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I'm doubtful that Star Trek: Legacy will actually happen at least, as long as one other particular Star Trek series is still airing. Like many other fans, I was excited by the prospective new Star Trek series Star Trek: Picard season 3 set up that would follow the adventures of Captain Seven of Nine (Jeri Ryan), Commander Raffi Musiker (Michelle Hurd), and Ensign Jack Crusher (Ed Speleers), aboard the newly rechristened USS Enterprise-g. Star Trek: Picard showrunner Terry Matalas proposed the title Star Trek: Legacy, and fan campaigns to get Legacy off the ground were started, but there's been no word from Paramount about Legacy actually happening.

Instead, the next two new Star Trek series have been announced, and neither of them are Star Trek: Legacy. First up is the 32nd-century-set Star Trek: Starfleet Academy, starring Holly Hunter, Paul Giamatti, several legacy Star Trek characters, and a new crop of...

Indie Sales has hopped aboard Across The Sea, French-Moroccan director Saïd Hamich Benlarbi’s second feature that will premiere as a special screening at Cannes’ Critics’ Week.

Moroccan TV star Ayoub Gretaa stars in the Marseille-set 1990s melodrama as Nour, an undocumented immigrant from Morocco with big dreams whose life turns upside down when he meets a charismatic police officer and his wife and a love triangle unfolds.

Anna Mouglalis and Grégoire Colin co-star in the decade-spanning film that follows Nour as he grows older, explores love and seeks a better life amidst the backdrop of the Rai music-focused party...

London-based outfit Dogwoof has boarded international sales for the Sundance title “Look Into My Eyes,” from director Lana Wilson. Dogwoof will attend Cph:Dox, where the film will receive its European premiere next week.

The filmmaker’s previous films include Emmy Award winner “After Tiller,” “The Departure” — also handled by Dogwoof — and the Taylor Swift documentary “Miss Americana,” and she also directed the two-parter “Pretty Baby: Brooke Shields,” which earned two Emmy nominations.

“Look Into My Eyes” follows a group of New York City psychics who conduct deeply intimate readings for their clients, revealing a kaleidoscope of loneliness, connection and healing. Wilson sets her gaze on the private lives of seven unconventional healers and creative types searching for solace and struggling to make dreams come true in a city of eight million people.

The deal for international sales rights was brokered between Dogwoof’s chief content officer, Oli Harbottle, and Jason Ishikawa,...

I am not a “spiritual person.” I only believe in God during bumpy flights and New York Rangers playoff games, I only go to temple to make my mother happy, and I only believe in life after death because the movies — photographs and video of any kind, really — allow us to summon our most beloved ghosts at will. In that light, it should come as no surprise that I’ve never placed much faith in the work of psychics or seers, even though New York seems to have two storefront fortune tellers for every Starbucks. And yet, I suppose it should also come as no surprise that only a movie could have the power to convince me otherwise, or at least to make me better appreciate the nature of what psychics do and the mutual need they share with the people who turn to them for peace of mind.

It...

Lana Wilson’s new documentary “Look Into My Eyes” casts a sympathetic view of an oft-mocked part of society: psychics and the clients who trust them. The feature debuted at the Sundance Film Festival on Monday at the Egyptian Theater in Park City, and was followed by a Q&a with Wilson, producer Kyle Martin, editor Hannah Buck and four of the featured psychics.

During the film, which consists of consultations between psychics and their clients, as well as diving into the personal lives of the psychics themselves, emotions were up and down as the mediums acted as de facto therapists to many people who didn’t know where to turn. For example, one psychic is an expert on communicating with animals, which drew initial chuckles from the audience until the clients explained how their companions would help them manage an abusive relationship, or be a lifeline for loneliness. One...

Lana Wilson was in her mid-twenties and working for a non-profit in New York City when she learned that George Tiller, the medical director of one of the only clinics in the U.S. that provided third trimester abortions, had been assassinated by an anti-abortion terrorist.

“I was so horrified and so disturbed by the news — and how the media was covering it,” she recalls to Rolling Stone.

She’d been “too cowardly” (her words) to make a film up to that point but couldn’t stop thinking about one...

The JoBlo Original video covering Dawn of the Dead‘s physical media and digital releases was Written by Paul Bookstaber, Edited by Lance Vlcek, and Narrated by Kier Gomes.

