A reporter stumbles upon weather experiments on a tropical island, discovering giant mantises, a castaway woman, and an infant monster that Godzilla must adopt as his own.A reporter stumbles upon weather experiments on a tropical island, discovering giant mantises, a castaway woman, and an infant monster that Godzilla must adopt as his own.A reporter stumbles upon weather experiments on a tropical island, discovering giant mantises, a castaway woman, and an infant monster that Godzilla must adopt as his own.
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Son of Godzilla (1967) shouldn't be the first Godzilla movie you see, or even the second or third. With the Godzilla suit from Invasion of the Astro Monster (1965) torn and frayed, a new one was constructed. Unfortunately, it is one of the most poorly designed suits in the series - bulky legs, large doll-like eyes, and a toad's head. However, it is arguably better than the one audiences would behold six years later in Godzilla vs. Megalon. If you have small children and want to introduce them to kaiju films, I recommend Son of Godzilla.
This movie is directed by Jun Fukuda (Godzilla vs Mechagodzilla) and stars Masaaki Daimon (Lady Snowblood), Reiko Tajima (Godzilla vs Mechagodzilla), Akihiko Hirata (Godzilla, 1954) and Masao Imafuku (Kill!).
Not a huge fan of this particular depiction of Godzilla but his emergence and observations from the plane were fun. The science laboratories and sets are always well done in these pictures. The praying mantis are awesome. I always enjoy the glowing eyes of the monsters in these pictures. I always felt the baby Godzilla in this looked like a turd, and it's funny seeing how even Godzilla gets annoyed taking care of kids sometimes. The training scenes, spiders and ending battle were really good.
Overall I can't say this is a "good" movie but it is a very entertaining one. I'd score this a 6/10 and strongly recommend it.
Godzilla protects Minya and teaches him lessons; and in one of the climactic scenes, the son fights for his father's life; this is poignant. The scene at the end of the film in which father and son embrace to huddle from the cold is touching. If you divorce this from the typical Godzilla movie, what you are left with is a movie about a very close bond between father and son. I think I'm probably the only one who appreciates this movie on this deep a level.
One question: What Hollywood movie has a positive view of a father and son relationship?--- This movie made me very emotional, go figure. In short, if you want to see a typical camp Godzilla, look elsewhere. If you want to see something with emotional content; see this movie
8++++++/10
Son of Godzilla is the eighth film in the Godzilla series and the second to be directed by Jun Fukuda as the original team of Ishiro Honda and Eiji Tsubaraya were assigned to the Rankin-Bass co-production of King Kong Escapes following a previous attempt going awry which lead to Ebirah, Horror of the Deep. Per the direction of Toho, Son of Godzilla like Ebirah also saw itself set on an island location as a cost saving measure and were also directed to make a movie appealing to the date crowd with the idea that a "cute" baby Godzilla would appeal to women. In the years since its release it's gained a reputation as being one of the lesser films in the series as well as introducing the divisive character of Minilla and you can certainly see why in the end result.
In terms of the effects work the human structures look better than the ones like the Red Bamboo's fortress from Ebirah (most likely because they don't try to get too ambitious with it) and the effects work used to bring to life the Gigantises and Spiga the giant spider are nice looking in a way that almost reminded me of something like Them!. Godzilla's appearance isn't at the height of the Showa era as from certain angles his eyes maybe feel a bit too pronounced, but at least his characterization feels more consistent from Ebirah where he was shoehorned into a King Kong role. And then we have Baby Godzilla or as he'd come to be known Minilla. Charitably speaking Minilla could be described as a "love him or hate him" character in the series and he does have defenders but I'm not among them. While I'm not against the idea of Godzilla having offspring (I thought Godzilla vs. Mechagodzilla II handled that quite well), Minilla's design just doesn't look appealing and I think it comes from how they've tried to anthropomorphize it too much. Minilla's face is more sunken in compared to Godzilla and complete with a more stout and wobbly appearance it feels like they've made a hybrid of 40% of Godzilla's trait with the remaining bit seemingly modeled roughly on the appearance of a human one-year old or less baby and it does not work at all and just looks off. The movie also continues the trend of more anthropomorphic behavior with Minilla and Godzilla and coupled with the repetitive and often grating noises Minilla makes a lot of scenes that try to be cutesy just don't work. In terms of the monster fights Gigantis and Spiga don't pose much of a challenge to Godzilla and I felt they were good monsters for something like a "man vs. Monster" type story, but in a Godzilla movie they don't measure up.
As with the last few movies the humans aren't terribly interesting with the only real character coming from Maki Goror and Saeka played by Akira Kubo and Bibari Maeda respectively, but that's only by comparison most of the science team on the island is pretty interchangeable with not much sense of identity established to them.
Son of Godzilla is a series entry I don't typically revisit and for pretty good reasons. While some of the effects work on Spiga or Gigantis is commendable, many of the issues seen in Ebirah are carried over. Hardly the worst of the series, but also not reaching the level of "good".
Did you know
- TriviaA pool was set up on stage nine during the production (stage nine is one of the largest on Toho's lot in Setagaya). They used the pool, which was about five feet deep, to film the shot of Godzilla rising above the surface of the ocean. Haruo Nakajima (the actor in Godzilla suit for the water scenes) was on a cart on a rail. He held onto the handle of the cart while it was towed by a truck. As the cart moved forward, he slowly rose out of the water. He wore a very tiny air cylinder that contained enough air for about ten minutes. The water that rushed by his face while the cart was being towed made it very difficult for him to prevent the mouthpiece from coming out of his mouth.
- GoofsBlack vertical connection lines are clearly visible on the sky backdrop in every shot during the monster scenes.
- Quotes
Goro Maki: [Godzilla and Minya are close by] Riko, I think they spotted us.
Riko Matsumiya: No, it appears to be teaching its son.
Goro Maki: Teaching its son?
[Riko nods]
Goro Maki: It's teaching its son all right. And, he's teaching its son just like people teaching its children, just like a papa.
Riko Matsumiya: Well, it is a papa, isn't it?
Goro Maki: Well sure, but I wouldn't want one like that.
Riko Matsumiya: Nor I, everything's relative I guess.
Goro Maki: You're right.
- Alternate versionsThe Japanese version includes a prologue featuring Susumu Kurobe and Kazuo Suzuki viewing Godzilla from the air.
- ConnectionsEdited into La Revanche de Godzilla (1969)
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Details
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- Son of Godzilla
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Box office
- Budget
- $900,000 (estimated)
- Gross worldwide
- $255
- Runtime1 hour 26 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1