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Anthea Sylbert, the twice-Oscar-nominated costume designer behind “Chinatown,” “Shampoo” and “Rosemary’s Baby,” died Tuesday. She was 84 years old.

Sylbert died in Skiathos, Greece, according to media reports and as confirmed by Sakus Lalus, who’s directing a documentary on her life titled “My Life in 3 Acts.”

The documentary follows the costumer as she writes her memoir, delving into three decades of Hollywood history.

“Anthea Sylbert is a real trailblazer, not only as a brilliant Costume Designer two-times Oscar nominated, but as one of the few women in those years of the New Hollywood Era who crossed over from the creative and of moviemaking to the world of producing, first as an executive for Warner Bros., for United Artists and then for the SylbertHawn Film Productions, cofounded with her best friend, actress Goldie Hawn,” the documentary synopsis states.

Her designs were first seen on the big screen in Arthur Hiller’s...

Anthea Sylbert, an Oscar-nominated costume designer who worked on some of the signature films of the late 1960s and 1970s, including “Rosemary’s Baby,” “Carnal Knowledge,” “Chinatown,” “Shampoo,” “Julia” and “King Kong,” and a producer later in her career on a number of films starring Goldie Hawn, has died. She was 84.

Her death was confirmed by Robert Romanus, her stepson.

Sylbert, subject of a forthcoming documentary by Sakis Lalas titled “Anthea Sylbert: My Life in 3 Acts,” also served as an executive at United Artists and Warner Bros., at a time when there were few women in the C-suites of Hollywood. She also worked repeatedly with director Mike Nichols, both onscreen and onstage, and was Oscar-nominated for her costuming on period films “Chinatown” (1974) and “Julia” (1977).

Assessing Sylbert’s work on “Chinatown,” GlamAmor, a website dedicated to the history of fashion in film, said in 2012: “Sylbert crafted clothes for Faye Dunaway that...

Anthea Sylbert, the two-time Oscar-nominated costume designer who worked on Rosemary’s Baby, Chinatown, Carnal Knowledge, Shampoo and Julia before becoming a studio executive and producer, has died. She was 84.

Sylbert died Tuesday in Skiathos, Greece, director Sakis Lalas told The Hollywood Reporter. Lalas just finished a documentary about Sylbert titled, My Life in 3 Acts.

Sylbert partnered with two-time Oscar-winning production Richard Sylbert on eight films and with his twin brother, Paul Sylbert — her first husband and another Oscar-winning production designer — on another three.

“Paul is the more bitter, more angry of the two,” she told Peter Biskind in 1993. “Someone once put it this way: Dick is more of a diplomat. He will put the ice pick somewhere in your back, you’re not quite sure, and you sort of feel tickled; Paul, while facing you, sticks it in your gut. I always used to think that if you put them together,...

Victor J. Kemper, the cinematographer behind “Dog Day Afternoon,” “Pee-wee’s Big Adventure,” “National Lampoon’s Vacation” and other notable films, has died. He was 96.

American Cinematographer, the international publication of the American Society of Cinematographers, confirmed the news of his passing on social media.

One of Kemper’s most prominent films is the biographical crime drama “Dog Day Afternoon” (1975), directed by Sidney Lumet and starring Al Pacino. The film, which tells the true story of a 1972 bank robbery and hostage situation in Brooklyn, was nominated for six Academy Awards and was admitted to the National Film Registry by the Library of Congress.

Kemper also had an ongoing collaborative relationship with director Arthur Hiller, working together on films like “The Tiger Makes Out” (1969) and “See No Evil, Hear No Evil” (1989). Other prominent directors he worked with include John Cassavetes, Anthony Harvey, Michael Ritchie, Elaine May, J. Lee Thompson and Elia Kazan, among many others.

Victor J. Kemper, the veteran cinematographer who shot more than 50 features, including Dog Day Afternoon, Eyes of Laura Mars, The Jerk and Slap Shot, has died. He was 96.

Kemper died Monday of natural causes in Sherman Oaks, his son, Steven Kemper, told The Hollywood Reporter.

Kemper earned his inaugural D.P. credit on Husbands (1970), written and directed by John Cassavetes, then shot Elia Kazan’s final feature, The Last Tycoon (1976) and Tim Burton’s first, Pee-wee’s Big Adventure (1985).

Kemper also did six films for director Arthur Hiller — The Tiger Makes Out (1967), The Hospital (1971), Author! Author! (1982), The Lonely Guy (1984), See No Evil, Hear No Evil (1989) and Married to It (1991) — and three in a row for Carl Reiner: Oh God! (1977), The One and Only (1978) and The Jerk (1979).

The New Jersey native said he had to wear ice skates when he photographed the hockey scenes in George Roy Hill’s Slap Shot (1977) and...