Eva, la Venere selvaggia

While there's something for everyone (almost) in this action sci-fi, it's unlikely to be your most memorable movie experience. Amiable he-man Brad Harris stars as a mercenary soldier who's double crossed by his medic companion (Lawrence) in a bungled heist, but survives to seek revenge upon the mad doctor now experimenting on gorillas with mind control programming.

Aside from the shirtless Harris, flexing his body-built physique as he cavorts in a jungle pool, Tarzan style, there's also the scantily clad trio Esmerelda Barros (as a fabled native girl accompanied by the ubiquitous cheeky chimp), Adriana Alben (as Harris' sultry, former flame) and Ursula Davis as the short-shorts wearing pawn in Lawrence's diabolical plan to lure Harris to his lair for the purposes of programming him for mind control.

There's a great dancing scene to showcase Harris' moves, a couple of violent ape attacks, some safari wildlife-spotting, and the promise of much more that never really eventuates. Like an early James Bond film meets "King Kong" or "Planet of the Apes", it has camp moments, but is mostly just clichéd and boring with an anti climax that's disappointing and uninspired.

The Italian title for this film was EVE, THE WILD WOMAN which makes a lot better sense than the one attached to it for foreign distribution, KING OF KONG ISLAND. There is no king, no kong, and no island! This is the sort of plot that Republic might have made a 12 chapter serial about. A mad scientist is performing brain operations on gorillas deep in the jungle (NOT on an island) to create an army of simian slaves. Why is he doing this? Because he is a MAD scientist and that is what mad scientists do! Enter the hero (Brad Harris from several muscleman movies) and the heroine (Esmeralda Barros as the Eve, the title character) to defeat the madman and restore the natural balance to the jungle.

Eve the jungle girl is topless for the whole picture but her long flowing hair is strategically arranged except at certain dramatic moments. Those gorillas with the stitches in their heads don't look like gorillas at all to me, they look like stuntmen in costumes! It takes forever for the plot to get going; in fact it starts like an action adventure with Harris' character as a mercenary looking for revenge against the guy who double crossed him. The science fiction element and the jungle girl subplot are introduced to wake the audience up later on.

Perhaps if they had thrown in a dinosaur or two and a nice big explosion at the end. Oh well. I am off to watch the old 1944 serial THE MONSTER AND THE APE . . at least that one delivered what the title promised!

We now go to East Africa, where life is cheap but clearly ape suits are expensive. And by Africa we mean a studio back-lot somewhere in Italy that doubles for the "island" in King Of Kong Island.

I must have denghi fever and it's my insane imaginings that jungle B-films were the property of the 1930s and 40s: what could be described as "Apesploitation", or the "Monkeys Going Bananas" genre. And yet in the 1960s, with Planet Of The Apes one of the most popular films of the year ("You dirty rotten stinking apes!") we have Night Of The Bloody Apes (1968) from Mexico, soon followed by the Italian sexploitation film Queen Kong (1976), and Hong Kong's Goliathon/Mighty Peking Man (1977). It may be man's endless fascination with our lesser-evolved simian twins, or we just can't help but get a cheap laugh out of a guy in a monkey suit.

King Of Kong Island opens with a dastardly scientist Dr Muller using stolen goods to fund his surgical experiments on gorillas. Now, seriously, "gorilla"? Even I own a better monkey suit than this. Cut to a hunting expedition led by Burt (Brad Harris, the American actor who played everyone from Samson to Goliath and Hercules) who is ambushed by not one but TWO "gorillas", complete with surgical scars, who kidnap Diana, the most attractive of the group. Despite his previous mission's complete and abject failure, Burt is charged with bringing Diana back, past miles of stock footage - although to be truthful the producers did find a parrot and a cockatoo and a few pink flamingos for a shirtless Burt, who at times resembles a shaved ape himself, to chase around a studio lagoon.

In an amalgam of every thirty-year old jungle cliché, Burt comes across some spooked natives in awe of the Sacred Monkey God, a helpful chimp and a jungle girl called Eva, who can't utter a word of English but speaks fluent monk-ese, which leads Burt to look her square in the eye and ask, "Are you the Sacred Monkey?" Unbelievable. The hunt ends at Dr Muller's underground dungeon-cum-laboratory in the middle of the jungle where the insane megalomaniac - and the King of the title - has turned the apes into radio-controlled zombies, manipulated by an enormous Electronic Brain.

