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5.9/10
657
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Two young women arrive in London to make it big in show business, and become corrupted by money and fame in the process.Two young women arrive in London to make it big in show business, and become corrupted by money and fame in the process.Two young women arrive in London to make it big in show business, and become corrupted by money and fame in the process.
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I watched this film in its entirety on Youtube (May 2011) and am glad that I did. This film is a time capsule of the styles and faces of the mid-late 1960s and of 'groovy' London. The film offers a cornucopia of great faces of British comedy, all of which add to the mayhem of a loosely directed, pie-in-your-face slapstick comedy.
This film presents you with several extended pie-fight sequences, sixties songs (none of which are famous) and lots and lots of London scenery, the film being shot entirely on location. None of the cast are taking this film seriously and the result is actually quite funny, and adequately entertaining to hold attention for 100 minutes. Rather than feel dated this film is more of a time capsule of an era some 45 years old.
In short, the film is good humoured and worth seeking out. Play spot the actor and cringe at the naff songs which are interspersed throughout the movie. It's too much.
This film presents you with several extended pie-fight sequences, sixties songs (none of which are famous) and lots and lots of London scenery, the film being shot entirely on location. None of the cast are taking this film seriously and the result is actually quite funny, and adequately entertaining to hold attention for 100 minutes. Rather than feel dated this film is more of a time capsule of an era some 45 years old.
In short, the film is good humoured and worth seeking out. Play spot the actor and cringe at the naff songs which are interspersed throughout the movie. It's too much.
8als3
look, if you are looking for deep meaning - or songs that make you want to sing along, then you're looking in the wrong place.
but if you want a kitschy look (i bet even at the time of release!) at the mid-sixties, then look no further! come on! lynn redgrave as a pop-starlet? rita tushingham as a supermodel?? michael york as a photog???? what could be better??? the scenes of lynn belting out her "hit" song are worthy of admission alone! i was also grateful for some of the shots of carnaby street in it's hayday - god, i just wish i were there! this is a movie that mike myers very obviously borrowed from to create austin powers. it has a lot of the same sensibilities.
see the original - maybe skim by most of the songs... but enjoy the ride!
but if you want a kitschy look (i bet even at the time of release!) at the mid-sixties, then look no further! come on! lynn redgrave as a pop-starlet? rita tushingham as a supermodel?? michael york as a photog???? what could be better??? the scenes of lynn belting out her "hit" song are worthy of admission alone! i was also grateful for some of the shots of carnaby street in it's hayday - god, i just wish i were there! this is a movie that mike myers very obviously borrowed from to create austin powers. it has a lot of the same sensibilities.
see the original - maybe skim by most of the songs... but enjoy the ride!
Shortly after seeing this film in 1991 I was offered my 'dream' job and found myself heading down from the north to live in London for the first time. Just like the two girls in this crazy movie.
I loved this when I first saw it. And when I watch it now, it also captures some of the excitement that I felt back in '91.
London is a magical place with a unique feel. I was on a 'high' for the first few months, with a tingle down my spine whenever I walked around famous places. Even now I can't walk down Carnaby Street without visualising Lynn Redgrave skipping down it in the fast-cut musical sequence in Smashing Time. Many of the songs are, to be honest, quite bad. But they are also rather catchy and so stick in the mind.
There are many satirical swipes at the culture of the time. The photographer (Michael York) is David Hemmings in Blow Up. Rita Tushingham is the model Twiggy and Lynn Redgrave is pop star Helen Shapiro. The TV show is Candid Camera.
The '60's slang is also set up. The girls search for a 'switched on' pad and Anna Quayle runs a shop called 'Too Much'. When Rita Tushingham asks if customers won't be put off by the name (in the sense that the goods are 'too' expensive) the true meaning of the phrase is explained to her. The goods are just 'too much' (ie. mind blowing).
John Clive is at his best as the rather camp and slightly Jewish owner of Sweeney Todd's pie restaurant. The pie fight itself is well executed with some neat comic touches, such as the 'queen' who shoots himself when his fashionable suit is hit by a flying pie.
Indeed, Smashing Time is something of a gay cult classic. Murray Melvin appears as a gay character (as he did a few years earlier in A Taste of Honey, again with Rita Tushingham).
Other familar faces of the period include Arthur Mullard, Irene Handl and Ian Carmichael and there are interesting glimpses of locations as they were 30 years ago -- including the railway station at St. Pancras.
This is definitely a film you will want to watch again and again. You'll never tire of the musical and comic set pieces.
Unfortunately it is very rarely shown on TV in Britain. I haven't seen it on terrestrial TV since 1991 and it is not currently available on either video or DVD in the UK.
G.
I loved this when I first saw it. And when I watch it now, it also captures some of the excitement that I felt back in '91.
London is a magical place with a unique feel. I was on a 'high' for the first few months, with a tingle down my spine whenever I walked around famous places. Even now I can't walk down Carnaby Street without visualising Lynn Redgrave skipping down it in the fast-cut musical sequence in Smashing Time. Many of the songs are, to be honest, quite bad. But they are also rather catchy and so stick in the mind.