Would it be a total buzz kill to find out one day, when you decide to open your streaming service and see some of your own digital copies gone in an instant? What if you didn’t have the chance to pick up a physical copy as backup, when it was put on store shelves at your local retailer months or years prior? Chances are, it’s happening much more frequently and that’s a sad, hard pill to swallow. As an avid film collector and movie junkie, I always preorder a steelbook of my favorite films that I need to obtain for my own volition, but it seems that window is getting much harder as well – thanks Best Buy for...

Polish filmmaker Jerzy Skolimowski, whose sixty-year career in cinema has included the highest honors of the Berlin, Venice and Cannes film festivals, received an invitation to attend China’s Shanghai International Film Festival earlier this year while he was in Los Angeles for the Academy Awards, where his latest movie, Eo, was nominated for an Oscar. Skolimowski says he accepted the surprise invite — which included serving as Shanghai’s jury president for the festival’s 30th-anniversary edition — for reasons both “very private and a little sentimental.”

Skolimowski, 85, revealed those reasons on stage Friday at the Shanghai Grand Theater, during the festival’s opening ceremony.

“My father was born in North East China over 100 years ago, where my grandfather, the famous Polish architect, Kazimierz Skolimowski, devoted himself to designing the urban plan for one of the great cities 1,000 kilometers from here,” Skolimowski said during his brief remarks before the mostly Chinese crowd.

Brooke Shields is sharing the source of her strength.

On Wednesday, a new teaser dropped for the upcoming documentary from ABC News, “Pretty Baby: Brooke Shields”, all about the iconic actor and model.

Read More: Brooke Shields Details Rape After Graduating From Princeton: ‘I Just Absolutely Froze’

“I spent my life owing people things and doing whatever they wanted,” Shields says in the teaser. “Finally, I asked myself, ‘Who will I be if I don’t allow that anymore?'”

The documentary is described as “a galvanizing look at actor, model and icon Brooke Shields as she transforms from a sexualized young girl to a woman discovering her power. Holding a mirror up to a society that objectifies women and girls, her story shows the perils and triumphs of gaining agency in a hostile world.

“The film follows Shields through her extraordinary childhood and complex relationship with her mother and manager,...

Above: Polish poster for The Battle of Algiers (Gillo Pontecorvo, Italy/Algeria, 1965). Designer: Jerzy Flisak.As the 55th New York Film Festival winds down this weekend, I thought I’d look back half a century at the films of the 5th edition. That 1967 festival, programmed by Amos Vogel, Richard Roud, Arthur Knight, Andrew Sarris and Susan Sontag, featured 21 new films, all but three of which were from Europe (six of them from France, 2 and 1/7 of them directed by Godard), all of which showed at Lincoln Center’s Philharmonic Hall. (They also programmed Gance’s Napoleon, Mamoulian’s Applause and King Vidor’s Show People in the retrospective slots). The only director to have a film in both the 1967 festival and the 2017 edition is Agnès Varda, who was one of the directors of the omnibus Far From Vietnam and was then already 12 years into her filmmaking career.It will come as...

Skolimowski at work, from the December 1968 issue of Films and Filming,

via chained and perfumed.

Jerzy Skolimowski's comeback as a director after a break of nearly two decades threw many for a loop. The year was 2008, the venue was Cannes and the film was Four Nights with Anna. "Wait, what is this, exactly?" asked Daniel Kasman here in The Notebook. The answer Patrick Z McGavin settled on: "a small but crucial movie," and Skolimowski would follow it up with Essential Killing, which provoked far more resolute reactions, both positive and negative, when it premiered last fall in Venice.

Last month, Deep End (1970) emerged from legal limbo and, restored, it's currently touring the UK and sees a release on DVD in July. Now the full-blown retrospective The Cinema of Jerzy Skolimowski is on at the Museum of the Moving Image in New York through July 3 and, in Los Angeles, Cinefamily...

At the 2010 Venice film festival, when Essential Killing won the special jury prize, its director Jerzy Skolimowski announced: "For those who like me – I'm back; and to those who don't like me – I'm back."

There's much of the man in that wry, pugnacious stance. But what does "back" mean for a Pole who will be 73 this May, and who took nearly 20 years out of a film-directing career to be a painter? How will "back" turn out for one of film's least compromising mavericks? As far as I can tell, Britain is only the second large market to give Essential Killing a release (after Poland) – with no takers in the Us. But a story about a Taliban fighter (Vincent Gallo) who kills Americans in the Afghan desert, is captured and tortured, then flown back to Europe and able to escape into the deep snow, will not compete easily with Adam Sandler.