV series from the 1960's. You've gotta love it! It's the American west as it can only happen in Italy, and it is a joy to watch. The music is also great.

Highly recommended to anyone who understands and appreciates the Italian westerns.

A mute, violent hero (the leader of an outlaw band) single-minded in taking vengeance (on the accomplices who have betrayed him)... Well, it looks as though the viewer is off for just another spaghetti western. And during the first undistinguished half, their fears ARE well-founded. But hope should not be given up, all is not lost. Indeed the man at the helm is none other than Antonio Margheriti (aka Anthony Dawson), a pleasant minor master particularly at ease in fantasy films ("Horror Castle", "Castle of Blood"). And when (rather unexpectedly to be true) the director suddenly remembers what he is really good at, the run-of-the-mill flick is metamorphosed into an unidentified (and inspired) cinematic object. "Vengeance" is still a western, complete with duels, showdown and Morricone-like score, but from then on it gets mixed with thriller (the delayed discovery of the traitor; the astonishing flashback unveiling the true facts about the bank robbery) and horror ((the long final sequence in the sulfur mine with its extravagant lightings and baroque framework ; the villain appearing as a grotesque clown). No longer apathetic, the viewer is now agape. The lesson to be drawn is that if you demand more of a film than just B (or Z) features, just have patience and you will be rewarded. Like Rocco, the hero of the story in a way...

(aka: VENGEANCE)

Hercules star Richard Harrison plays Rocco, a half-breed Indian who swears revenge on those who betrayed them for a gold robbery they had done. His best friend Ritchie (Alberto Dell'Acqua) is ripped apart (not shown) by horses tied to his arms and legs. One by one, he tracks them down and kills them. Along the way, he finds out that another best friend, Mendoza (Carlo Camaso) has also betrayed him. He looks tubercular with yellow splotches all over his face.

The two scenes that stand out are in the first saloon fight where Rocco grabs on to a beam from up above and swings his legs up killing a man in the throat with his spurs. The second memorable scene is when Rocco is captured by one of the gang, is tied up and sticks are placed under his eyelids so he can't sleep and the sun will damage his eyes. There's also an ending scene between Mendoza and Rocco in an underground mine turned hideout, that goes on for too long. Rocco gives Mendoza too many chances to kill him making the whole ending seem anti-climatic.

Antonio Margheriti, better known for his horror films, took a time out from his usual shock fests to direct this one and if he had cut ten minutes from the film, it would have made for a tighter story. As it is, it sometimes meanders too much for effect.

The widescreen Elite DVD is pretty basic with a rough, unremastered print that shows it's age in places. No trailer or extras of any kind. At least the dubbing isn't too bad and I was slightly entertained by some of the gun battles and the action it had.

5 out of 10

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It's a standard Spagehetti Western plot: A stranger on the trail of several men who killed his friend/brother/wife/sister/horse. Death Sentence had the same plot, but also had Tomas Milian as an albino who could smell gold. This one has several eccentrics all ready to be killed by Richard Harrison, and works for the same reason.

It helps that Antonio Margheriti is the director too - his camera angles are pretty inventive here, which makes the film a lot more livelier than it would normally be. The set design is good too, so the showdown in a mine stands out a lot.

Richard Harrison is the stranger this time around, turning those steely eyes towards five guys who double-crossed him during a gold robbery and killing his mate by pulling him to pieces by horses. This doesn't go down too well with Richard, who starts his revenge by tracking down Mexican Luciano Pigozzi. Next up his a card player who is sending a red-head to his friend Loredo in another town (Loredo being yet another target for Richard). The red-head also becomes the romantic interest for Richard, as well as a possible captive audience while Richard has a lengthy flashback about the gold heist. It seems eccentric Mexican Claudio Camaso was the mastermind behind the heist, but he disappeared when the ceiling collapsed in the room holding the gold. I bet that's got nothing to do with the mysterious fifth killer at the start of the film!

The best part is when Werner Pochatch turns up as 'the kid' and gets the drop on Richard, holding his eyes open with toothpicks in the midday sun (and that looks genuinely painful, so kudos to Harrison for putting up with that). This is obviously the bit in the Spaghetti Western were the hero gets a drubbing before bouncing back, but this one is done a little differently as a unique duel is set up between the two in a bar. Margheriti does well in building the tension in this bit, although I did chuckle at Harrison's 'nearly blind' acting face.

While not as good as Margheriti's Klaus-Kinski-As-Unstoppable-Killer And God Said To Cain...that two films would make a good double-bill. The man could turn his hand to anything and make it his own. Not only that, he can make a fine entertaining film into the bargain. Claudio Camaso stands out acting wise as the demented Professor, but doesn't get a great amount of screen time. Mariangela Giordano also turns up as his unwilling girlfriend.