There are many satirical swipes at the culture of the time. The photographer (Michael York) is David Hemmings in Blow Up. Rita Tushingham is the model Twiggy and Lynn Redgrave is pop star Helen Shapiro. The TV show is Candid Camera.
The '60's slang is also set up. The girls search for a 'switched on' pad and Anna Quayle runs a shop called 'Too Much'. When Rita Tushingham asks if customers won't be put off by the name (in the sense that the goods are 'too' expensive) the true meaning of the phrase is explained to her. The goods are just 'too much' (ie. mind blowing).
John Clive is at his best as the rather camp and slightly Jewish owner of Sweeney Todd's pie restaurant. The pie fight itself is well executed with some neat comic touches, such as the 'queen' who shoots himself when his fashionable suit is hit by a flying pie.
Indeed, Smashing Time is something of a gay cult classic. Murray Melvin appears as a gay character (as he did a few years earlier in A Taste of Honey, again with Rita Tushingham).
Other familar faces of the period include Arthur Mullard, Irene Handl and Ian Carmichael and there are interesting glimpses of locations as they were 30 years ago -- including the railway station at St. Pancras.
This is definitely a film you will want to watch again and again. You'll never tire of the musical and comic set pieces.
Unfortunately it is very rarely shown on TV in Britain. I haven't seen it on terrestrial TV since 1991 and it is not currently available on either video or DVD in the UK.
G.
WARNING : This is a very silly film. :D . Therefore, watching it in the right state of mind will make you laugh a lot. You will be irritated if in the wrong mood.
The story of two northern lasses, Yyvone and Brenda (Redgrave & Tushingham) who come to London to get down with the cool hepcats. The film documents in astonishing cinema-verite style the trials and tribulations of late 60's living and partying. There is fantastic irony in some sections of the film, particularly the Gauche perfume adverts that Brenda does..truly astonishing in fact - examples of post-modernism at it's finest. Michael York is wonderfully hammy as the swinging photographer who weaves in and out of Yyvone and Bren's lives on a regular basis with only thought of himself.
Two fantastic restaurant sequences as well...you just can't beat a good food fight! I must admit I've always had a huge crush on Rita Tushingham, which helped me through some of the lamer comedy moments, but overall it's light enough to be enjoyable.
Oh yeah, the music is absolutely awful, but I think that's intended. At least I hope so..please tell me it's meant to be a parody??
6/10.
The story of two northern lasses, Yyvone and Brenda (Redgrave & Tushingham) who come to London to get down with the cool hepcats. The film documents in astonishing cinema-verite style the trials and tribulations of late 60's living and partying. There is fantastic irony in some sections of the film, particularly the Gauche perfume adverts that Brenda does..truly astonishing in fact - examples of post-modernism at it's finest. Michael York is wonderfully hammy as the swinging photographer who weaves in and out of Yyvone and Bren's lives on a regular basis with only thought of himself.
Two fantastic restaurant sequences as well...you just can't beat a good food fight! I must admit I've always had a huge crush on Rita Tushingham, which helped me through some of the lamer comedy moments, but overall it's light enough to be enjoyable.
Oh yeah, the music is absolutely awful, but I think that's intended. At least I hope so..please tell me it's meant to be a parody??
6/10.
'Smashing time' is a well-made English comedy, set in the famous Swinging London of the mid-Sixties. And shot in the same city in the same period, adding extra authenticity.
This film is just fun, without any pretense. The hilarious interaction between Rita Tushingham and Lynn Redgrave, successfully coupled as girlfriends, makes it work. Some of its scenes are clearly inspired by Laurel and Hardy.
'Girlfriends', I said. This friendship between the two heterosexual female leads is devoid of any sex. Such a formula wouldn't probably sell today, but back in the Sixties it did. A friendship of this kind makes this film's core.
This film is just fun, without any pretense. The hilarious interaction between Rita Tushingham and Lynn Redgrave, successfully coupled as girlfriends, makes it work. Some of its scenes are clearly inspired by Laurel and Hardy.
'Girlfriends', I said. This friendship between the two heterosexual female leads is devoid of any sex. Such a formula wouldn't probably sell today, but back in the Sixties it did. A friendship of this kind makes this film's core.
Did you know
- TriviaBefore filming Austin Powers : L'Espion qui m'a tirée (1999), Michael York advised Mike Myers to watch 2 Anglaises en délire (1967) to get a feel for the Swinging Sixties.
- GoofsMoments after Brenda has fallen into a mud puddle twice, her clothes are clean and dry.
- ConnectionsFeatured in Film Review: Backs British Films (1968)
- SoundtracksSmashing Time
(uncredited)
Music by John Addison
Lyrics by George Melly
Performed by Lynn Redgrave and Rita Tushingham
Main Title Song
- How long is Smashing Time?Powered by Alexa
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- Smashing Time
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- Budget
- $630,000 (estimated)
- Runtime1 hour 36 minutes
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- 1.85 : 1
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By what name was 2 Anglaises en délire (1967) officially released in Canada in English?
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