Duniya

Duniya (world) is a movie which has been titled on the basis of a song being played in the background of certain intense scenes of the movie. Else, the title has nothing to do with the story which is mainly a family drama in the first half and an intriguing murder mystery cum court-room drama in its post-interval session. The movie is just very very entertaining and can be compared to a delicious spicy dish rendering high satisfaction to the consumer after consumption.

The story of Duniya starts with three children - Mala, her brother Gopal and their friend Amar. Amar's mother (Sulochana) is a married woman but not able to live with her husband who has married someone else. The mother of Mala and Gopal (Mridula Rani) has sympathy for her and she is quite happy to see the love and affection among the children. Gopal has developed stealing habit through bad company and his mother is worried about his future. But Amar who is determined to become a lawyer upon growing up, is confident of helping his friend whenever he faces a trouble in life. Destiny separates the families and consequentially the children. Years later, Amar (Dev Anand) and Mala (Vyjayantimala) come across again and the childhood love gets reignited between them upon their recognizing each other. Things have taken such a turn in Mala's life that after her mother's demise, she has been fostered by Mr. Raam Naath (Balraaj Saahni) who is the public prosecutor in the city court. Amar is his son only but this fact is not known to either of them. Mala is ever concerned about her brother Gopal (Suresh) who has been missing for years. She is unaware that Gopal is serving a baddie, Mohan (Prem Chopra) as his driver under the fake name of Ram Singh. Mohan conspires with the old confident of Raam Naath - Girdhaari Laal (Nana Palsikar) to usurp his wealth and becomes his fake son (claiming to be through his estranged wife terming her as dead now). Raam Naath, believing Mohan to be his son, engages Mala to him knowing very well that she loves Amar. For marrying Mala, Mohan ditches another girl. Further, Mohan's smuggler friends want him to return the evidences of their smuggling business to them but he blackmails them on their basis. Besides, Gopal who recognizes Mala as his sister, is very sorry to see that she is going to be forcefully married to a baddie like Mohan. Thus, the scenario is this that so many people have their respective reasons to desire for Mohan's death. Quite naturally, Mohan is a dead pigeon now.

And he actually gets murdered. Gopal is arrested for his murder and put under trial. Now Mala comes to know that Gopal is none else but her estranged brother only. She first seeks help from Raam Naath to save Gopal's life. However Raam Naath who is still under the impression that Mohan was his son, is hell-bent upon ensuring the strictest punishment for Gopal through the court. Mala, therefore, goes to the shelter of her love, Amar who is also the childhood friend of Gopal. She appeals to his childhood friendship to do something to save Gopal's life. Now the court-room drama starts with Raam Naath as the public prosecutor and Amar as the defense counsel of Gopal. The murder mystery is resolved in the climax, Gopal is released and all the characters of the story who had been separated by destiny, get reunited.

Though the complete movie is entertaining, its most entertaining part is the court-room drama in which very interesting tussle takes place between public prosecutor Balraaj Saahni and defense counsel Dev Anand. Both of them are unaware that they are father and son and they try to outwit each other through arguments and evidences. The storyteller has inserted a very interesting twist in the script after the father's recognizing his son which makes the narrative spicier.

Prior to the mystery angle, the movie keeps the viewers engaged first through the sentimental social drama and thereafter the romance of the lead pair. These parts are also very interesting and do not allow any boredom to creep in. The romance of dashing Dev Anand and gorgeous Vyjayantimala has been given less footage but it tickles the romantic hearts through scenes and songs. The brother-sister track (of Gopal and Mala) is full of sentiments and forms an integral part of the story. Thus the movie offers something to all kinds of audiences. To be honest, the storyteller has done a superfine job and has been successful in keeping the viewer hooked from beginning to end. It's the script of Duniya which makes it a winner.

Shankar-Jaikishan's music is another plus point of this movie. Dooriyaan Nazdeekiyaan Ban Gayeen (Kishore-Asha), Falsafa Pyar Ka Tum Kya Jaano (Rafi), Jawaan Tum Ho Jawaan Hum Hain (Rafi), Duniya Isi Ka Naam Hai (Mukesh-Shaarada) etc. are a treat to the ears of the music lovers. It also contains the famous patriotic song - Yeh Dharti Hindustan Ki (Asha) which has been penned by the famous Hindi poet - Gopal Das Neeraj.

Performances are admirable. Dev Anand is present with his style and mannerisms which make up for his acting deficiency in intense and high tension scenes. Balraaj Saahni is the most impressive performer. Vyjayantimala is not only gorgeous but has acted well too. She is most effective when expressing her love and care for her brother. All others have done their bit to perfection.

Duniya is a movie in which all the entertainment formulae have been mixed in the optimum proportions. Hence the final product is skewed or tilted from no angle. It's perfectly balanced and symmetrical. That's why, it renders a complete satisfaction to the watcher. I unconditionally recommend it to the movie buffs of all categories.

This film of 1968 starring a stylishly young Dev Anand and a beautiful Vaijayanti mala is a treat to old film buffs..

It has a strong story , melodious songs ( dooriyan nazdeekiya by Lata and Kishore stands out) and a dramatic courtroom trial, pitting the formidable Balraj sahni and energetic Dev anand as prosecutor and defense lawyer respectively about a murder which keeps you guessing about the identity of the killer till the last scene..His motive is also established and so this is a real 'feel good' thriller..

No fancy special effects, no Glitz or vulgarity..A bit slow in the first half till it gets to the crime drama part..but its forgivable as you keep watching two good looking stars most of the time, anyway..

Go watch it...

The film works as a romantic melodrama in the first half before seguing into court room sequences. There are multiple twists and turns in the plot to keep anyone hooked. Songs are the Achilles' heel for many Hindi films, but this one has quite a decent score by Shankar - Jaikishan. The runtime of the film is slightly long but that's due to multiple comic sequences unrelated to the plot inserted in between (The character of Johnny Walker acted half as a piece of comic relief only in fifties and sixties).

However, the best is the courtroom sequences between Balraj Sahni and Dev Anand. Whilst the latter plays his role over the top with his usual histronics (which some times are an acquired taste, some people don't take well to his acting style at first), the former plays a perfectly restrained take and comes out on top.

Duniya is a courtroom drama where an advocate(played by Devanand) tries to save his childhood friend. The story in the film is complex and sometimes seems to lose its way. The first half part consists of songs(which are quite good to listen), dances, melodramatic sequences and what not. The character of Johnny Walker is quite out of place in the film and it only serves to extend the runtime of the film.It is the second part where the real drama takes place and the movie comes to its true core. Devanand is both stylish and plays his role with confidence. Vyjantimala is OK, quite melodramatic in her style. The songs, like "Jawan Tum Ho" are a treat to listen to. In conclusion, it is a good courtroom drama(it could have been better had it not been bogged down by the first half).