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Joanna

  • 1968
  • R
  • 1h 48m
IMDb RATING
5.7/10
526
YOUR RATING
Joanna (1968)
ComedyDramaMusical

A provincial girl is entangled in the mod morality of London.A provincial girl is entangled in the mod morality of London.A provincial girl is entangled in the mod morality of London.

  • Director
    • Michael Sarne
  • Writer
    • Michael Sarne
  • Stars
    • Geneviève Waïte
    • Christian Doermer
    • Calvin Lockhart
  • See production info at IMDbPro
  • IMDb RATING
    5.7/10
    526
    YOUR RATING
    • Director
      • Michael Sarne
    • Writer
      • Michael Sarne
    • Stars
      • Geneviève Waïte
      • Christian Doermer
      • Calvin Lockhart
    • 27User reviews
    • 12Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 nomination total

    Photos25

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    Top cast34

    Edit
    Geneviève Waïte
    Geneviève Waïte
    • Joanna Sorrin
    Christian Doermer
    Christian Doermer
    • Hendrik Casson
    Calvin Lockhart
    Calvin Lockhart
    • Gordon
    Donald Sutherland
    Donald Sutherland
    • Lord Peter Sanderson
    Glenna Forster-Jones
    • Beryl
    Marda Vanne
    • Granny
    Geoffrey Morris
    • The Father
    Michelle Cook
    • Margot
    Manning Wilson
    • Inspector
    Clifton Jones
    Clifton Jones
    • Black Detective
    Dan Caulfield
    • White Detective
    Michael Chow
    Michael Chow
    • Lefty
    Anthony Ainley
    Anthony Ainley
    • Bruce
    Jane Bradbury
    • Angela
    Fiona Lewis
    Fiona Lewis
    • Miranda De Hyde
    Edith MacArthur
    Edith MacArthur
    • Lady Sanderson
    John Owens
    John Owens
    • PC. Dove
    Michael Sarne
    Michael Sarne
    • Film Director
    • Director
      • Michael Sarne
    • Writer
      • Michael Sarne
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews27

    5.7526
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    Featured reviews

    Tirelli

    Odd Period Piece

    Mr. Sarne's portrait of an era, now seems often laughable and ludicrous, not unlike many other feature films that intended to demonstrate the importance of one single period, specially such a difficult one as the 60s - they just seem to loose their punch throughout the years. Although 'Joanna' does provide enjoyable, light moments, most of them are all too heavy handed, and unconnected. The movie relies on a number of senseless episodes to show us the story of a young woman yearning to find an adult identity in London, during the late 60s. What could be a sensible, lovely little story - if properly told - is wounded by Ms. Waite's inexperience, as she sleepwalks through the movie, and can only act appalled and shocked during the major conflicts of the story, Mr. Sarne's hideously pretentious, pompous direction, and Mr. Rod McKuen's tedious soundtrack, only highlighted at the movie's ending, in which the entire cast join in a train station singing the title tune - 'you fill our hearts with hope, your smile's like Cinemascope' - while Joanna departs to have her baby, still, as imature, childish and unprepared as she was in the beginning of the movie.
    William-37

    This is a 60's flick I saw at least four times.

    I knew there was something special about this movie after my law school roommate asked me out of the blue how many times I'd seen Joanna. Turned out he had another friend who spent every weekend looking for this movie in the theaters (we're talking pre-video tape days here folks). I remember being carried away by the romance of this movie, feeling totally part of the London scene it portrayed, and I liked Donald Sutherland (whom I'd never seen act before) quite a lot. I guess Genevieve Waite never made it big as a film actress, but that picture of her clothed only in a necktie that ran in the New York Times ad for this film, with the trailer "Cult Film of the Decade," sure made an impression on me in my early 20's. Highly recommended.
    vccc

    This film was a defining moment in my life

    I remember this film as one which helped to define my life in college in the late 60's. I must have seen it along with my friends 10 times. We had the songs memorized and would sing them everywhere. I can't really understand the negative comments about this film. I would really like to find a copy out there somewhere so I could see it again. Does anyone have a copy?
    5moonspinner55

    Mod window-dressing and flights-of-fancy

    Michael Sarne wrote and directed this odd, sometimes-charming, sometimes-not chronicle of a wide-eyed art student in '60s London who falls in with a decadent crowd. Helium-voiced Genevieve Waite is like a cross between Anne Heche and Shirley Temple. She has fantasies of bathing nude in a pond full of lilies and being dried off by her girlfriend dressed as a maid, and later one featuring the same friend being strangled by her lover. "Joanna" is incongruous: Sarne is in love with old-fashioned trappings and modern techniques. Some of his shots are delectable (Waite crossing a bridge at sunset, or running down a pathway lined with trees), but the film's eye-candy needs something substantial to go with it. As to Waite's Joanna, I never understood the leading character or felt anyone on-screen did either (at one point, the girlfriend says to Joanna, "I don't sleep around as much as you do", but we never get the impression that Joanna is promiscuous--she seems only to want true love). Donald Sutherland gives the film's only solid performance as a fey Lord and the sharp, canny editing keeps the picture popping. Otherwise, the movie is just a mod bauble, and only a hint of true cleverness is left behind. ** from ****
    BudTalley

    One of the worst days of my life

    I remember absolutely nothing about this movie...but I will never forget the night that my wife & I went to see it. It was April 29, 1969. I was 22 years old, had graduated from college the previous June, married and had a 9-week old son. And my life was about to be turned upside down....and possibly ended in Vietnam....as I had to report to the local draft board to be inducted into the army at 9 AM the next morning. For some reason, we decided to go out for dinner and to see this movie. To say that I was in a state of total depression would be putting it mildly. With my mind the state it was in when I saw this movie, knowing that I was about to leave my job, my wife, my 9-week old son & my life as I knew it, I'm afraid that I can't help anyone with any kind of a review....but that night from 50 years ago lives in my memory as if it was only yesterday.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Genevieve Waite had been Michael Sarne's girlfriend, but their relationship was over by the time they made this film together.
    • Goofs
      When Joanna, Lord Sanderson, Beryl, and party go to Morocco (North Africa) for vacation. Joanna gives Sanderson a gift which he calls a compass, but it's actually a sextant, a more complex navigating instrument.
    • Crazy credits
      Panavision is the first thing to be credited. The production seal follows. Then, "This film is entirely fictional..." appears on the screen. Director Michael Sarne is then credited, followed by the rest of the crew members. The actors are not credited. The title of the film appears last and blinks on and off in neon, soft-focus letters.
    • Connections
      Referenced in Pentagon Papers (2017)
    • Soundtracks
      Joanna
      Music and Lyrics by Rod McKuen

      Sung by Chorus

      Published by Twentieth Century Music Corporation-ASCAP

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    FAQ15

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    Details

    Edit
    • Release date
      • April 16, 1969 (France)
    • Country of origin
      • United Kingdom
    • Language
      • English
    • Also known as
      • Çılgınlar
    • Filming locations
      • Alembic House - 93 Albert Embankment, Vauxhall, London, England, UK
    • Production company
      • Laughlin
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 48 minutes
    • Color
      • Color
    • Aspect ratio
      • 2.35 : 1

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