L'Araignée

Hell I wasnt even really thought of when this show first came out. I use to watch it on Fox 5 in NYC with my dad when I was 3....that was about 20 years ago. This was definetly the best of the 60s Marvel cartoons. I preferred the first ones, I liked the Bakshi ones, but I liked the shorts because they mostly used the comic villains. The Bakshi ones didnt start using real comic villains towards the end. Fox Family occasionally shows it, but rarely. If you can find videos of this series at comic stores pick them up. This was a great show.

I grew up watching this series in the early 1970s, and I'm happy that someone finally placed them onto DVDs. The set of 6 discs is rather deep, with all the episodes filling the DVDs. It's rather thin on extras. But there are what, 3 hours per disc? And the episodes are in chronological order, from the first to the final episode.

Some of the episodes weren't digitally remastered, as most seem to have been, but heck, when I compare them to the VHS tapes I used to purchase at comic book shows where the tapes were recorded from UHF stations yielding poor reception, I won't complain. I'm just glad they're here. For the price, it's plenty of bang for the buck.

As for the episodes, Ralph Bakshi took over as producer midway through the run of the original episodes (his cartoons can be found about midway through the third DVD). Reading through postings on the net, people have said that Bakshi took over and operations moved from Canada to the US when it was cheaper then to produce the animation in the states... and some staff cutting was done while the episodes were still cranked out at a good pace. Hence, people claim, a good bit of regurgitation of characters and plot lines increased. FYI, the Canadian episodes had Spidey webbing in clear skies, while the Bakshi episodes introduced eerie, watercolored skies.

I'm a visual guy, and love the vibrant tones. Plus, it seems as though the music picked up a lot with the change. I just "dig" the way the music sounded. You can even hear a musician yelp every now and then in some jam sessions. So, I can't go Bakshi bashing. Usually, it's the networks that trim budgets, and Bakshi, I feel, had to make due. He did the best he could, I think, and I bet that if the budget had been fat, Bakshi would have had the animators take time and add depth and detail.

The thing that really made this show special was the music. Bachelor pad band leader Ray Ellis composed, and conducted a wide range of dramatic secret-agent-style cues for the first season, and these bits got reused to good effect in the following seasons. Bob Harris and Paul Francis Webster contributed the theme song with its frenetic off-kilter drum riffs. Starting in season 2, the creators began dipping into the KPM music catalogue bringing to light ice-cool jazz gems such as Syd Dale's "The Hell Raisers" and David Lindup's "Stand By." Some of the same cues would later pop up in TV shows such as "Dallas." Paul Kligman's J. Jonah Jameson and Paul Soles' Peter Parker voice work was absolutely wonderful. It's hard not to imagine their voices when reading the comics.

The animation art is fairly dynamic, and resembles the work of John Romita who served as a consultant. Comic artist Gray Morrow even worked as one of the animators. Ralph Bakshi who would later become famous for "Lord of the Rings" and "Fire and Ice" took over as director in the second season. The most obvious mark of his influence was the dark multi-coloured clouds that appeared as backgrounds in some of the more psychedelic episodes.

Overall one of the more interesting animated series' of its time.

The music, the mood, the voice acting - everything was great, and some of it is timeless. Some of it is dated, true, but it is the best cheesy fun out there! I can't think of the voice of Spidey or JJJ without thinking of this show - which had AMAZING music - very moody and fun! Try it and love it!

The animation was not great by present standards, but through the age of 12 or so this series hit the spot. Further, though they leaned heavily on repeating with stock footage, most of it was pretty good and represented the action and strength of the character well. Every once in a while they turned the background sideways or something and achieved a startling effect without using new elements.

I love that Peter Parker sounds like a boy and Spidey sounds like a man. It's the uni, don't you know.

They best part for me is the theme song, one of the best of all time, and all of the incidental music (even the bulk of the special effects). Crime jazzy and dark. All of the episodes had great, swinging musical textures and overtones.

The Bakshi stuff is stellar. Really idiosyncratic and daring. Spidey ends up removed to different dimensions and levels of the earth, battling the supernatural than the super- villainous. The humans are generally pawns caught in a cosmic battle between good and evil and Spidey comes through, natch. The oft-referred to backgrounds (black, dark blue, purples, fiery reds, etc., were awesome, as were the castles and thorny, leafless backdrops (ala Sleeping Beauty). The color schemes were sickening (purple and off greens with splotchy reds and hints of bruisy yellow. Brilliant. The music also took a further leap from poppier crime jazz and soda stand teen rock to psych-out freak rock interludes, darker crime jazz, and even odd sci-fi and kraut-rockish stretches. Watch the first episode on disc 3 or 4, the one with the Mole Men. The music is absolutely incredible.

My two kids, 3 and 5, respectively, love these Spider-Man cartoons. They hold up for me, as well.