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Just about every movie buff knows that Clint Eastwood shot to international fame after starring in Sergio Leone's "Dollars Trilogy," but what came next? It's a good pub quiz question because many people might leap straight to the year 1968 when a trio of hits cemented his status as one of Hollywood's top tough guys: "Hang 'Em High," "Coogan's Bluff," and "Where Eagles Dare." But tucked away in his filmography is a forgotten 1967 Italian movie called "The Witches," not to be confused with the Hammer production of the same name from the year before. Originally titled "Le streghe" in Italian, it's an offbeat anthology movie that isn't a horror film at all and has very little to do with witches, unless you squint really hard at its themes.

"The Witches" was the brainchild of legendary producer Dino De Laurentiis, who would later make an impact in Hollywood with the 1976 "King Kong" remake,...

Austrian actor Helmut Berger, who became a star of 60s and 70s art cinema with roles in films such as Luchino Visconti’s The Damned, and Ludwig and Joseph Losey’s The Romantic Englishwoman, has died aged 78. His death was announced by his management agency, which posted a statement on its website saying Berger had “passed away peacefully but unexpectedly” in Salzburg, the city where he grew up.

Born Helmut Steinberger in the Austrian spa town of Bad Ischl in 1944, Berger studied acting in London before moving to Italy, where he met and began a relationship with acclaimed director Luchino Visconti, nearly 40 years his senior. Visconti gave him his first acting role, a small part in the comic anthology The Witches, and subsequently cast him in a spectacular role in his landmark 1969 epic The Damned.

By Howard Hughes

New to DVD in the UK is ‘Arabella’, an Italian period comedy set in that hotbed of hilarity, pre-wwii fascist Italy. Virna Lisi stars in the title role – known variously in the film as Arabella Danesi and Arabella Angeli – who determines to save her grandmother from destitution by finding ingenious ways to pay off her elderly relative’s crippling tax bill.

The film is structured rather like those 1960s Italian portmanteau comedy-dramas, such as ‘Yesterday, Today, Tomorrow’, ‘The Witches’ or ‘Woman Times Seven’. Such films were intended as vehicles for one female star, be they Sophia, Silvana or Shirley, to demonstrate their versatility in a variety of roles. But instead of separate stories, with different characters, ‘Arabella’ has one continuous story arc, with Lisi’s sexy heroine adopting various costumes, personas and wigs to seduce and blackmail her way through a string of lovers, who are then...

Tremors? Nightbreed? Sundown: The Vampire in Retreat? 976-evil? Are all on the list this year. And though there were not huge horror wins in sound editing through screenplays, the Technical Awards never cease to bring out the horror veterans. Notably Tim Drnec who contributed to such VHS classics as Alien Seed, Destroyer, and Prison won for his work on “Spydercam 3D volumetric suspended cable camera technologies.” An award also shared with Ben Britten Smith and Matt Davis who both also worked on Constantine.

But among all the winners, the Academy also honored some great loses in 2010. And though they mentioned some of our heroes, Dennis Hooper (Texas Chainsaw Massacre 2), Kevin McCarthy (Invasion of the Body Snatchers) and Dino de Laurentiis (King Kong), they did not mention Zelda Rubinstein or Corey Haim. But we will in this last section and the others lost to us last year.

So farewell fight fans and remember,...

If you've been following my obsessive train of thought, you may have noticed I have been watching a lot of Clint Eastwood lately. I discovered this little gem sometime around Christmas while searching for something completely unrelated to him -- and I'm finally breaking down and posting it.

This is a segment from 1966 Italian arthouse film The Witches (Le Streghe), which was essentially a comeback showcase for Silvana Margano. It was barely distributed, and pretty much shelved, but occasionally pops up on television or at late night screenings. This segment features a baby-faced Clint Eastwood as the thing he would never play again -- a mild-mannered nerd getting his ass kicked by Batman. Just that part of the YouTube description was enough to make me watch it. Eastwood is bizarrely cute in it (keep your eyes out for the blink and you miss it moment of "nudity"), which leads me to a "What if?...