The film was picked up by American producer Dick Randall, an old-fashioned expert in hullabaloo who was as colorful as the characters in his own Z-grade pickups. Born in the US but based mainly in Rome, Randall was the guy who filmed Jayne Mansfield's grieving family a week after her death and immediately edited the footage into his 1968 mondo film The Wild World Of Jayne Mansfield. He also sold the Filipino midget James Bond spoof For Your Height Only (1981) to the world and turned the two foot nine star Weng Weng into an unlikely international superstar. He could sell a chainsaw massacre to Texas with the 1982 Spanish slasher film Pieces, and could sell a turkey-baster to Foghorn Leghorn in the same breath as he sold this turkey.

Did I say "turkey"? I meant "gorilla", and as honorary Great White Hunters we should approach this film with the right spirit, whose concepts are as absurd as the very idea of white colonialism itself.

One of the things I've discovered as I make my way through a bunch of B (or C), movies, is that they seem to plod along forever. We enter this film with a group of crooks turning on each other over some stolen money. As things unwind, we are introduced to a mercenary who was wounded by a man he trusted during the opening scene. He obsesses over revenge. We have a couple of women. One a kind of Rita Hayworth type without the good looks (no offense), and a sixties kind of go go dancing looking type, who can handle a rifle. Her father, who is the Ernest Hemingway type, and her brother live with these people. Anyway, there is a subplot of a mad scientist (why are they always mad?) who has done things to affect the brains of gorillas. They can then be controlled by the scientist (the odd thing is that it also transforms them into upright creatures that look like skinny men in cheap monkey suits). Through a series of convoluted plot developments and some deaths, some tribal unrest, a few organized gorilla attacks, the young go go dancer girl ends up in the clutches of the mad scientist. Somehow she ends up with less clothes on than she used to. The scientist ogles her and has future plans which we can only imagine. There's also a native woman who is a kind of queen of the gorillas. They love and respect her, and she always was able to talk to them and get them to do what she wants. Unfortunately, the brain thing messes this up. Need I go on, There is some ridiculous finale with people exchanging the upper hand. The only thing missing is the word "Aha!" My poorly written explanation actually makes the movie sound better than it is. Sorry!

King Of Kong Island is a confusing piece of B-grade garbage that is saved from being completely unwatchable by the hilarious gorilla effects and a couple of unintentionally hilarious plot twists. The strangest thing about this movie is its absolute incoherence; subplots arise from nowhere and characters behave with all the logic of intoxicated Lemmings. King Of Kong Island is definitely an acquired taste.

Roberto Mauri's film could possess one of the most ridiculous plots in movie history. This crap makes "Santa Claus Conquers The Martians" seem entirely plausible by comparison. Basically, our hero Burt is shot and returns to Africa to find the man responsible. In addition to finding the time for some dubious psychedelic dancing, Burt also manages to fall in love with Diana. Unfortunately, Diana is kidnapped by a group deranged mountain gorillas and Burt is called on to rescue her. If the concept of brainwashed gorillas is not far fetched enough, Mauri throws in a completely random subplot about a wild woman called Eva, who lives in the jungle and converses with animals. Eva is a brazen attempt to throw in some eye candy and inject some much needed sleaze into the fairly tame proceedings. Eva leads Burt to Diana, who is being held captive in a secret lair by a mad scientist.

King Of Kong Island is really not a film that is overly concerned with the smaller details. The gorilla effects literally consist of people wearing poorly made gorilla suits. Diana's kidnapping is hilarious due to the painfully obvious gorilla masks and gloves. Mauri's inattention to detail is further noticeable in the fact that for a "wild" woman, Eva has rather lovely hair and make-up. I pretty much expect (and hope for) poor special effects and ridiculous plot developments in a Roberto Mauri crap epic. However, King Of Kong Island is sloppy to an extent that makes it basically impossible to follow. The film has also dated in the worst possible way. The treatment of the local population as "slaves" is distasteful and Burt's pseudo-comedic groping of Eva is jarring. Thankfully, there are enough stupid gorillas and crazy pieces of 1960s "technology" in the scientist's lair to overlook the general incompetence.

The film does have some impressive qualities. The jungle disco score is excellent, the film provides B-grade icon Brad Harris with a rare starring vehicle and Esmeralda Barros makes an alluring wild woman. King Of Kong Island is a complete mess, but it is a mess worth wading through for fans of this genre. If nothing else, see it for the spectacularly unconvincing gorillas.